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Why does future internet need e-Culture?

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Presentation at the TEIN3 worshop on Performing Arts and Cultural Heritage over Future Internet. KAIST, Daejeon, 20-21 October 2010

Presentation at the TEIN3 worshop on Performing Arts and Cultural Heritage over Future Internet. KAIST, Daejeon, 20-21 October 2010

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  • 1. Why does Future Internet need e-Culture? Artur Serra Fundació i2cat TEIN3, KAIST October 20-21 2010
  • 2. 1. Old and new Internet
  • 3. The Internet of technologists and scientists First Internet generation: – Internet of technologists and scientists. – The English only Internet – few people using high bandwitdh, – many people using low bandwitdh. – Science and technology are based in universities
  • 4. The Internet of Arts and Cultures Current Internet: Music and video overflow the Net. The Internet of languages. Many people using high bandwidth Many people can experiment with high bandwidth Arts and media contents are coming mostly from outside of Universities and research centers
  • 5. New forms of art Digitalization of traditional arts e-Arts Performance art,Videoart, (Performing arts Netart,videogames, Cultural heritage,...) serious games,...
  • 6. Internet evolution from cultural anthropology  1st. 1970s-80s The Internet of the computer scientists and technological people ( email,ftp,telnet,...) (6 M people)  2nd. 90s-2010s The Internet of scientists and literated people. ( WWW, Grid, Blogs, Wikipedia...). (1000 M people)  3rd. 2010s-2030s The Internet of artists and vocal and visual communities. (VoIP, HD,videoconf,...) (6.000 M people)
  • 7. Future Internet and Arts eArts, eCultures Media: HD/3DVideo/Visualization/Telepresence eScience Computation: Supercomputació/GRIDs/Clouds Research Networking: Lambda Networking,4G...
  • 8. After 500 years The Leonardo's Dream
  • 9. 2. Different approaches to the Internet of Arts and Cultures
  • 10. a). The University approach. (1995-...)
  • 11. Internet 2, Arts and Humanities Initiatives at Universities 1998. Seattle
  • 12. Characteristics Leadership from Fine Arts schools from Universities. Performing Arts University to University communication Master classes, Interactive demonstrations, Relatively low bandwidth (around 100 mbps) Strong support from IT academic services
  • 13. Dança Telemàtica Univ. Bahia Prof. Ivani Santana RNP
  • 14. b). The Technologist's Approach
  • 15. CINEGRID (2006)
  • 16. Cinegrid Visionary approach from technology Technology push: more bits, more bandwidth, “very high quality media over photonic networks” Virtual reality, telepresence, 4k,8k and beyond Strenght in scientific visualization. Cinegrid Exchange: Amsterdam, Chicago, Monterey, Prague, San Diego, Tokyo, and Toronto Interest from technological companies
  • 17. c). The Community Approach
  • 18. HD Dancing Q from Seoul to Mercat de les Flors in Barcelona. 2005
  • 19. Characteristics Universities should agree with cultural centers outside campuses. Opening up the NREN to cultural centers Performing Arts initially. Cultural Heritage follows... Master classes, cultural performances from cultural centers to universities Support from Ministries of Culture.
  • 20. The Anella Cultural, the Cultural Ring Catalonia, Spain (2006-2008)
  • 21. The user-driven innovation to Internet of arts
  • 22. The team Sponsors Aj.Barcelona
  • 23. La Anella Cultural The Cultural Ring
  • 24. La Xarxa Transversal: a network of cultural programmers in cities
  • 25. 1. Connecting their cultural centers Gran Teatre del Liceu Teatre Bartrina - Reus Teatre Principal - Olot Teatre Monumental - Mataró Teatre de l’Escorxador - Lleida •IP network, from 5Mbps to 1Gbps symmetrics
  • 26. 2. Transforming into media studios • 2 portable PCs • 1 audio card • 1 HD projector • Power amplifier • Audio system. • Audio mixer. • Sony Anycast station
  • 27. 3. Sharing cultural events Poetry festivals Guided tours Master Class Workshops Courses Conferences Artistic performances
  • 28. “Difussion is where technology offers major opportunities to the opera in the XXI century” J. Matabosch.
  • 29. Exploring new art formats Metamembrana 2008,
  • 30. Marcel.lí Antunez
  • 31. Exploring new educational programs MusicLab (Citilab 2009)
  • 32. The main lesson: sharing muldirectional communication between cultural centers
  • 33. http://portal.ac.i2cat.net:8080/MediaTeca/inde x.htm
  • 34. Anilla Cultural Latinoamerica-Europa 2009-2010... Dirección de contenidos: Dirección tecnológica
  • 35. Opening RNs in LA and Europe for Arts and Media experiments
  • 36. Participants
  • 37. Collaborating institutions
  • 38. Next steps...
  • 39. Europe-Asia Cultural Ring on Performing Arts and Cultural Heritage
  • 40. Thank you :-) Artur Serra, i2cat, artur.serra@i2cat.net