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ASP American photography






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ASP  American photography ASP American photography Presentation Transcript

  • ASP American Photography and Beyond Photography
  • Your art resume: GROUP EXHIBITIONS Fall 2010 • Krakow after Dark Thomas Hunter Project Space, New York, New York, USA • Poland Now Brick Wall Gallery, Kutztown, Pennsylvania, USA Note that these are not the titles. Exhibition titles will be determined by the work.
  • •  The Photo Project: to gather a series of b/w photographs on the theme of “’round midnight” by participating in one of two visits to Kazimierz . The goal is to capture a hidden city that comes out late night—people, places or things. One (possibly more) photograph per student will be chosen and packed to exhibit at Hunter College Manhattan in the fall of 2010. •  Meeting dates for late-night street photography: April 16 at 9:00. Meet at Alchemia with camera. •  Meeting to choose images: April 21 at 7pm (before class, meet near 104) bring disk or contact sheet •  Make up date: April 30 if additional images need to be captured. •  Questions? View slide
  • Camera Obscura View slide
  • Historic Photography - Daguerreotypes
  • Portrait of a Young Man, 1840 Samuel F. B. Morse (American, 1791–1872) Daguerreotype
  • Abolitionist Button, 1840s–50s Unknown Artist, Unknown School Daguerreotype
  • Harriet Beecher Stowe, 1850s Albert Sands Southworth (American, 1811–1894); Josiah Johnson Hawes (American, 1808–1901)Daguerreotype
  • Kno-Shr, Kansas Chief, 1853 John Fitzgibbon (American, 1816?–1882) Daguerreotype
  • Eclipse of the Sun, May 26, 1854 William Langenheim (American, 1807–1874); Frederick Langenheim (American, 1809–1879) Daguerreotype
  • Historic Photography – Civil War
  • Timothy O’Sullivan, Harvest of Death, Gettysburg, Pa., 1863
  • Matthew Brady was the most famous photographer of the American Civil War
  • STAGED? Khaldei
  • Timothy O’Sullivan, Green River (Colorado), c. 1868
  • Ansel Adams is considered one of America’s great landscape photographers
  • Historic Photography – Early to Mid 20th Century
  • Walker Evans, Roadside Store between Tuscaloosa and Greensboro, Alabama, 1936
  • Alfred Stieglitz, From the Shelton, New York, 1931
  • Alfred Stieglitz, Camera Work
  • Charles Sheeler, Criss-Crossed Conveyors–Ford Plant, 1927
  • Photography – Mid to Late 20th Century
  • Margaret Bourke-White, At the Time of the Louisville Flood, 1937
  • Brigadier General Nguygen Ngoc Loan executing the suspected leader of a Vietcong commando unit Saigon, South Vietnam, February 1, 1968
  • Brigadier General Nguygen Ngoc Loan executing the suspected leader of a Vietcong commando unit Saigon, South Vietnam, February 1, 1968
  • Nick Ut won a Pulitzer Prize for this photograph
  • MS2 Lodz Zbigniew Libera
  • Nick Ut continued this work
  • Nick Ut found the girl in the photo in Canada many years later
  • Joel Meyerwitz, Bay/Sky, 1984
  • Joel Meyerwitz, Bay/Sky, Provincetown, 1984
  • Joel Meyerwitz, Porch, Provincetown, 1977
  • “In order to be an artist, you have to keep the things that others discard” - Richard Avedon
  • ICP New York Dress_Codes.htm JEREMY KOST  Born Corpus Christi, Texas, 1977 Lives and works in New York
  • Contemporary Photography – Richard Avedon
  • More on this photo:
  • Annie Leibovitz for Vanity Fair
  • Contemporary Photography – William Wegman
  • William Wegman, Still from Rage and Depression, Reel 3, 1972–1973
  • Contemporary Photography – The Starn Brothers
  • •  Structure of Thought 6a is printed on translucent vellum and is a beautiful print on its own, so if you didn't get the first one, don't hesitate to click through and grab a print. And of course, it can be layered over Structure of Thought 6b. I sat in the studio with Mike and Doug and we experimented with the proofs, trying to decide the best way to layer them effectively. The objective is twofold: creating a little space between the two layers allows the light to move through the vellum, illuminating the lower print, and when the vellum is suspended it also creates some ripples in the paper, mimicking the texture of their works done on varnished papers.
  • Contemporary Photography – Sally Mann
  • Contemporary Photography – Mathew Barney
  • Contemporary Photography – Nan Goldin
  • Contemporary Photography – Robert Maplethorpe
  • Contemporary Photography – Jeff Wall
  • Sakino Hokusai, Shunshuu Ejiri, from the series Thirty Six Views of Mount Fuji, 1831
  • Jeff Wall, A Sudden Gust of Wind (After Hokusai), 1993
  • Contemporary Photography – Carrie Mae Weems
  • Contemporary Photography – Lorna Simpson
  • Contemporary Photography – Cindy Sherman
  • Contemporary Photography – NikKi Lee
  • Kwabena Slaughter – NYFA Fellow