Evaluation Question One of Trailer
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Evaluation Question One of Trailer

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Evaluation Question One of Trailer Evaluation Question One of Trailer Presentation Transcript

  • OCRG324ADVANCED PRODUCT NAME: HOLLIE WARD CANDIDATE NUMBER: 4924 AQUINAS COLLEGE: 33435
  • OCRG324BRIEF.
  • QUESTIONS.1) In what ways does your media product use, develop orchallenge forms and conventions of real media products?2) How effective is the combination of your main product andancillary texts?3) What have you learnt from audience feedback?4) How did you use media technologies in the constructionand research, planning and evaluation stages?
  • QUESTION ONE.IN WHAT WAY DOES YOURMEDIA PRODUCTUSE, DEVELOP OR CHALLENGEFORMS AND CONVENTIONS OFREAL MEDIA PRODUCTS?
  • IN WHAT WAY DOES YOUR MEDIA PRODUCT USE, DEVELOP ORCHALLENGE FORMS AND CONVENTIONS OF REAL MEDIA PRODUCTS? CONVENTIONS OF EXISTING SOAP OPERA MAGAZINE. STAR. THE STAR ON THE COVER IS HEADER. FILLS THE PAGE AND HER THE LETTERS IN THE EYES ARE IN THE TOP 3RD MIDDLE OF THE WORD OF THE PAGE WHICH FABULOUS ARE COVERED INSTANTLY ATTRACTS THE BY THE STARS HEAD, BUT READER AND DRAWS YOU WE STILL KNOW WHAT IT IN. SAYS. COLOUR ANCHOR. THE TEXT THAT IS THE SCHEME. BIGGEST SIZE (BESIDES THE STAR ON THE COVER IS HEADER) ON THE PAGE IS FILLS THE PAGE AND HER RELATING TO THE ARTICAL EYES ARE IN THE TOP 3RD ABOUT THE STAR. WE OF THE PAGE WHICH KNOW THIS BECAUSE IT INSTANTLY ATTRACTS THE USES HER NAME. READER AND DRAWS YOU IN.
  • IN WHAT WAY DOES YOUR MEDIA PRODUCT USE, DEVELOP ORCHALLENGE FORMS AND CONVENTIONS OF REAL MEDIA PRODUCTS? MY SOAP OPERA MAGAZINE.
  • IN WHAT WAY DOES YOUR MEDIA PRODUCT USE, DEVELOP ORCHALLENGE FORMS AND CONVENTIONS OF REAL MEDIA PRODUCTS? EXISTING SOAP OPERA BILLBOARD.
  • IN WHAT WAY DOES YOUR MEDIA PRODUCT USE, DEVELOP ORCHALLENGE FORMS AND CONVENTIONS OF REAL MEDIA PRODUCTS? MY SOAP OPERA BILLBOARD.
  • IN WHAT WAY DOES YOUR MEDIA PRODUCT USE, DEVELOP ORCHALLENGE FORMS AND CONVENTIONS OF REAL MEDIA PRODUCTS?SOAPS MY TRAILER COMPARES TO.
  • IN WHAT WAY DOES YOUR MEDIA PRODUCT USE, DEVELOP ORCHALLENGE FORMS AND CONVENTIONS OF REAL MEDIA PRODUCTS? DEVELOP MY TRAILER: THE COSTUME WE HAVE CHOSEN FOR THE CHARACTERS SHOW THEM TO BE QUITE I USED A VARIATION OF GLAMOUROUS SHOT TYPES RANGING CHARACTERS FOR FROM OVER THE EXAMPLE THE GIRLS ALL SHOULDER TO CLOSE UP WEAR SHOES WITH HEELS. SHOTS OF THE WE ALSO HAVE COLOURS CHARACTERS. THAT ARE INDIVIDUAL TO EACH CHARACTER AS THESE COLOURS REPRESENT AN ASPECT OF THEIR PERSONALITIES E.G. GREEN FOR JEALOUSY, WHITE FOR I CHOSE A LOCATION THAT INNOCENCE ETC. THE DEMOGRAPHIC THE PACE OF THE MUSIC I AUDIENCE COULD RELATE USED SPEEDS UP TO TO, E.G. A RESTAURANT, A REFLECT THE CHARACTERS HOUSE. EMOTIONS.
