Engagement 1.0 - Understanding Fan Interaction

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  • + vitorelman vitorelman 5 months ago
    Please do it as soon as possible! I’m veeeeeeery curious to listen!
  • + ivanaskwith Ivan Askwith 8 months ago
    Thanks, changmit! We really enjoyed getting the chance to talk with everyone. As soon as the podcasts are posted on SXSW.com, I’ll also update the slideshow to sync up with the audio, for those who want to follow along with the full presentation.
  • + changmit changmit 8 months ago
    best session I attended at the conference about how fans become rabid and on the opposite ends what you can do to kill off fan excitement.
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Engagement 1.0 - Understanding Fan Interaction - Presentation Transcript

  1. ENGAGEMENT 1.0 Understanding the History of Fan Interactivity #sxsw-fans
  2. Ivan Askwith (@ivanovitch) Senior Strategist, Big Spaceship think.bigspaceship.com Henry Jenkins (@henryjenkins) Director of Comparative Media Studies, MIT www.henryjenkins.org Abigail De Kosnik (@De_Kosnik) Asst. Prof, UC Berkeley Center for New Media bcnm.berkeley.edu
  3. why not engagement 2.0?
  4. who are fans?
  5. sci-fi / fantasy
  6. sports fans
  7. brand fans
  8. we’re all becoming fans.
  9. friending a brand
  10. from fandom to engagement.
  11. five patterns of engagement
  12. 1. identification
  13. 2. mastery
  14. baseball stats
  15. 3. production
  16. 4. participation
  17. 5. appropriation
  18. five patterns of engagement 1. identification 2. mastery 3. production 4. participation 5. appropriation
  19. \"Web 2.0 is Fandom Without the Stigma\" -- Henry Jenkins
  20. Fans As Early Adapters and Adopters
  21. Fandom as Virtual Community
  22. Fandom as Social Network
  23. Fandom as Consumer Activism
  24. Fandom as Participatory Culture
  25. Fan Communities/Brand Communities
  26. Fandom and Informal Learning
  27. Fandom and Globalization
  28. Fandom as Remix Culture
  29. Fans as Influencers
  30. Fandom and User-Supported Television
  31. \"We had so many stories to tell and there was only so much room in the TV show -- so we decided that we could tell these alternative stories in the comics. The stories could be deeper, broader and reveal more secrets about our characters. It was also a way to tell stories that would be otherwise un-produceable on our show.\" -- Aron Eli Coleite and Joe Pokaski on the Heroes comics.
  32. Fans as Experts
  33. “WIKIMEDIA”- Robert Kozinets
  34. Fandom and Collective Intelligence
  35. Barack Obama, Fan in Chief
  36. Should Fan Produc.ons Be Free? Abigail De Kosnik SxSW Interac.ve 16 March 09
  37. Fans Make Things In‐Person: Trade and Sell Online: “GiJ Culture” (and Sell)
  38. Media References to Fan Fic.on
  39. FanLib.com: The First (Failed) ATempt at  Mone.za.on
  40. Commercial Fan Produc.on: Hip‐Hop
  41. Commercial Fan Produc.on: Doujinshi
  42. Commercial Fan Produc.on: Fan Films
  43. Commercial Fan Produc.on: Game Mods
  44. Commercial Fan Produc.on: Literary Appropria.ons
  45. Fan Fic.on Genre: “Porn BaTle”
  46. Fan Fic.on Genre: Literary Fic
  47. Ivan Askwith (@ivanovitch) Senior Strategist, Big Spaceship think.bigspaceship.com Henry Jenkins (@henryjenkins) Director of Comparative Media Studies, MIT www.henryjenkins.org Abigail De Kosnik (@De_Kosnik) Asst. Prof, UC Berkeley Center for New Media bcnm.berkeley.edu STEAL OUR SLIDES! slideshare.net/ivanaskwith
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