Earlyarts A Joined Up Future

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    Notes on slide 1

    Zip open minds for an incredible roller coaster ride today Open minds to seeing and having experiences you may never before have had Commit yourselves to taking back three key things, no matter how small, that you will put into practice and improve your work from Monday onwards If you believe in what you see, hear and experience today, Take on the responsibility of becoming a Champion for bringing creative practice to the heart of children's learning and Spread the word. Familiarise your selves with the resources all around you which can support your work, your research and ongoing professional development when conferences like this are over – earlyarts / small size / int exchange prog are just three of those. Make best use of the time to network and find out all about each other – break out of your own comfort zone and pretend to be Oprah for the day – you want to know every little hidden secret of your colleagues practices, and aint nothing gonna stop you getting that information! (I can feel a song coming on – at this point my colleagues are thinking – Uh Oh! She’s off. Get rehab on standby…) My point is that we’re going to have a lot of fun today, and that’s the underlying message. Creative practice is great fun, learning is great fun, making friends is great fun. It should all be great fun, and it all means something to us, because that’s what makes us and our children want to do it more. And if it isn’t , maybe we aint doing it right.

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    Earlyarts A Joined Up Future - Presentation Transcript

    1. Moving Towards A Joined Up Future
    2. Vinnie’s Video “ Its me? Its me! It’s ME. Its me.”
    3. Daniel’s Digging Dance “ And then he buried my bone, La La La (digging with stick)… and it was soooo deep (twirling) La La La, I could never find it again…. What a naughty dog.”
      • Meet Tamariki
    4. Ask Tamariki…
      • What advice would you give to help us do our job better,
      • in order to meet your needs?
    5. Shelley and Sue
      • Wheel of Life – Earlyarts Research
    6. Why Research?
      • intersections between creative practice and early years
      • better map of current provision across England
      • how much is influenced or driven by funding / policy priorities
      • how much is underpinned by strong pedagogical or theoretical approaches
      • what potential exists for more effective partnerships
      • aspirations for, and constraints upon, meeting young children's learning needs through creative approaches
      • extent and type of CPD support required in the future
    7. Shape of the Sectors
    8. Motivations for creative practice in early years
    9. Practice based Influences
    10. Strategic Influences
    11. Obstacles & Challenges
    12. Aspirations
    13. Princess or Butterfly?
      • Frameworks and Networks
    14. Frameworks and Networks
      • Professional Development raise awareness of pedagogies, appropriate skills, embedding creative cultures.
      • Knowledge Networking build a cross-sectoral dialogue, share ideas & inspiration.
      • Research and Evaluation theory closer to practice, impacts and features of creative learning, rigorous evidence base, national / international research to develop practice.
      • Advocacy key messages about positive impacts of creativity expressed at the highest levels, direct impact on Children’s Services delivery.
      • Brokerage integrated working to meet needs, depth of understandings from diff perspectives, higher quality, breadth and depth of practice across the field.
      • www.earlyarts.co.uk
      Earlyarts Services
      • Tamariki Reflects Back
    15. Ask Tamariki…
      • Will we be able to meet your needs better through these bridges?
      • If not, what’s still missing?
    16. Bradley’s Fire Brigade “ Yeh, bring the big hose and hurry up or I’m dead” “ Its OK, I put it out now”
    17. Many ideas grow better when transported into another mind than in the one where they first sprang up. Oliver Wendell Holmes
      • Sunny Side of the Moon
    18. Earlyarts Principles
      • Children are human beings and good people to be with.
      • Adults can be great partners in children’s play.
      • An active learning environment is one that promotes an ongoing researchfulness, playfulness and happiness.
      • Creative processes and environments have an important role to play in nurturing crucial learning dispositions.
      • Arts and Cultural forms provide a fundamental pathway to expressing and defining our cultures and identities.
      • Artists or creative professionals can bring different skills, and perspectives to support children’s own stories.
      • Children and adults all have lots of creative potential.
      • Sense of confidence and connectedness.
      • Secure critical friends for testing ideas.
      • External Advocates & Ambassadors.
      • Multi-agency dialogues & languages.
      • Increased critical awareness of pedagogy.
      • Stronger, more comparable evidence base.
      • Develops creative skills & changes practice.
      Networked Learning Community
    19. National Network Model
    20. Model under the Microscope Professional Development Knowledge Management North West Region Creative Futures earlyarts Regional Co-ord CPs Children First Forum NW Mus Hub Lancs EYs network AiS BBR Cheshire RTN EYPS networks CAPE UK ALC Regional Stakeholder National Stakeholder International Stakeholder Artists Database Brief Builder Resource Bank Book Reviews Confs & Seminars Int Exchange Consul-tancy Regional Ebulletin Earlyarts Sharing Knowledge & Learning
    21. Three Levels of Engagement with Earlyarts
      • Promote Earlyarts as key CPD route for funded clients
      • Champion Earlyarts and connect us into wider partnerships
      • Promote Earlyarts services through national events and newsletters
      • Run quarterly Professional Development Days with Earlyarts support
      • Invite own clients / members / partners constituents to subscribe to Earlyarts
      • Liaison with Earlyarts on synchronising CPD with own programme
      • Purchase subscription at relevant level for their turnover
      • Submit content for case studies
      • Maintain own profile on database
      In return for this: National Partner Regional Partner Earlyarts Member
      • Access to huge distribution network for dissemination of national initiatives and consultations.
      • Substantial body for measuring workforce and policy issues
      • Adds value to your funded projects by increasing skills, connectivity and sustainability, and reduces further competition for public funding
      • Access to Earlyarts research for shaping policy & workforce development
      • Regional offices still able to subscribe and receive benefits of membership
      • RSS feed to promote own creative / cultural family initiatives on Earlyarts newsletter
      • FREE subscription with all benefits of regular membership (on left)
      • Lead role influencing shape of workforce & connecting key players across sectors
      • Increased quality in regional practice
      • Access to national distribution network for exposure of own projects & research
      • Local ownership of CPD hubs & association with quality network
      • Optional support service by Earlyarts for your artists database
      • Increased resources for own projects
      • CPD, subscriptions and artists database process managed by Earlyarts – no admin
      • Adds value to your funded projects
      • 6 Regional E-bulletins
      • 4 Professional Development Days in region
      • National research & evidence base
      • Managed Artists Database
      • Brief Builder Project Planner
      • International Exchange
      • Reduced price advertising
      • National seminars & conferences
      • Bookshop / current reviews
      • National PR & advocacy for key issues on your behalf
      • Connect into national network to inspire / be inspired
      • Increased critical awareness of pedagogy, current research & policy.
      We give you this:
      • Values based approach crosses boundaries of age group, art form, sector, policy objective
      • Stronger connectivity between grass roots practice / research & national policy
      • Shared ownership, learning & thinking; stronger impact
      • Enterprising use of online publishing / social networking tools, high value for low cost, flexible & expandable
      • Established track record across multiple sectors
      • Makes sense of different agendas to meet children’s needs
      • Lifts data collation / IT burdens and releases regional agencies to do what they do best
      • Quality assurance for artists and creative practitioners
      Benefits and Impacts
      • Future Perfect
      • Tamariki Reflects Back
    22. Ask Tamariki…
      • How would you feel if this model was achieved?
      • Would it fulfil your earlier advice?
      • What would be the most important thing to start work on?
    23. Lucy’s Bean Blanket
    24. “ You have to shake them to see if they’re still there” “ Look they’re still there!” “ They’re going to bed now because they’re tired”
    25. The only real voyage of discovery consists not in seeking new landscapes, but in having new eyes Marcel Proust
    26. www.earlyarts.co.uk
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