  • IN WHAT WAY DOES YOUR MEDIA PRODUCT USE, DEVELOP ORCHALLENGE FORMS AND CONVENTIONS OF REAL MEDIA PRODUCTS?MY TRAILER CONSISTS OF TWO MAIN STORYLINES IN ORDERTO CREATE AN AUDIENCE INTEREST BUT NOT COMPLICATETHINGS: STORYLINE ONE STORYLINE TWO
  • IN WHAT WAY DOES YOUR MEDIA PRODUCT USE, DEVELOP ORCHALLENGE FORMS AND CONVENTIONS OF REAL MEDIA PRODUCTS? DEVELOP• Does the combination of sound andimages tell the audience how to feel? The song I chose to use on my trailer is Guilt by Nero. We felt this song suited our trailer as it helped convey the emotions we wanted to put across.
  • IN WHAT WAY DOES YOUR MEDIA PRODUCT USE, DEVELOP ORCHALLENGE FORMS AND CONVENTIONS OF REAL MEDIA PRODUCTS?DEVELOP• Does the combination of sound and images tell theaudience how to feel? GUILT LYRICS Sometimes I don’t know where were going Sometimes I feel you should be crawling back to me Time is ticking by without us knowing Before you know it, it will be too late to see You keep on talking but it makes no sense at all You try to fake it but you’re breaking every rule Right from the start youve always made me feel a fool The guilt you hide will come between us after all You keep on talking but it makes no sense at all Sense at all (9x)
  • IN WHAT WAY DOES YOUR MEDIA PRODUCT USE, DEVELOP ORCHALLENGE FORMS AND CONVENTIONS OF REAL MEDIA PRODUCTS?• Does the combination of sound and images tell theaudience how to feel? GUILT: THE NAME OF THE SONGS REFLECT THE RELATIONSHIPS BETWEEN THE MAJORITY OF CHARACTERS IN TRAILER ARE BASED ON LIE WHICH CREATES TENSION AND GUILT. Sometimes I don’t know where were going: DESCRIBES THE RELATIONSHIP BETWEEN SAPHIRE AND THOMAS’ RELATIONSHIP BECAUSE OF THEIR ARGUEMENTS. You try to fake it but you’re breaking every rule: THIS RELATES TO SAPHIRE AND THOMAS’S UNHAPPY RELATIONSHIP BUT ALSO HOW PRESTON IS CHEATING ON PANDORA AND BREAKING HER TRUST. The guilt you hide will come between us after all: THIS IS REFERING TO THE BREAK DOWN OF PANDORA AND PRESTONS RELATIONSHIP WHEN SHE FINDS OUT ABOUT HIS INFIDELITY.
  • IN WHAT WAY DOES YOUR MEDIA PRODUCT USE, DEVELOP ORCHALLENGE FORMS AND CONVENTIONS OF REAL MEDIA PRODUCTS? USE Does the editing connote the emotions shown in the trailer? We begin the trailer with slow paced filming and shot types so the audience can establish the storyline and the relationships between the characters. Once this has been established and the tension builds up in the trailer as we get closer to a dramatic ending with each emotion from the beginning being intensified the editing changes from slow to fast paced.
  • IN WHAT WAY DOES YOUR MEDIA PRODUCT USE, DEVELOP ORCHALLENGE FORMS AND CONVENTIONS OF REAL MEDIA PRODUCTS? DEVELOP Do the edits matching the beat of the music? WE EDITEDTHE BEATSTO ENSURE THATTHIS IS A DEVELOPED IDEA MATCHED THE CLIP OF THE MUSIC, THE SLAM OF THE CAR DOOR FROM SOAPS SUCH AS EASTENDERS WHICH WOULD NOT USE MUSIC IN THIS WAY. WE ALSO EDITED THE MUSIC SO THAT ON THE MAJORITY OF OUR SCENE CHANGES IT CHANGES ON A PARTICULAR BEAT OR CHANGE IN THE MUSIC .
