Ready to Share: Fashion and the Commons by Johanna Blakley

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    Ready to Share: Fashion and the Commons by Johanna Blakley - Presentation Transcript

    1. Title
    2. Intellectual property in the fashion industry
    3. Trademark protection
    4. Trademark as design
    5.  
    6. Apparel design is too utilitarian to qualify for copyright protection
    7. Too utilitarian?
    8. The triumph of the creative commons
    9. An open creative process
    10. Copying & trends
    11. Trendsetters
    12. Trend spotters
    13. The street
    14. Fast fashion
    15. The fashion industry is thriving
          • Annual sales in the U.S. fashion industry increased from $130 billion to over $214 in the past decade
          • Americans purchase over $13.8 billion worth of clothing ONLINE each year
    16. Why hasn’t copying destroyed the fashion industry?
    17. The virtues of copying
      • Democratization of fashion
          • Faster establishment of global trends
          • Induced obsolescence
          • Acceleration in creative innovation
    18. Innovative knock-offs “ Jelly Kelly” Miu Miu Knock-off
    19. Effects on the creative process
    20. Making something too difficult to copy
    21. Incentives to not copy
    22. Fashion designers = comedians?
    23. Heterogeneous not homogenous
    24. Self-copying
    25. Fashion’s creative commons
    26. International Comparisons
      • Is the fashion industry’s creative commons unique to the U.S.?
    27. Japan
      • Japanese Design Law covers apparel, but the novelty standard is extremely high.
    28. European Union
      • Community design system: apparel is protected, with a less stringent novelty standard than Japan. But very few designers register their garments or take their cases to court. Why?
    29. How do we establish standards for “novelty?” In the EU, the novelty standard is too low.
    30. Cuisine
    31. Automobiles
    32. Furniture
    33. Magic Tricks
    34. Hairstyles
    35. Open source software
    36. Computer databases
    37. Tattoos
    38. Comedy
    39. Fireworks
    40. Games
    41. Perfume
    42. In the U.S., fashion isn’t the only thriving low-IP industry
    43. What can commons-based industries teach us?
    44. Between idea and expression
    45. Dueling forces in intellectual property
    46. Suggestions for research
          • Identify best practices
          • Look at the bottom line
          • Foster multidisciplinary research
          • Protect low-IP industries from protection
    47. The End

    + iCommons iSummitiCommons iSummit, 2 years ago

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