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So: who the ****’s this? Imogen Bertin blog website: www.ctc.ie
What makes a successful poster? Newsflash! ,[object Object]
One-to-many propaganda is insufficient.
Oh, and wear something that goes with your poster…,[object Object]
Why should you care about design? No-one’s going to read this because there’s too much text
How willposters be read? Across a room by people drinking coffee and talking With someone watching you read – uncomfortable! In detail in a post-conference publication On a digital signage system Online/onscreen
The American President exercise An old trick to teach summarising skills reduced each US Presidency to one sentence such as:  “Abraham Lincoln wrote the constitution and freed the slaves”.
Good graphics get remembered Try to think of opportunities for graphics from the moment you start the research.  Use your camera phone William Glaser: text-only = 10% retention With pictures, 30% retention
Limit the poster to 5 thoughts
Landscape or portrait?
What shape is your idea?
A typical landscape circle/cycle
A starburst of linked activities
Trad. scientific method 3-cols
A flowchart with detail
Readability and legibility Line length not to exceed a-z plus a-m in the typeface chosen Careful not to affect legibility with background colour or image Make your design choices consistent with your information hierarchy – people subconsciously weight information by its graphical context: sizes, colours, typefaces. NEVER more than three heading levels including the title.
Transmitted and reflected light Images of a reconstruction of one of Faraday’s early microscopy experiments with reflected and transmitted light.
White space is thinking space
Reduced… now re-use, recycle!
24 pt body text; References can be 16 pt. Not more than three heading levels Capitals: If in doubt, leave it out. Copyright of graphics, clip art? Use model release forms when you photograph or video Minimum standards and boring bits
‘The Game is Afoot!’: The Pedagogical Case of Teaching for Understanding,              Sherlock Holmes  and Scientific Problem-solving in Economics ByDaniel Blackshields, Department of Economics, University College, Cork   d.blackshields@ucc.ie Chapter III: A Quest for a Solution: Performances of Understanding   ‘ It is my business to know things. Perhaps I  have trained myself to see what others overlook.’ Holmes, A Case of Identity  The performance perspective of TfU  directs students to engage in a variety  of thought-provoking performances with a  topic. It enables teachers to systematically develop a  problem-solving programme  that is student-performance focused.  Sherlock Holmes is an exemplar  detective using the scientific  method. The problems that Holmes solves, like those encountered byeconomists, have a social ontology. Chapter IV: Mr Holmes’ Discourses ‘You know my method…’ Holmes, The Boscombe Valley Mystery  Introductory Performance:  The Economist as Detective Students perform as economic experts  solving the economic problems of ‘Robin  Hood’s org’. Students reflect on the nature  of problem-solving as economic experts. It has always been my habit to hide none of my methods, either from my friend Watson or from anyone who might take an intelligent interest in  them.              Holmes,The Reigate Puzzle Guided Performance:  Watching the Detective The process of problem-solving in a  scientific manner is explored by  engaging in a meta-analysis of the Holmes’                case ‘ The Adventure of the Six                 Napoleons’. In groups, students                  act as Dr Watson exploring the                 case and isolating the key                 elements and steps of the                  scientific process for social                  phenomena and the roles, values                 and dispositions of the scientific                 researcher.  Culminating Performances:     i) Reviewing ‘The Case of Robin Hood’    Students engage in ‘reflection on action’    questioning their own problem-solving    process from the introductory     performance in light of meta-level model     developed in the guided performance. ii) ‘The Case of Creative Industries’     Students again perform as economic      experts exploring diverse problems      in a variety of creative industries. NAIRTL: International Perspectives on Teaching & Learning in  Higher Education  (9th-10th Nov, UCC) Chapter I:  A Statement  of the Case ‘It is a capital  mistake to  theorise before one has data’  Holmes, A Scandal   in Bohemia The performance perspective of the TfU allows a  teacher develop  a ‘cognitive  apprenticeship’  programme of  expert problem- solving & apply  the metaphor of  Sherlock Holmes for the scientific  exploration of economic  problems. Chapter V:  The Personal  Reminiscences of Mr. Blackshields ‘It is the scientific use of imagination’   Holmes, The        Hound of the     Baskervilles Using TfU to  develop my  instructional  programme has allowed me to:  Consciously move   to performance-  based teaching.  Appreciate the  importance of   understanding   from the student   perspective. Systematically  encourage self- reflection & self- governance by  Students. Bibliography: Blythe, T et al (1998)  The TfU Guide. San  Franciso: Josey-Bass VanSickle, R. (1992) Learning to Reason  with Economics.  Journal of Economic  Education. Winter   56-63. List of Sherlock  Holmes Cases  http://www.sherlock- holmes.co.uk List of images: www.imaginaire. ca/Images2/Holmes -Image-Loupe.jpg www.artintheblood. com/scan/sherlock .jpg www.scottishillustra tors.com/.../sscott1. jpg Chapter II: A Pedagogical Puzzle ‘It is quite a  three-pipe problem’     Holmes, The Red     -Headed  League Problem i: To teach students to reason  effectively in  Economics Problem ii: To facilitate the  self-management  of problem- solving. Problem iii: To develop an  instructional  programme that  engages a diverse  student body.