  • IN WHAT WAY DOES YOUR MEDIA PRODUCT USE, DEVELOP ORCHALLENGE FORMS AND CONVENTIONS OF REAL MEDIA PRODUCTS?USEDo the lighting, props, locations and costumesreinforce audience expectations about yourprogramme?I USED LIGHTING TO CREATE A MYSTERIOUSMOOD AS WE WANT THE AUDIENCE TO BEINTERESTED IN FINDING OUT WHO THESECRET SENDER OF THE TEXT IS. THE DARKLIGHTING HELPS TO CONVEY THIS AS WEOFTEN SEE DARKNESS AS A CONNENTATIONFOR MYSTERY AND DANGER.
  • IN WHAT WAY DOES YOUR MEDIA PRODUCT USE, DEVELOP ORCHALLENGE FORMS AND CONVENTIONS OF REAL MEDIA PRODUCTS?USEWhat messages do your costumes and locations sendto the audience about the class and status of thecharacters? THE CHARACTERS HAIR AND MAKE UP WAS GLAMOUROUS TO SHOW THE CLASS OF THE CHARACTER. THE CHARACTERS CLOTHING WAS SMART AND CLASSY TO SHOW HER STATUS. WE ALSO GAVE THE CHARACTERS INDIVIUAL COLOURS TO REFLECT THEIR PERSONALITIES.
  • IN WHAT WAY DOES YOUR MEDIA PRODUCT USE, DEVELOP ORCHALLENGE FORMS AND CONVENTIONS OF REAL MEDIA PRODUCTS?DEVELOPNon-diagetic sound- does the sound track add extrameaning? Are sound effects used appropriately? WE USED A NON-DIAGETIC SOUND OF A CLAP TO MAKE THE SOUND OF THE SLAP ACROSS PANDORA’S FACE WE DID THIS BY HAVING AN OFFSCREEN ACTOR CLAPPING AS THE “FAKE SLAP” TOOK PLACE. THIS ADDED DRAMATIC EFFECT TO THIS SCENE AND MAKES IT FEEL MORE REALISTIC TO THE AUDIENCE.
  • IN WHAT WAY DOES YOUR MEDIA PRODUCT USE, DEVELOP ORCHALLENGE FORMS AND CONVENTIONS OF REAL MEDIA PRODUCTS? USE: SIMILARITIES BETWEEN MY TRAILER AND OTHER REAL MEDIA PRODUCTS:MADE IN CHELSEA: THE EDGE (MY TRAILER): THE TWO SOAPS ARE SIMILAR IN THE WAY THE ACTORS ARE SHOWING AN AFFECTION TOWARDS EACH OTHER. THIS SUGGESTS SOME KIND OF ROMANTIC RELATIONSHIP BETWEEN THE CHARACTERS. ANOTHER SIMILARITY IS THAT IN BOTH TRAILERS THE CHARACTERS ARE WELL PRESENTED AND DRESS WELL WHICH SUGGESTS CLASS/MONEY.
  • IN WHAT WAY DOES YOUR MEDIA PRODUCT USE, DEVELOP ORCHALLENGE FORMS AND CONVENTIONS OF REAL MEDIA PRODUCTS? DEVELOP. DIFFERENCES BETWEEN MY TRAILER AND OTHER REAL MEDIA PRODUCTS:MADE IN CHELSEA: THE EDGE (MY TRAILER): THE TWO SOAPS ARE DIFFERENT IN THE WAY THE ACTORS ARE INTIMATE WITH EACH OTHER. THE CHARACTERS IN MADE IN CHELSEA ARE HAPPY AND LOOK LIKE THEY ARE CONNECTED WHEREAS IN THE CLIP FROM THE EDGE THE CHARACTERS LOOK UNCONNECTED AND DISTANT FROM EACH OTHER.
  • IN WHAT WAY DOES YOUR MEDIA PRODUCT USE, DEVELOP ORCHALLENGE FORMS AND CONVENTIONS OF REAL MEDIA PRODUCTS? CHALLENGING REAL MEDIA PRODUCTS: WE CHALLENGED CONVENTIONS OF PROGRAMMES LIKE MADE IN CHELSEA AS ALTHOUGH THEY DO HAVE A COSTUME FOR THE CHARACTERS, WE TAKE THIS ONE STEP FURTHER AND HAVE GIVEN THEM A COLOUR EACH SO THEY ARE INDENTIFIED WITH THE COLOUR THAT EMOTION REPRESENTS E.G. RED = LUST, DANGER ETC.