The Womans Picture Of The 1930s - Presentation Transcript
THE ‘WOMAN’S’ PICTURE OF THE 1930s Vanguard of Feminism or Cynical Marketing Ploy?
POST WW1 THE BIRTH OF THE MODERN WORLD?
A) Technology Advance
B) Changing Nature of Employment
C) Changing Economic Situation
Three Great Haute Couture designers,
Vionnet
Schiaparelli
Chanel
But to the NEW WOMAN this designer probably had more influence than anybody . ADRIAN ADOLPH GREENBURG
TRADITIONAL VIEW OF 1930s Bill Brandt (Wigan) Dorethea Lange (Migrant Mother)
But! The Rise of the New Consumer Society
The 1930s House with ‘mod cons’
The Automobile (USA v GB)
Rayon (artificial silk)
The Electric Iron of all things
Electric Lighting
Aviation
Ready to Wear (The man’s suit)
MOVIE TECHNOLOGY
The ‘Talkies’ (The Jazz Singer 1928)
Make-Up (It will be clear – honest)
Panchromatic film
Art Deco Style
ODEON (Andre Deutsh Entertains Our Nation) 76 openings between 1936-1939
BUT MOST IMPORTANT IN BRITAIN AND LATER IN USA
Not the countryside: but look at that pylon
National Grid 1926
TVA
RURAL ELECTRIFICATION
One view of Interwar Britain Vionnet Debutant 1938 (Look at that Make-Up)
AND THE USA
However the Reality for Many Married Women Seattle Hooverville Stepney 1937
In Britain A Poverty That Will be Shown up by War
After Female conscription into the armed forces after 1940 the authorities were horrified by the poverty and hygiene standards of many recruits.
Hygiene Classes
Underwear
Feminine Hygiene
The Grapes of Wrath in the USA
Deepening Depression
But now can make much more than can be consumed. Era of Mass Production
Huge emphasis on raising demand for goods and consumption
What the heck has this to do with the movies?
Economic and Social Surveys showed.
A) Women 70% of all Cinema Audiences
B) Women attended twice per week
C) Married women made 90% of household purchasing decisions
D) Single women an untapped resource
WOMEN HAD ALWAYS WORKED
UK Wartime ‘expansion’ a myth.
From 1880-1960 an almost unchanged 31% of the labour force was female.
It was what they worked at that changed.
The ‘Feminisation of Employment (Nothing to do with Mrs. Pankhurst)
Move from old ‘muscle industries’
Cotton was the Industrial Revolution !!
Move to new lighter industry
That Typing Pool
Move to Service and Retail work
Move to London and the south
Brainwork rather than Brawn-work
THE NEW WORKING GIRL
HUGE GROWTH OF ‘WHITE BLOUSE’ WORK
YOUNG SINGLE WOMEN WITH DISPOSIBLE INCOME
For the unmarried young woman the world was changing
Courtaulds Rayon Spinning 1929
Bobbed hair
Short Skirt
Silk Stockings
Eye brows trimmed
A new woman with some money
Attitudes of these working girls
In Britain between 1861 – 1911 numbers of female clerks increased X 4.
Huge rise of working women in ‘white collar’ trades.
In the 1930s looking at age group 18-34, the numbers of single women in the 1930s were double that of the 1950s.
Huge rise in disposable income
The Woman’s Film (At Last!)
The function of this type of movie was to articulate female concerns, angers and desires, to give substance to a woman’s dreams and a woman’s problems.
Or was it?
So why did it thrive in the 1930s?
The Three M Theory
Almost all films of this genre revolved around.
A) Men (My god: always a problem)
B) Marriage (Even if it came late in the movie)
C) Motherhood (Every woman’s real dream – even if she does not know it.)
Most plots very moral where bad girls lost out or returned to true love.
A Business Opportunity
White Collar work demanded suitable, fashionable, smart and clean clothing
In 1909 ‘The Dry Goods Economist’
“ The way out of overproduction must be in finding out what the new woman at the counter is going to want: make it, then drop it and go on to something else”
That Economic Situation Again
Depression in the USA and Germany
Recession in Britain
We can make more than we can sell!
How do we get that economy rolling? (Keynes)
But this was a huge new medium in the Depths of the Depression
How about a little fashion show to get those tills ringing
Showcase fashion and accessories
“ American Trade follows American pictures and not the American flag.
(William Fox)
Kill em With Looks
Very important in any economic downturn to dress smartly
Ie: Finance today
Very important for young women making it in a man’s world
Noticed by Observers at the Time 1930s Aristoc
“ Factory Girls Looking Like Actresses”
J B Priestley (English Journey 1934)
Hooray for Hollywood
The ‘woman’s picture’ of the 1930s was a Hollywood Experience.
It was ‘The Grapes of Wrath’ rather than ‘The Road to Wigan Pier’
Does Hollywood colour our image of the 1930s?
Who are we talking About?
Tough experienced women hard boiled and hard nosed career women making her way in a man’s world from:
:A) New York Stage
B) The ‘casting couch’ ethics of Hollywood
C) A devastated Europe
Oh those eyes
Bette Davis
New York stage actress
What you saw was very much what you got.
The Dominant Force of the Era Encouraged you to be a star
Bette Davis lived her life as a screenplay.
As hard in life as on celluloid
Audiences saw her as living their life.
Even the dowdy girl can become a swan!
Now Voyager”
You too can look like this and have this effect on men with a little attention to detail.
