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Emily Levine

English 105

Dr. Pippen

February 2012

                                 The Influence of Music

       Music has a way of infiltrating the subconscious and expressing itself through

different outlets. The type of music one listens to, more often than not, has a great impact

on their mood, personality, and perception of everyday life. Conversely, one’s perception

and frame of mind can impact the kind of music they enjoy. Jane Austen understood this.

Music had always played a very important role in Austen’s life, and she utilized her love

and understanding of music to influence her novels and their characters. Austen uses

music to bring to light the personalities, emotions, and aspirations of her characters Mary

in Pride and Prejudice and Marianne and Colonel Brandon in Sense and Sensibility.

       Jane Austen hardly lived a day without music; she practiced the pianoforte every

morning (Chapman 10). She took lessons with George William Chard, who became the

organist of Winchester Cathedral (Wakefield). Her eclectic taste in music ranged from

folk tunes to Beethoven to glee songs (Jane Austen’s World). She believed in music as a

means of entertainment for others and would often play for her family. In fact, she only

ever sang in front of her family though it was said that her “speaking voice was as sweet

as her singing” (Jane Austen’s World). She fondly played dances and clearly valued

dance as an adequate method of conversing and getting to know one another. Elizabeth

Bennet in Pride and Prejudiceclearly parallels Austen’s view of dance. Elizabeth, too,
played upbeat songs on the pianoforte and even confronted Mr. Darcy on his disapproval

of dances. A bit of Austen shines through here in Elizabeth.

       In addition to her playing, Jane also loved listening to music. She listened to

popular dances by William Campbell, Andrews, and Birchall. Campbell arranged

Scottish dances and published books of Scottish tunes, which Austen enjoyed playing.

Andrews and Birchall also published music books. Birchall collaborated with Ludwid

van Beethoven and published many of his sonatas and symphonies.Austenconstantly

looked forward to the latest manuscripts and since sheet music was quite expensive at the

time, she often borrowed sheets from friends and relatives and transcribed them herself

(although not always very accurately). Additionally, in the 1790s, professional orchestras

were introduced. Local musicians played for assembly balls in small towns while

professional musicians performed at stylish events, much like the Netherfield Ball (Jane

Austen’s World). Austen’s appreciation for upbeat dances and balls comes to life in her

novels. For example, there are many instances of dances and joyous occasions in Pride

and Prejudice both at Netherfield and the public balls. Through the excitement of the

characters in Austen’s novels, the reader easily understands the value and importance of

such music at the time.

       As the most under-appreciated Bennet sister, Mary finds refuge in her piano.

With her Kitty and Lydia always together as well as Jane and Elizabeth, Mary is left to

find her own solitary methods of enjoyment. She practices her piano diligently, running

through scales until they reach perfection. Perhaps in an effort to be noticed and praised,

Mary performs her piece with pride at the Netherfield Ball. Although after two songs,

Mr. Bennet approaches Mary telling her that she had “delighted [them] long enough [with
her playing].” (Austen, Pride and Prejudice69) Disconcerted, Mary stops playing, her

pride and any hope at being noticed shattered. Mary’s relationship with music is not a

happy one. Despite her long hours of practice, he family constantly defeats and putsher

down and she never reaches the level of joy that music seemed to bring Jane Austen.

Mary’s dependence on music as a way to gain respect symbolizes her struggle to be

valued by her family and peers.

       Additionally, in Austen’s Sense and Sensibility, music deeply affects

Marianne.She is heard on many occasions playing somber pieces, which reflect her

despair. She retreats to her piano much like Mary Bennet, but she plays more for herself

than for approval. Marianne clearly uses music as an outlet for her emotions; she hardly

ever plays an upbeat piece. In fact, her relatives comment on her playing of consistently

melancholy and minor pieces. Furthermore, when her piano is removed from her life, her

depression grows; her retreat is gone. This view of music as a form of escape is a

common theme in Austen’s novels and shows the importance of music in one’s life. As

Austen experienced, music can act as a form of comfort, a source of knowledge and

learning, or a peaceful haven.

