Share point user interface tailoring
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How underlying design principles should guide decision making, whether to go for, or avoid changing the look and feel of your SharePoint Site and why.
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Share point user interface tailoring
- 1. Solu Digital Information management, naturally.
- 2. SharePoint User Group Finland October 26th 2012 the SharePoint user experience
- 3. Look and Feel Fever Partner: "So this is SharePoint. Out of the box you get.." Client: "Hmm.. it's very blue. Can we make it look like our website?" Partner: "Why of course, we can make it look like anything you wish. But I would say.." Client: "Oh great.. well I don't like that navigation either, and the calendar is a little plain.."
- 5. So, what has changed?
- 8. Information design Carte figurative des pertes successives en hommes de l'Armée Française dans la campagne de Russie 1812-1813, Charles Minard 1869
- 9. Form (ever) follows function
- 11. Impressionism
- 12. Cubism
- 13. De Stijl
- 15. SharePoint 2013 WCM capabilities
- 16. Information design is 1. Cool 2. Sexy 3. Fun … and content is King.
- 17. Contact Henry Scheinin CEO Solu Digital +358 405455448 henkka@soludigital.fi
Editor's Notes
- Lead to thinkwhatcommunicationsdrivenprojectshave at stake!
- The halftime show led to a great spike in FCC-issued fines and received complaints compared to those from previous years.
- Staatliches Bauhaus (help·info), commonly known simply as Bauhaus, was a school in Germany that combined crafts and the fine arts, and was famous for the approach to design that it publicized and taught. It operated from 1919 to 1933. At that time the German term Bauhaus, literally "house of construction" (help·info) stood for "School of Building".The Bauhaus school was founded by Walter Gropius in Weimar. In spite of its name, and the fact that its founder was an architect, the Bauhaus did not have an architecture department during the first years of its existence. Nonetheless it was founded with the idea of creating a 'total' work of art in which all arts, including architecture would eventually be brought together. The Bauhaus style became one of the most influential currents in Modernist architecture and modern design.[1] The Bauhaus had a profound influence upon subsequent developments in art, architecture, graphic design, interior design, industrial design, and typography.
- Wainwright Building by Louis SullivanLouis Henry Sullivan (September 3, 1856 – April 14, 1924)[1] was an Americanarchitect, and has been called the "father of skyscrapers"[2] and "father of modernism"[3] He is considered by many as the creator of the modern skyscraper, was an influential architect and critic of the Chicago School, was a mentor to Frank Lloyd Wright, and an inspiration to the Chicago group of architects who have come to be known as the Prairie School. Along with Henry Hobson Richardson and Frank Lloyd Wright, Sullivan is one of "the recognized trinity of American architecture".[4] He received the AIA Gold Medal in 1944.
- Claude Monet, Saint-Lazare Train Station, 1877 oil on canvasClaude Monet, photobyNadar, 1899.Birth nameOscar-Claude MonetBorn(1840-11-14)14 November 1840Paris, FranceDied5 December 1926(1926-12-05) (aged 86)PoplarsPatronsGustaveCaillebotte, Ernest Hoschedé, Georges ClemenceauInfluencedbyEugèneBoudin, Johan Jongkind, GustaveCourbetClaude Monet (Frenchpronunciation: [klodmɔnɛ/mɔne]) (14 November 1840 – 5 December 1926) was a founder of Frenchimpressionistpainting, and themostconsistent and prolificpractitioner of themovement'sphilosophy of expressingone'sperceptionsbeforenature, especially as applied to plein-airlandscapepainting.[1][2]ThetermImpressionism is derivedfromthetitle of hispaintingImpression, Sunrise (Impression, soleillevant).
- Georges Braque, Violin and Candlestick, Paris, spring 1910
- Piet Mondrian, Composition II in Red, Blue, and Yellow, 1930
- Solomon R. Guggenheim Museum, New York City (1959)In the early years of the 20th century, Chicago architect Louis Sullivan popularized the phrase 'form ever follows function' to capture his belief that a building's size, massing, spatial grammar and other characteristics should be driven solely by the function of the building. The implication is that if the functional aspects are satisfied, architectural beauty would naturally and necessarily follow.Sullivan's credo is often viewed as being ironic in light of his extensive use of intricate ornament, since a common belief among functionalist architects is that ornament serves no function. The credo also does not address whose function he means. The architect of an apartment building, for instance, can easily be at cross-purposes with the owners of the building regarding how the building should look and feel, and they could both be at cross-purposes with the future tenants. Nevertheless 'form follows function' expresses a significant and enduring idea. Sullivan's protégé Frank Lloyd Wright is also cited as an exemplar of functional design.