This poster contextualises how the Teaching for Understanding framework was used in designing the course content for an Introductory Auditing Module. AC2215: Auditing, Control and Ethics                Ms. Claire O’ Sullivan  Rochford,  Dept of Accounting, Finance and Information Systems THROUGHLINES What is an Audit? What do Auditors actually do? “Let’s Audit” ONGOING ASSESSMENT ,[object Object]
Informal quizzes
Interim Exam (30 marks)

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Designingresearchposters

  • 1. So: who the ****’s this? Imogen Bertin blog website: www.ctc.ie
  • 2.
  • 4.
  • 5. Why should you care about design? No-one’s going to read this because there’s too much text
  • 6. How willposters be read? Across a room by people drinking coffee and talking With someone watching you read – uncomfortable! In detail in a post-conference publication On a digital signage system Online/onscreen
  • 7. The American President exercise An old trick to teach summarising skills reduced each US Presidency to one sentence such as: “Abraham Lincoln wrote the constitution and freed the slaves”.
  • 8. Good graphics get remembered Try to think of opportunities for graphics from the moment you start the research. Use your camera phone William Glaser: text-only = 10% retention With pictures, 30% retention
  • 9. Limit the poster to 5 thoughts
  • 11. What shape is your idea?
  • 12. A typical landscape circle/cycle
  • 13. A starburst of linked activities
  • 16. Readability and legibility Line length not to exceed a-z plus a-m in the typeface chosen Careful not to affect legibility with background colour or image Make your design choices consistent with your information hierarchy – people subconsciously weight information by its graphical context: sizes, colours, typefaces. NEVER more than three heading levels including the title.
  • 17. Transmitted and reflected light Images of a reconstruction of one of Faraday’s early microscopy experiments with reflected and transmitted light.
  • 18. White space is thinking space
  • 20. 24 pt body text; References can be 16 pt. Not more than three heading levels Capitals: If in doubt, leave it out. Copyright of graphics, clip art? Use model release forms when you photograph or video Minimum standards and boring bits
  • 21. ‘The Game is Afoot!’: The Pedagogical Case of Teaching for Understanding, Sherlock Holmes and Scientific Problem-solving in Economics ByDaniel Blackshields, Department of Economics, University College, Cork d.blackshields@ucc.ie Chapter III: A Quest for a Solution: Performances of Understanding ‘ It is my business to know things. Perhaps I have trained myself to see what others overlook.’ Holmes, A Case of Identity The performance perspective of TfU directs students to engage in a variety of thought-provoking performances with a topic. It enables teachers to systematically develop a problem-solving programme that is student-performance focused. Sherlock Holmes is an exemplar detective using the scientific method. The problems that Holmes solves, like those encountered byeconomists, have a social ontology. Chapter IV: Mr Holmes’ Discourses ‘You know my method…’ Holmes, The Boscombe Valley Mystery Introductory Performance: The Economist as Detective Students perform as economic experts solving the economic problems of ‘Robin Hood’s org’. Students reflect on the nature of problem-solving as economic experts. It has always been my habit to hide none of my methods, either from my friend Watson or from anyone who