       In Jane Austen’s time, amateur male musicians did not exist. Playing the piano

was “considered a task only fit for ladies and professional musicians” (Burgan 59,

Wakefield). Being a man and pursuing music as a hobby endangered one’s gender and

social status. Because of this, the character of Colonel Brandon and his relationship with

Marianne in Austen’s Sense and Sensibility is so shocking. The contrast between Colonel

Brandon and John Willoughby in respect to appreciation for music is clear. Willoughby

reacts to music in a foolish way, copying scores for Marianne, but never taking his inborn
talent for music seriously. This neglect for talent indicates a lack of discipline, therefore

making Willoughby an unsuitable match for Marianne (Wakefield). Colonel Brandon, on

the other hand, appreciates music in the way an upperclassmen should. Austen writes,

“His pleasure in music, though it amounted not to that extatic delight which alone could

sympathize with her own, was estimable when contrasted against the horrible

insensibility of the others” (Sense and Sensibility 35). Furthermore, by presenting

Marianne with a pianoforte, Colonel Brandon proves his consideration, admiration, and

appreciation for Marianne and her love of music.

       Jane Austen includes her perception of the importance of music in her novels.

She views music as a way to create camaraderie and joy in a social setting, whether it is

in the form of a ball or a family concert. Contrarily, in Mary Bennet’s case, music

represents defeat and a yearning to be noticed. However, in Marianne’s case, while

music represents her woe, it also represents the love and compatibility she shares with

Colonel Brandon. Music played an important role in Jane Austen’s life and that role has

been successfully transported into the lives of her characters.
Works Cited

Austen, Jane. Pride and Prejudice. London: Dover Thrift, 1995. Print.

Austen, Jane. Sense and Sensibility. London: Dover Thrift, 1995. Print.

Chapman, R.W. Jane Austen’s Letters. Second Edition. London: Oxford University

       Press, 1952. Print.

"Jane Austen and Music." Jane Austen's World. n. page. Web. 24 Feb. 2012.

       <http://janeaustensworld.wordpress.com/2010/07/12/jane-austen-and-music/>.

Wakefield, Sarah R. "How Masculinity Plays: Effects of Musicianship in the 1995 Film

       Adaptation of Sense and Sensibility." Jane Austen Society of North America. 28.1

       (2007): n. page. Web. 24 Feb. 2012.

       <http://www.jasna.org/persuasions/on-line/vol28no1/wakefield.htm>.

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The Influence of Music in Jane Austen's Novels