European Sophisticated and Box Office Poison
Garbo
A hint of a past. Could act in ways that an American could not.
The Greatest of all
Bryn Mahr education and voice
Determined, moneyed, well dressed and her own gal
The ‘boyish Type’
BUT MY FAVOURITE
Scandalous
Her own Girl
Dressed like a ‘Girl Friday’
HOLLYWOOD CIRCUMSTANCES
“ All the stars that ever were are parking cars and pumping gas”
Hollywood flooded with young people scarred by the depression who would do literally anything to get that break in the movies. Audiences of the time related to them as sisters in adversity.
And Talking About Tough: From rags to Pepsi
That Hays Act
Nothing new in using the entertainment industry to advertise
Used in the New York and London stages
Sarah Bernhardt used Kohl lip rouge
Studio Moguls were mainly from the garment trades.
Zukor – Furrier:
Goldwyn – Gloves:
Mayer – Used Clothes:
Warner: Shoes.
The London Stage was Fashion on display
Huge endorsement of ‘beauty aids’.
Actors used as ‘walking advertisements’.
Hats and Gloves
Marie Tempest wore Doucet and Worth and popularised furs
Your Industry needs you
Floors in Dept. Stores for Hollywood Fashion.
‘ Studio and Cinema Fashion’ had it in the stores before the movie appeared
Waldman Bureau in New York planned the fashions for the movie up to one year in advance.
Sorry About the Quality of the Photo
But, it is an avalanche of publicity
We will dress you from head to toes
Letty Linton
The Dress that Launched a Thousand Shops
Publicity shots were also fashion shoots
The ‘make over’ and new beginnings
Ie: 42 nd Street
Your Mall Needs You
Will Hays (Pres. Motion Picture Distributers)
“ Every foot of film sells $1:00 worth of manufactured goods
Would we kid you?
Huge tie in with manufacturers. Buick financed ten movies especially Gold Diggers of 1935
Inserts put in the scripts
PRODUCTS FINANCED MOVIES
Surely this does not qualify as a ‘woman’s picture’?
The Glamour that saved RKO
Every scene used a different look and a different style of dress.
Sheer life style aspirations
You Cannot Hide More money made from Shirley Temple clothes spin-offs than from Shirley Temple Movies
‘ SHORTS’ And Full Length Movies made around fashion shows.
FASHIONS OF 1934: Well that is how it turned out.
Also starring young Bette Davies
NOT ALL WITH THE SAME QUALITY
“ This is surely one of the worst films ever made. Each scene is painful. You will groan at the flimsy attempts at humor, the awkward camera work, the sexism and racism, the ridiculous story line, the wooden acting. Poor Joan Bennett; she is the only one in the movie who is not an embarrassment. In all, dreadful.” Halliwell’s Film Guide
Britain versus USA
A much less affluent society
Wages lower than USA
Retail culture not focused on the masses
Fashion was upper and middle class
But, the young working girl wanted to look just like that movie star
British Movies not Quite Hollywood
Realism rather than glamour.
Popular but not an aspiration
But ‘Gracie’ a huge star
Oh Darling! Automobiles in Britain very much for the upper end of the middle class.
But it Still Worked
Its not Ginger Rogers but it is the Movies
But Girls you can afford War-paint
The face of young women became the face of the movies.
Make-up was the Hollywood fashion item
In 1931 $2billion spent on cosmetics
The 1918 Working Girl
Scrubbed and Plain
Would never be seen with face make-up.
A little ‘eau de cologne’ Make up pre WW1 used by the Beau Monde and the Demi Monde.
Elena Rubenstein and Elizabeth Arden moved from Bond Street to Hollywood. Theda Bara (1917) used Rubenstein to improve eyes which looked like black pits on stage.
Hooray for Hollywood Clara and Louise
Hooray for Hollywood
You may be homely in your neighbourhood
But if you think that you can be an actor
See Mr Factor:
He’d make a monkey look good
Enter the King: Max Fierstein
Polish Wig Maker
Russian State Circus (LA in 1908)
Early make up Vaseline covered in Flour
Freckles and teeth fillings came out black
Supreme Grease Paint in 1914 (Replace Vaseline and flour)
Pan-stick in the 1930s for colour film (attain the glamour of Hollywood)
Invest in Yourself: Now you can be a star. And Its In the Shops
Max Factor Society Make-up
Eye Shadow & pencil, mascara.
In 1928 Jean Harlow plucked her eye-brows
Lipstick for the masses came with colour
The look of Hollywood can be yours at your local store.
And boy did it work
The face of the Hollywood woman became the face of the western woman
In 1931 $2 Billion spent in USA on cosmetics
Whatever happened to those East End Girls?
Bill Brandt 1935
Plucked eyebrows and liner
Lipstick
Powder and smoking in public?
Single working class girl looking and behaving and dressing in a way her mother would have thought a scandal
And One More Product for the Girls
AND ONE MORE STEP
It carried on after the war
Susan Heywood
Its nothing to do with genetics – its all in the soap
To Recap all this nonsense
It all came together
Movie Technology
The new working girl
A depression or recession
A new industry showing how to make it, how to be hard but feminine, and always showing that virtue pays.
If it worked so well what killed it?
Changing prosperity
A more affluent and more ‘worldly’ consumer society
But mainly the ‘box’ in the corner of the room
THE WOMAN’S PICTURE OF THE 1930s Vanguard of Feminism or Cynical Marketing Ploy? (Or Both!)
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