might take an intelligent interest in them. Holmes,The Reigate Puzzle Guided Performance: Watching the Detective The process of problem-solving in a scientific manner is explored by engaging in a meta-analysis of the Holmes’ case ‘ The Adventure of the Six Napoleons’. In groups, students act as Dr Watson exploring the case and isolating the key elements and steps of the scientific process for social phenomena and the roles, values and dispositions of the scientific researcher. Culminating Performances: i) Reviewing ‘The Case of Robin Hood’ Students engage in ‘reflection on action’ questioning their own problem-solving process from the introductory performance in light of meta-level model developed in the guided performance. ii) ‘The Case of Creative Industries’ Students again perform as economic experts exploring diverse problems in a variety of creative industries. NAIRTL: International Perspectives on Teaching & Learning in Higher Education (9th-10th Nov, UCC) Chapter I: A Statement of the Case ‘It is a capital mistake to theorise before one has data’ Holmes, A Scandal in Bohemia The performance perspective of the TfU allows a teacher develop a ‘cognitive apprenticeship’ programme of expert problem- solving & apply the metaphor of Sherlock Holmes for the scientific exploration of economic problems. Chapter V: The Personal Reminiscences of Mr. Blackshields ‘It is the scientific use of imagination’ Holmes, The Hound of the Baskervilles Using TfU to develop my instructional programme has allowed me to: Consciously move to performance- based teaching. Appreciate the importance of understanding from the student perspective. Systematically encourage self- reflection & self- governance by Students. Bibliography: Blythe, T et al (1998) The TfU Guide. San Franciso: Josey-Bass VanSickle, R. (1992) Learning to Reason with Economics. Journal of Economic Education. Winter 56-63. List of Sherlock Holmes Cases http://www.sherlock- holmes.co.uk List of images: www.imaginaire. ca/Images2/Holmes -Image-Loupe.jpg www.artintheblood. com/scan/sherlock .jpg www.scottishillustra tors.com/.../sscott1. jpg Chapter II: A Pedagogical Puzzle ‘It is quite a three-pipe problem’ Holmes, The Red -Headed League Problem i: To teach students to reason effectively in Economics Problem ii: To facilitate the self-management of problem- solving. Problem iii: To develop an instructional programme that engages a diverse student body.
  • 22.
  • 25.
  • 28.
  • 29. Through the Audit Process Model students will:
  • 30. Discover what risk means for an audit
  • 31. Learn to define controls and to identify and test controls
  • 32. Participate in the audit of a number of key areas on the Balance Sheet/ Income StatementThe teacher’s aim was to bridge the gap between auditing theory and auditing practice in designing both the materials and the method of delivery for this module. The TFU framework enabled her to do this. The key message of the poster is to outline the journey students will face in studying this Introductory Auditing module and the process is presented using the different elements of the TFU framework. On reflection while the learning and teaching activities were well planned they need to be further designed and refined to meet the needs of future students.
  • 33.
  • 34. To support understanding and develop critical thinking;
  • 35. To increase involvement in and ownership of learning;
  • 36. To increase ability in reflection and thinking;
  • 37. To enhance creativity and improve writing;
  • 38.
