Color theory

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Color theory

  1. 1. Basic Color Theory DATA Digital Imaging www.DATA-Di.us 1
  2. 2. The Color Wheel 2 A color circle, based on red, yellow and blue, is traditional in the field of art. Sir Isaac Newton developed the first circular diagram of colors in 1666. Since then, scientists and artists have studied and designed numerous variations of this concept.
  3. 3. 3 The basic color wheel
  4. 4. 4 The 12 part color wheel
  5. 5. Primary Colors? 5 The colors from which all other colors may be derived
  6. 6. 6 Red. Yellow, and Blue
  7. 7. Secondary Colors? 7 A color resulting from the mixing of two primary colors.
  8. 8. 8 Orange, Purple, and Green
  9. 9. What about Black and White? 9
  10. 10. Black is the absence of color White is the blending of all colors 10 Black is not a color- Black objects absorb all the colors of the visible spectrum and reflects none of them to our eyes. White is a color- It reflects all the colors of the visible light spectrum to our eyes.
  11. 11. Color Harmony What we find pleasing to the eye 11
  12. 12. Complementary Colors? 12 Complementary colors are any two colors which are directly opposite each other on the color wheel.
  13. 13. 13 Red / Green
  14. 14. 14 Purple / Yellow
  15. 15. 15 Green / Orange
  16. 16. Analogous Colors? 16 Analogous colors are any three colors which are next to each other on the color wheel.
  17. 17. 17
  18. 18. Monochromatic Colors? 18 A monochromatic color scheme uses variations in lightness and saturation of a single color. HINT: Mono = ONE , Chroma = COLOR
  19. 19. 19 A monochromatic color scheme uses variations in lightness and saturation of a single color.
  20. 20. Mood 20 Color has a physical effect on the human body and can directly effect our moods.
  21. 21. Warm | Active Colors? 21 Active colors will appear to advance when placed against passive hues. Most often warm, saturated, light value hues are "active" and visually advance.
  22. 22. 22 Active colors will appear to advance when placed against passive hues. Most often warm, saturated, light value hues are "active" and visually advance.
  23. 23. Cool | Passive Colors? 23 Passive colors appear to recede when positioned against active hues. Cool, low saturated, dark value hues are "passive" and visually recede.
  24. 24. 24 Active colors will appear to advance when placed against passive hues. Most often warm, saturated, light value hues are "active" and visually advance.
  25. 25. Colors from Nature 25 The natural environment is a great place to find color combinations!
  26. 26. 26
  27. 27. Color Effects Color is effected by its environment or by colors it is next to. 27
  28. 28. 28 The yellow square looks darker and warmer with a white background and more brilliant and colder with a black background. Additionally, black backgrounds are considered more formal / white backgrounds tend to be informal.
  29. 29. 28 The yellow square looks darker and warmer with a white background and more brilliant and colder with a black background. Additionally, black backgrounds are considered more formal / white backgrounds tend to be informal.
  30. 30. 29 Red appears more brilliant against a black background and somewhat duller against the white background. In contrast with orange, the red appears lifeless; in contrast with blue-green, it exhibits brilliance. Notice that the red square appears larger on black than on other background colors.
  31. 31. 29 Red appears more brilliant against a black background and somewhat duller against the white background. In contrast with orange, the red appears lifeless; in contrast with blue-green, it exhibits brilliance. Notice that the red square appears larger on black than on other background colors.
  32. 32. 29 Red appears more brilliant against a black background and somewhat duller against the white background. In contrast with orange, the red appears lifeless; in contrast with blue-green, it exhibits brilliance. Notice that the red square appears larger on black than on other background colors.
  33. 33. 29 Red appears more brilliant against a black background and somewhat duller against the white background. In contrast with orange, the red appears lifeless; in contrast with blue-green, it exhibits brilliance. Notice that the red square appears larger on black than on other background colors.
  34. 34. What do you notice about the small square in the center? They are actually the same color, just effected by the field around it. 30
  35. 35. What do you notice about the small square in the center? They are actually the same color, just effected by the field around it. 30
  36. 36. Chromostereopsis? 31 Simultaneous contrast, or chromostereopsis, may occur when opposite colors are placed close to one another.
  37. 37. 32
  38. 38. 33
  39. 39. 34
  40. 40. Readability 35
  41. 41. Yellow text on a white background 36 The more an object contrasts with its field, the more visible it becomes. When we create visuals that are intended to be read, offering the viewer enough contrast between the background (paper or screen) and the text is VERY important.
  42. 42. Yellow text on a white background Blue text on a black background 36 The more an object contrasts with its field, the more visible it becomes. When we create visuals that are intended to be read, offering the viewer enough contrast between the background (paper or screen) and the text is VERY important.
  43. 43. Yellow text on a white background Blue text on a black background Black text on a gray background 36 The more an object contrasts with its field, the more visible it becomes. When we create visuals that are intended to be read, offering the viewer enough contrast between the background (paper or screen) and the text is VERY important.
