• Share
  • Email
  • Embed
  • Like
  • Save
  • Private Content
CHI2009 art creation

CHI2009 art creation






Total Views
Views on SlideShare
Embed Views



0 Embeds 0

No embeds



Upload Details

Uploaded via as Microsoft PowerPoint

Usage Rights

© All Rights Reserved

Report content

Flagged as inappropriate Flag as inappropriate
Flag as inappropriate

Select your reason for flagging this presentation as inappropriate.

  • Full Name Full Name Comment goes here.
    Are you sure you want to
    Your message goes here
Post Comment
Edit your comment

    CHI2009 art creation CHI2009 art creation Presentation Transcript

    • Urban Pixels: Painting the CHI 2009 City with Light Art Creation Passive Photography from a Creative Perspective Musink: Composing Music through Augmented Drawing Ting @ SMG
    • Musink: Composing Music through Augmented Drawing TheophanisTsandilas, Catherine Letondal& Wendy E. Mackay In|Situ, INRIA Saclay, Ile-de-France
    • We explored the creative use of paper in contemporary music through a participatory design process.
    • Goals • Explore the role of paper throughout the creative process of music composition. • Design new forms of paper interaction to support musical creation.
    • Initial interviews with composers at IRCAM.
    • video
    • Passive Photography from a Creative Perspective Sara Ljungblad SICS - Swedish Institute of Computer Science
    • SENSECAM Sensecam is a camera that takes pictures automatically with an internal timer, and no viewfinder . A light signal on top of the camera indicates whenever a picture is taken. The camera has a fisheye lens that gives the pictures a wide-angle view. The resolution is low (VGA resolution is 640x480 pixels) and up to 30 000 pictures could be saved in the camera.
    • Experiencing a memorable moment
    • Placing the camera to capture a scene
    • Avoiding repetitiveness and boring pictures
    • A sense of a piece of time
    • Shooting a part of me
    • Collectors
    • Urban Pixels: Painting the City with Light • Susanne Seitinger, Daniel S. Perry, William J. Mitchell • Smart Cities Group • MIT Media Laboratory
    • Urban environments are increasingly filled with digital display systems that are inflexible, flat, bounded, high-resolution, and unresponsive.
    • We explore the potential of physically instantiated pixels that enable flexible, reconfigurable, unbound ed, low-resolution, and responsive urban displays.
    • Using the building as interface Blinkenlights installation at Toronto City Hall, Canada, 2008.
    • Appropriating public facades through projection Laser Tag on a building façade.
    • Deploying individual pixels Tram with Throwies
    • Interacting with façades through projection Rafael Lozano-Hemmer, "Body Movies" (2002). Linz, Austria.
    • Transforming architecture into ambient display Allianzarena in blue, Munich, Germany.
    • Urban Pixel prototypes