  • 39. Reflectors who like to stand back and ponder experiences;
  • 40. Theorists who adapt and integrate observations into sound theories;
  • 41. Pragmatists who are keen to try out ideas, theories and techniques to see if they work in practise. (Barclay, 1996:29)A learning journal, which records and tracks personal development through regular reflection, is one method of incorporating all of the above four into students’ learning cycles. The Assignment Students are required to keep a regular record of their experience of reading the prescribed text, The Boy in the Striped Pyjamas, in a Learning Journal. It is recommended that entries are categorised under the headings outlined below: Events - This includes an account of key happenings in the students’ reading of the specified text. It also involves analysing their feelings/behaviour and the behaviour of any others involved in the situation. Reflections - This element focuses on the students’ learning and is in two sections: (a) Reflections in terms of their personal feelings about the event - whether they felt the experience was positive/negative; what issues were raised for them, etc. (b) Reflections in terms of links between theory and practice. This involves relating theoretical issues/debates and research covered in this course to the events they have recorded. Making links and connections with their own lives and those of other people, course modules, previous study, wider public debates, Government policies is an important part of this process. Action Plans - This is linked to the previous element and involves a discussion of how the students feel about the overall process of recording their learning journal. The process of situating the events dealt with in the prescribed text, both in a personal and theoretical context, can assist them with identifying what skills/abilities, learning needs and actions they need to pursue in the future (further research/reading, apply their learning to a particular project/programme, etc.) Broadening the Scope of the Learning Journal The teaching of human rights is critically important in the contemporary world, given both the widespread violations of rights throughout the planet and the advent of new rights challenges emerging from a host of sources including migration, climate change, the availability of water and food, and the depletion of  hydro-carbon fossil fuels. While our approach attempts to address the learning processes within a formal university setting, we see its potential as ‘a vehicle for reflection’ (Moon 2006) in a diversity of educational contexts and cultures. References Barclay, Jean (1996), ‘Learning from experience with learning logs’, Journal of Management Development, 15: 6, pp.28-43. Moon, Jennifer A. (2004), ‘A handbook of reflective and experiential learning – Theory and Practice,’ RoutledgeFalmer, Oxon. Moon, Jennifer A. (2006), ‘A handbook for reflective practice and professional development’, RoutledgeFalmer, Oxon. Contact: Dr Séamus Ó Tuama [sotuama@ucc.ie] & Ms Lyndsey Power [l.power@ucc.ie], Department of Government, University College Cork.
  • 42. Inter-Professional Teamwork in Medical Education: Diabetes Care as a Case Study  Patrick Henn1,Rossana Salerno-Kennedy1, Siun O’Flynn,1 Jennifer Buckley2, Emily Howarth2, Margaret Humphreys2 1School of Medicine, University College Cork, Ireland; 2Cork University Hospital, Cork, Ireland Background Medical students are expected to work in an interdisciplinary team on graduation. Students in medicine, nursing and other health professions traditionally have little contact with one another in their undergraduate education and little planned collaborative learning experiences designed to promote such relationships. The literature shows that separate training encourages different health professional groups to maintain their independence and autonomy. Changes in patterns of health care delivery and the structure of the Health Service have impacted upon the development of the health professions and have prompted calls for collaboration between professions in health and social care. .1,2,3 Design A lecture on Diabetes Mellitus that included a patient perspective, followed by a joint presentation delivered within the classroom by members of the diabetes multidisciplinary team (a specialist dietician, podiatrist and clinical nurse), on team work and their role in the management of diabetes. Results:the following themes emerged: An insightful view of the role of the multidisciplinary team in the management of the person with diabetes Use of case based studies was very helpful Importance of team work in patient care Importance of communication between team members to deliver effective care Importance of evidence based medicine in patient care Suggestions by students to improve the session Include a patient with diabetes with the multidisciplinary team More hands on experience within the session More similar teaching and learning sessions Aim Explore the feasibility of introducing interdisciplinary education to second year medical students using Diabetes Mellitus as a chronic disease requiring inter-disciplinary management. Evaluate the benefits to students learning by using written free-form feedback. Conclusion The encounter with other professionals in the classroom acts as a powerful driving force for students to reflect on their professionalism and learn how to work in a team. References DeWitt C, Baldwin JR. Territoriality and power in the health professions. Journal of Interprofessional Care, October 2007; 21(S1): 97-107. Singleton JK, Green-Hernandez C. Interdisciplinary Education and Practice: Has Its Time Come? Journal of Nurse-Midwife. Vol. 43, no. January/February 1998. DeWitt C, Baldwin JR, Baldwin MA. Interdisciplinary education and health team training: A model for learning and service. Journal of Interprofessional Care, October 2007; 21(S1): 52-69.
  • 43.
  • 44. Diaries / journals
  • 50.
  • 51. Research often lacks validity and generalisability, largely attributed to its context-specific method and lack of transferability.
  • 52.
  • 53. Feedback into work practices
  • 54. Life changing – as with anything autobiographical you often do not know what your story is until you write it
  • 55. Not a traditional form of academic research
  • 56. Learning from the personal experience of othersConclusions These findings clearly support the view that educators can benefit greatly from undertaking autoethnographical practices. Its systematic evaluative practices can be used to enhance the learning experience of both learner and teacher.