  • 1. Emily Levine English 105 Dr. Pippen February 2012 The Influence of Music Music has a way of infiltrating the subconscious and expressing itself through different outlets. The type of music one listens to, more often than not, has a great impact on their mood, personality, and perception of everyday life. Conversely, one’s perception and frame of mind can impact the kind of music they enjoy. Jane Austen understood this. Music had always played a very important role in Austen’s life, and she utilized her love and understanding of music to influence her novels and their characters. Austen uses music to bring to light the personalities, emotions, and aspirations of her characters Mary in Pride and Prejudice and Marianne and Colonel Brandon in Sense and Sensibility. Jane Austen hardly lived a day without music; she practiced the pianoforte every morning (Chapman 10). She took lessons with George William Chard, who became the organist of Winchester Cathedral (Wakefield). Her eclectic taste in music ranged from folk tunes to Beethoven to glee songs (Jane Austen’s World). She believed in music as a means of entertainment for others and would often play for her family. In fact, she only ever sang in front of her family though it was said that her “speaking voice was as sweet as her singing” (Jane Austen’s World). She fondly played dances and clearly valued dance as an adequate method of conversing and getting to know one another. Elizabeth Bennet in Pride and Prejudiceclearly parallels Austen’s view of dance. Elizabeth, too,
  • 2. played upbeat songs on the pianoforte and even confronted Mr. Darcy on his disapproval of dances. A bit of Austen shines through here in Elizabeth. In addition to her playing, Jane also loved listening to music. She listened to popular dances by William Campbell, Andrews, and Birchall. Campbell arranged Scottish dances and published books of Scottish tunes, which Austen enjoyed playing. Andrews and Birchall also published music books. Birchall collaborated with Ludwid van Beethoven and published many of his sonatas and symphonies.Austenconstantly looked forward to the latest manuscripts and since sheet music was quite expensive at the time, she often borrowed sheets from friends and relatives and transcribed them herself (although not always very accurately). Additionally, in the 1790s, professional orchestras were introduced. Local musicians played for assembly balls in small towns while professional musicians performed at stylish events, much like the Netherfield Ball (Jane Austen’s World). Austen’s appreciation for upbeat dances and balls comes to life in her novels. For example, there are many instances of dances and joyous occasions in Pride and Prejudice both at Netherfield and the public balls. Through the excitement of the characters in Austen’s novels, the reader easily understands the value and importance of such music at the time. As the most under-appreciated Bennet sister, Mary finds refuge in her piano. With her Kitty and Lydia always together as well as Jane and Elizabeth, Mary is left to find her own solitary methods of enjoyment. She practices her piano diligently, running through scales until they reach perfection. Perhaps in an effort to be noticed and praised, Mary performs her piece with pride at the Netherfield Ball. Although after two songs, Mr. Bennet approaches Mary telling her that she had “delighted [them] long enough [with
  • 3. her playing].” (Austen, Pride and Prejudice69) Disconcerted, Mary stops playing, her pride and any hope at being noticed shattered. Mary’s relationship with music is not a happy one. Despite her long hours of practice, he family constantly defeats and putsher down and she never reaches the level of joy that music seemed to bring Jane Austen. Mary’s dependence on music as a way to gain respect symbolizes her struggle to be valued by her family and peers. Additionally, in Austen’s Sense and Sensibility, music deeply affects Marianne.She is heard on many occasions playing somber pieces, which reflect her despair. She retreats to her piano much like Mary Bennet, but she plays more for herself than for approval. Marianne clearly uses music as an outlet for her emotions; she hardly ever plays an upbeat piece. In fact, her relatives comment on her playing of consistently melancholy and minor pieces. Furthermore, when her piano is removed from her life, her depression grows; her retreat is gone. This view of music as a form of escape is a common theme in Austen’s novels and shows the importance of music in one’s life. As Austen experienced, music can act as a form of comfort, a source of knowledge and learning, or a peaceful haven. In Jane Austen’s time, amateur male musicians did not exist. Playing the piano was “considered a task only fit for ladies and professional musicians” (Burgan 59, Wakefield). Being a man and pursuing music as a hobby endangered one’s gender and social status. Because of this, the character of Colonel Brandon and his relationship with Marianne in Austen’s Sense and Sensibility is so shocking. The contrast between Colonel Brandon and John Willoughby in respect to appreciation for music is clear. Willoughby reacts to music in a foolish way, copying scores for Marianne, but never taking his inborn
  • 4. talent for music seriously. This neglect for talent indicates a lack of discipline, therefore making Willoughby an unsuitable match for Marianne (Wakefield). Colonel Brandon, on the other hand, appreciates music in the way an upperclassmen should. Austen writes, “His pleasure in music, though it amounted not to that extatic delight which alone could sympathize with her own, was estimable when contrasted against the horrible insensibility of the others” (Sense and Sensibility 35). Furthermore, by presenting Marianne with a pianoforte, Colonel Brandon proves his consideration, admiration, and appreciation for Marianne and her love of music. Jane Austen includes her perception of the importance of music in her novels. She views music as a way to create camaraderie and joy in a social setting, whether it is in the form of a ball or a family concert. Contrarily, in Mary Bennet’s case, music represents defeat and a yearning to be noticed. However, in Marianne’s case, while music represents her woe, it also represents the love and compatibility she shares with Colonel Brandon. Music played an important role in Jane Austen’s life and that role has been successfully transported into the lives of her characters.
  • 5. Works Cited Austen, Jane. Pride and Prejudice. London: Dover Thrift, 1995. Print. Austen, Jane. Sense and Sensibility. London: Dover Thrift, 1995. Print. Chapman, R.W. Jane Austen’s Letters. Second Edition. London: Oxford University Press, 1952. Print. "Jane Austen and Music." Jane Austen's World. n. page. Web. 24 Feb. 2012. <http://janeaustensworld.wordpress.com/2010/07/12/jane-austen-and-music/>. Wakefield, Sarah R. "How Masculinity Plays: Effects of Musicianship in the 1995 Film Adaptation of Sense and Sensibility." Jane Austen Society of North America. 28.1 (2007): n. page. Web. 24 Feb. 2012. <http://www.jasna.org/persuasions/on-line/vol28no1/wakefield.htm>.