  44. 44. Yellow text on a white background Blue text on a black background Red text on a blue background Black text on a gray background 36 The more an object contrasts with its field, the more visible it becomes. When we create visuals that are intended to be read, offering the viewer enough contrast between the background (paper or screen) and the text is VERY important.
  45. 45. Yellow text on a white background Blue text on a black background Red text on a blue background Black text on a gray background White text on a black background 36 The more an object contrasts with its field, the more visible it becomes. When we create visuals that are intended to be read, offering the viewer enough contrast between the background (paper or screen) and the text is VERY important.
  46. 46. Yellow text on a white background Blue text on a black background Red text on a blue background Black text on a gray background White text on a black background Black text on a white background 36 The more an object contrasts with its field, the more visible it becomes. When we create visuals that are intended to be read, offering the viewer enough contrast between the background (paper or screen) and the text is VERY important.
  47. 47. Color Systems 37 There is a slight difference when working with color pigment vs. light
  48. 48. Subtractive Color 38 When we mix colors using paint, or through the printing process, we are using the subtractive color method. Subtractive color mixing means that one begins with white and adds color.
  49. 49. 39 The CMYK color system is the color system used for printing. Cyan, Magenta, Yellow, and Black
  50. 50. Additive Color 40 If we are working on a computer, the colors we see on the screen are created with light using the additive color method. Additive color mixing begins with black and ends with white; as more color is added.
  51. 51. 41 The RGB colors are light primaries and colors are created with light. Red, Green, and Blue
  52. 52. Color Meaning 42
  53. 53. 43
  54. 54. Energy, war, danger, strength, power, determination, passion, desire, and love 43
  55. 55. Energy, war, danger, strength, power, determination, passion, desire, and love Joy, enthusiasm, fascination, creativity, attraction, success, & encouragement 43
  56. 56. Energy, war, danger, strength, power, determination, passion, desire, and love Joy, enthusiasm, fascination, creativity, attraction, success, & encouragement Intellect, cheerfulness, honor, & loyalty 43
  57. 57. Nature, growth, harmony, freshness, fertility, healing, stability, & endurance 44
  58. 58. Nature, growth, harmony, freshness, fertility, healing, stability, & endurance Depth, trust, loyalty, wisdom, confidence, faith, truth, corporate America 44
  59. 59. Nature, growth, harmony, freshness, fertility, healing, stability, & endurance Depth, trust, loyalty, wisdom, confidence, faith, truth, corporate America Royalty, power, luxury, ambition, dignity, independence, mystery, & magic 44
  60. 60. Power, elegance, formality, death, evil, strength, prestige, & sleekness 45
  61. 61. Power, elegance, formality, death, evil, strength, prestige, & sleekness Goodness, innocence, purity, simplicity, sterility, charity, peace, & winter 45
  62. 62. Fun Facts :) 46 The following facts are all known to be true and accurate (but you’ll have to check for yourself)
  63. 63. 7% of males are color deficient 47
  64. 64. 7% of males are color deficient Most color blindness is the inability to differentiate between reds and greens. The world is a blend of blues, yellows & grays 47
  65. 65. 7% of males are color deficient Most color blindness is the inability to differentiate between reds and greens. The world is a blend of blues, yellows & grays Blue is America’s 1st choice of toothbrush 47
  66. 66. 7% of males are color deficient Most color blindness is the inability to differentiate between reds and greens. The world is a blend of blues, yellows & grays Blue is America’s 1st choice of toothbrush Redheads need more anesthesia for surgery 47
  67. 67. 7% of males are color deficient Most color blindness is the inability to differentiate between reds and greens. The world is a blend of blues, yellows & grays Blue is America’s 1st choice of toothbrush Redheads need more anesthesia for surgery Ancient Aztecs valued red dye more then gold 47
  68. 68. Nokia offered the 1st color cell phone in 1992 48
  69. 69. Nokia offered the 1st color cell phone in 1992 Hippopotamus milk is pink 48
  70. 70. Nokia offered the 1st color cell phone in 1992 Hippopotamus milk is pink Red is always the highest arc on a rainbow 48
  71. 71. Nokia offered the 1st color cell phone in 1992 Hippopotamus milk is pink Red is always the highest arc on a rainbow The color of the universe is beige (Cosmic Latte) 48
  72. 72. Nokia offered the 1st color cell phone in 1992 Hippopotamus milk is pink Red is always the highest arc on a rainbow The color of the universe is beige (Cosmic Latte) Nothing rhymes with Purple or Orange 48
  73. 73. Assignments 1. Complete a creative 6 Part Color Wheel w/ black & white at center 2. Apply basic Color Theory to your Personal Logo for class critique 49 Color Theory: http://data-ml.wikispaces.com/Color+Theory Personal Logo: http://data-ml.wikispaces.com/Personal+Logo
  74. 74. References Color in Design | Triangle Park Creative http://www.triangleparkcreative.com/tips/print/color Color Wheel Pro: Color Meaning http://www.color-wheel-pro.com/color-meaning.html worqx.com http://www.worqx.com/color/index.htm Basic Color Theory http://www.colormatters.com/color-and-design/basic-color-theory 50

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