Editor's Notes

  1. Hello. I’m Imogen. I spent 20 years doing scientific graphic design.During 2008 and 2009 I edited about 70 posters for publication by NAIRTL.I have a 2-hour workshop on poster design that I teach. This is the 6 minute version, as requested by Iain MacLabhrainn for the CELT 2010 conference.
  2. A snappy title’s a big help but you have to know what you are trying to achieve.- General fuzzy PR?- Your ticket to a conference for less work than a paper?Or do you actually want to create a conversation?Oh, and I’m very keen on wearing something that goes with your poster…
  3. Most mobile phones have a voice memo recorder. Try using it at poster sessions to record interesting comments or thoughts for follow up, or to keep contact details.May be continue the discussion on your blog or facebook page?I’m saying: don’t think of your poster as one-way propaganda, but as a conversation.
  4. I chose a physics poster specially for Iain…You want to be selected.You want to be remembered for the right reasons…And you want to get your ideas talked about.
  5. Think about all the different ways in which posters are read. To create something for all these situations is not a trivial task even for trained designers.Most people start with their title – which means first, they have to be able to precis the research idea….
  6. Narrative is remembered. This slide is probably the only thing you’ll rememberfrom this presentation. That’s because it has a story and a memorable image. And very little text.
  7. It’s important to think about graphics early on in the project, not in a rush at the end.Don’t be afraid to use online picture libraries like Corbis – they aren’t that expensive and can often be the easiest solution. But choose digital rights-free images – so you can pay once, and use often.
  8. It’s not a dissertation.It’s not a paper.You can’t condense a PhD to an A1 or A2 poster so don’t try.Recent memory research (Cowan,Rouder and Morey 2008) indicates there are only three or four slots in most people’s working memory “buffer”, so even five thoughts could be excessive.
  9. Some posters comparing two methods/ or two timelines/ or two groups may only work portrait styleBut landscape’s more flexible and can be easily re-used as a slide for teaching, or on digital signage to advertise an event.
  10. So now we can start to get creative and think about idea shapes.The snail’s just for fun, although I’ve always wanted to a spiral shaped poster for a startup of some description. Another poster idea I’d love to do is a game grid like a simple version of snakes and ladders.
  11. I actually can’t find the final version of this poster, but it’s a typical description of a project which is intended to become a circular, iterative process – the ticks indicate those elements of the cycle completed.
  12. It doesn’t matter if your research doesn’t produce pretty graphdata.Anything can be visualised, but you have to plan it instead of thinking about it the week of the conference…Or the night before the abstract submission deadline…
  13. It is of course true that many events have specific standards about formats and sections they want to see, but there is no reason you have to ape an 80s newsletter…I think one reason posters are often considered boring and repetitive is because they all look so similar.
  14. I like the use of colour in this one to indicate phases and topic segments. I still think it’s far too complicated. But it is consistent in its use of similar graphic styles for similar classes of information.
  15. Legibility is the concern of the typeface designer.Readability is the concern of the information designer (and that’s you!)Your responsibility is to pick the typeface, and edit the text.
  16. What works on a computer screen may not work on paper.This is particularly true if you get tempted to use text that is lighter than its background (“reversed out”)Computer screens are viewed by transmitted light. Printed posters are viewed by reflected light, so keep printing out from an early stage.
  17. Try reading a whole paragraph without a breath. White space on a page is where your brain draws a breath when you readSilently to yourself....By the way, if you want to keep the white space white, pay the price to get your poster laminated.
  18. We’ve reduced the text and added graphics. It was hard work.So now make the poster available on social media if the organisers allow.Slideshare.com, shown here, is a great way to get coverage. Others include:Delicious social bookmarking /Facebook/ twitter – Converse and discover!
  19. No time to go through this in detail as I want to show you some real posters and get your responses… we can all hire a designer if we have budget, but what happens when real people are let loose to be creative? It can be messy… but it’s interesting.
  20. So what do you think of these real posters by non-designers? And what do you think about your own last poster?
  21. Think one word or a short phrase about each of these…
  22. I don’t like this one but lots of students love it and think it stands out well from the crowd.
  23. My research question for you: can you alter the direction of research by thinking about the shape of the research idea early on through graphical poster presentations?
  24. Could doing a poster at the beginning, not the end of a piece of research actually improve creative thought?