Tagore as a dramatist

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Tagore as a dramatist

  1. 1. Rabindranath Tagore –As a Dramatist• NAME HEERAL A.BHATT• Roll no. 11• Year 2012/13• Semester 1• Paper no. 4
  2. 2. Introduction“ Rabindranath Tagore is a versetile GENIUS”
  3. 3. Divison of Tagore’s DRAMATIC CAREER(1) PRE-GITANJALI PERIOD(2) GITANJALI PERIOD(3) POST GITANJALI PERIOD
  4. 4. The theme of LOVE in Tagore’s Drama “ we live in this world,when we love it” ---Tagore(Inspiration Thoughts)• LOVE in the drama CHITRA by Tagore• “Chitra is a succinct Tagorean version of kalidas’s Sakuntala-Iyengar
  5. 5. Continue……Role of ATTRACTION in love.• The theme of love in Tagore’s another drama chandlika Love is a favouring desire as, “mother mother stop undo the spell now at once undoit what have you done ?o,wicked,wicked deed?better have died what a sight to see?where is the lightand radiance,the shining purity,the heavenly glow?how worn,how faded,has he come to my door?bearng his self’s as a heavy burden,he comes with drooping head”
  6. 6. The theme of FREEDOM in Tagore’s play“My freedom lies not in pursingdeta chment Armidst a thousandfatters shall I Savour the taste of freedom in delirious joys”
  7. 7. Dramas on the theme of Freedom by Tagore• (1)Dakghar-(the post office)• (2)Achalayatan-(the Immovable)• (3) Muktadhara-(The waterfall)• (4)Raktarabi-(Red olenders)
  8. 8. The drama-Red olenders• The theme of unscrupulous,capitalism and human relationships.• Expression of the Truth• Play of both the good and evil working.
  9. 9. SOUNDS in Tagore’s Drama• SOUNDS are not depends upon words.• Example-• Ding-dong• Cry of curds curds curds (The post office)• The cascade –rhythmic ebb• Use of “loci” and metaphor
  10. 10. Thank youSUBMITTED TO,HEENABA ZALA,S.B.G.DEPARTMENT OF ENGLISHM.K.K.S.BHAVNAGAR UNIVERSITY
  11. 11. “YOU CAN NOT CROSS THESEA MERELY BY STARINGAND STANDING AT THEWATER”------RABINDRANATH TAGORE

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