Your SlideShare is downloading. ×
  • Like
uhd red1
Upcoming SlideShare
Loading in...5
×

Thanks for flagging this SlideShare!

Oops! An error has occurred.

×

Now you can save presentations on your phone or tablet

Available for both IPhone and Android

Text the download link to your phone

Standard text messaging rates apply
Published

 

  • Full Name Full Name Comment goes here.
    Are you sure you want to
    Your message goes here
    Be the first to comment
    Be the first to like this
No Downloads

Views

Total Views
672
On SlideShare
0
From Embeds
0
Number of Embeds
0

Actions

Shares
Downloads
5
Comments
0
Likes
0

Embeds 0

No embeds

Report content

Flagged as inappropriate Flag as inappropriate
Flag as inappropriate

Select your reason for flagging this presentation as inappropriate.

Cancel
    No notes for slide

Transcript

  • 1. ULTRA HD
    • HD is really an old technology.
    • It’s been developed for decades.
    • The reason it’s popular now is because it was previously illegal.
    • The federal government was worry that the new technology would make virtually every television set obsolete.
    • A technology that is really been developed as we speak is ULTRA HD
  • 2. what is ULTRA HD
    • The new format with a resolution of 7,680 × 4,320 pixels is four times as wide and four times as high (for a total of 16 times the pixel resolution) as existing HDTV, which has a maximum resolution of 1920 × 1080 pixels. the Japanese Ministry of Internal Affairs and Communications will be starting a public- private partnership to develop technology for UHDV in the hopes of setting an international standard for Super Hi-Vision in addition to broadcasting with it beginning in 2015
  • 3.  
  • 4. THE RED ONE 4K digital cinema
  • 5.  
  • 6. OVERVIEW
    • RED RENDERS OBSOLESCENCE OBSOLETE
    • The RED ONE body , designed for flexibility and functionality. Weighing in at around 9 lbs, a streamlined package specifically designed to maximize your shooting options. Matched with a 35mm PL lens mount it allows you to take advantage of the world’s best optics. Modular and upgradeable, the RED ONE camera is a future-proof acquisition system you can build upon. RED ONE’s modular design means you can upgrade with us as we add new features, accessories and improve system specifications.
  • 7. HD v.s Ultra HD
    • Resolution
  • 8. tech SPECS
    • Sensor
    • 12 Megapixel Mysterium™
    • Physical Size
    • 24.4mm x 13.7mm (Super35mm) TECH SPECS
    • Active Pixel Array
    • 4520 (h) x 2540 (v)
    • Full Pixel Array
    • 4900 (h) x 2580 (v)
    • Dynamic Range
    • > 66dB
    • Depth of Field
    • Equivalent to 35mm Cine Lenses (S16mm with windowed sensor)
    • Acquisition Formats
    • 4K 2K
  • 9. tech Specs 2
    • Delivery Formats
    • * 4K RGB 2K RGB 1920×1080 progressive, RGB or 4:2:2 1280×720 progressive, RGB or 4:2:2
    • Project Frame Rates
    • 23.98, 24, 25, 29.97, 30 fps 4K plus 50, 59.94, 60 fps 2K (windowed sensor)
    • Video Preview
    • HD-SDI and HDMI 1280×720 progressive, 4:2:2
    • Digital Media
    • FireWire 800/400, USB-2 and e-SATA interfaces RED-DRIVE™ hard disk drive (320GB) RED-RAM™ flash memory drive (64 GB) REDFLASH™ (CF) compact flash module
  • 10. edit on Final cut
  • 11. FCP
    • The RED ONE camera generates QuickTime reference movies that point to 4K (or 2K) full resolution REDCODE™ RAW (.R3D) files. This allows for immediate editing of camera source footage when using the latest version of Final Cut Pro.
    • Ensure that you have upgraded to FCP version 6.0.2, running under Mac OSX 10.4.11 (Tiger) Then download and install the REDCODE™ RAW codec from www.red.com/support (Intel based Macs only currently) Final Cut Pro 6.0.2 with the REDCODE™ RAW codec installed will support RT playback and editing provided you have sufficient hardware resources.
    • Transfer the entire contents of your RED-FLASH CF card or RED-DRIVE to another drive for editing (RAID storage is recommended for best performance)
    • Import the desired QuickTime reference movies into a new FCP project. You can use either the 2K or 1K sized reference movies. On a MacBook Pro laptop, we recommend the use of 1K size movies.
    • Select the ProRes HQ 1080p easy setup in FCP to render files and create an online quality, HD rendered media for finishing.
    • Log and Transfer functionality will be supported in the near future. This will allow advanced ingest of RED footage into FCP including transcoding to ProRes.
  • 12. Getting one
    • First you need the body.
    • The basic piece which you build upon.
    • Expect to spend $17,000
  • 13. Then the lens
    • About…$20,000
  • 14. And also
    • Base, power, storage etc.
    • Another $20,000 to get you started
  • 15. Shot on the RED one
    • Many Movies coming in 08 were shot on the red
  • 16.
    • Like Jumper
    Jumper is a 2008 science fiction film based on the 1992 science fiction novel Jumper by Steven Gould . The film is directed by Doug Liman and stars Hayden Christensen , Jamie Bell , Rachel Bilson , Max Thieriot , AnnaSophia Robb with Diane Lane and Samuel L. Jackson . Jumper was released on February 14 , 2008 .
    • Contents
    • [ hide]
    • Plot
    • Terminology
    • Cast
    • Production
    • Marketing
    • Critical reception
    • Box office performance
    • Graphic novel
    • Video game
    • Sequel
    • References
    • External links
  • 17. WANTED
    • Wanted is a 2008 film loosely based on the comic book miniseries Wanted by Mark Millar . The film is directed by Timur Bekmambetov and stars James McAvoy , Morgan Freeman and Angelina Jolie . Production began in April 2007. Wanted has a target release date of June 27 , 2008 .
  • 18. Being shot currently
    • The Argentine
    • The Informant
    • Guerilla
    • GAME
    • Crossing the Line