room
usic
o
music room
religious music
composition for piano
opera
orchestral music
vocal music
symphonic music
band m
pro...
room
usic
o
music room
religious music
composition for piano
opera
orchestral music
vocal music
symphonic music
band m
pro...
=
We think that the aesthetic aspects
of data-visualization can be considered
as important as the data itself
in helping r...
=
We think that
aesthetic features
can be considered
not only as an ornamental attribute
within a data-driven visual story...
=
we think that we should, in some particular cases,
allow for a visualization to take its shape from a
visual idea and no...
=
we think that a reader should be able to find
a data-visualization both
intellectually compelling and emotionally rich
Ac...
Oh, that is beautiful.
And strange!
I want to know what this is about!
image from Populuxe Set, Creative Commons licence
“...
VISUALIZING PAINTERS’ LIVES
Personal Project, directed by Giorgia Lupi and Michela Buttignol, produced by Accurat
Thursday...
Thursday 27 February 14
Can we add more fun?
image from Populuxe Set, Creative Commons licence
“
Thursday 27 February 14
A SLICE FOR EVERYONE
MC CANN WorldGroup, Accurat
for Fiorucci
Thursday 27 February 14
Thursday 27 February 14
Thursday 27 February 14
Thursday 27 February 14
Thursday 27 February 14
Thursday 27 February 14
Thursday 27 February 14
Thursday 27 February 14
can we do it
when we have
a limited
amount of data?
image from Populuxe Set, Creative Commons licence
“
Thursday 27 Februa...
“FAMOUS WRITERS’ SLEEP HABITS
AND LITERARY PRODUCTIVITY”
Maria Popova, Accurat, Wendy MacNaughton,
for brainpickings.org
T...
Thursday 27 February 14
Thursday 27 February 14
Thursday 27 February 14
Thursday 27 February 14
Thursday 27 February 14
Thursday 27 February 14
can we do it even
with interactive
data visualizations?
image from Populuxe Set, Creative Commons licence
“
Thursday 27 Fe...
NEXT ATLAS
Thursday 27 February 14
Thursday 27 February 14
NEXT ATLAS
Thursday 27 February 14
=
loading an analytical representation with
emotional investment
can generate attention rather than distraction
Accurat fo...
=
purpose:
testing what is interesting and what is not,
...what people like and what they don’t,
....what they understand ...
=
The risk we take is a constant search for beauty,
unconventional, but still beauty,
to make people “wander”.
Accurat for...
=
BEAUTIFUL REASONS
Tapestry conference
26 February 2014
Annapolis
giorgia lupi
tw: @giorgialupi
www.accurat.it
www.giorgi...
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Beautiful reasons

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my speech at Tapestry conference, video here: http://www.youtube.com/watch?v=v4hiKcnAsQM

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Beautiful reasons

  1. 1. room usic o music room religious music composition for piano opera orchestral music vocal music symphonic music band m prose 1840 1845 1850 1855 1860 1865 1870 1875 1880 1890 1900 1895 1885 sion of work[...] 1901 1883 Aida Cairo to ice Nabucco la - Milan Il Trovatore pollo - Rome Macbeth rgola - Florence allo in maschera tro Apollo - Rome Otello La Scala - Milan Falstaff La Scala - Milan Don Carlos Salle Le Peletier - Paris Simon Boccanegra La Fenice - Venice La forza del destino La Fenice - Venice ·28 Festspiel Siegfried Festspielhaus - Bayreuth Tannhäuser Semperoper - Dresde Götterdämmerung Festspielhaus - Bayreu Lohengrin National Theatre Die Meistersing National Theat Rienzi, der Le Tribunen Semperoper Der Ring d Festspielha (27th January) Vincenz Virginia Maria elected as a liberal -moderate representative opening of the Suez Canal (for which he composed Aida) Franco-Prussian war death of Manzoni (for which he composed Messa di Requiem) adoption of the Albertine Statute Unification of Italy signed the Triple Alliance between Germany, Austria and Italy Margherita Barezzi Giuseppina Strepponi entry into the Senate Icilio Romano (13th february) Cosima Wagner Matilde Wesendonck Isolde Eva Sigfrido flees to Switzerland for political reasons active participation in revolutionary movements = BEAUTIFUL REASONS Tapestry conference 26 February 2014 Annapolis giorgia lupi tw: @giorgialupi www.accurat.it www.giorgialupi.net Thursday 27 February 14
  2. 2. room usic o music room religious music composition for piano opera orchestral music vocal music symphonic music band m prose 1840 1845 1850 1855 1860 1865 1870 1875 1880 1890 1900 1895 1885 sion of work[...] 1901 1883 Aida Cairo to ice Nabucco la - Milan Il Trovatore pollo - Rome Macbeth rgola - Florence allo in maschera tro Apollo - Rome Otello La Scala - Milan Falstaff La Scala - Milan Don Carlos Salle Le Peletier - Paris Simon Boccanegra La Fenice - Venice La forza del destino La Fenice - Venice ·28 Festspiel Siegfried Festspielhaus - Bayreuth Tannhäuser Semperoper - Dresde Götterdämmerung Festspielhaus - Bayreu Lohengrin National Theatre Die Meistersing National Theat Rienzi, der Le Tribunen Semperoper Der Ring d Festspielha (27th January) Vincenz Virginia Maria elected as a liberal -moderate representative opening of the Suez Canal (for which he composed Aida) Franco-Prussian war death of Manzoni (for which he composed Messa di Requiem) adoption of the Albertine Statute Unification of Italy signed the Triple Alliance between Germany, Austria and Italy Margherita Barezzi Giuseppina Strepponi entry into the Senate Icilio Romano (13th february) Cosima Wagner Matilde Wesendonck Isolde Eva Sigfrido flees to Switzerland for political reasons active participation in revolutionary movements = BEAUTIFUL REASONS Tapestry conference 26 February 2014 Annapolis giorgia lupi tw: @giorgialupi www.accurat.it www.giorgialupi.net Thursday 27 February 14
  3. 3. = We think that the aesthetic aspects of data-visualization can be considered as important as the data itself in helping readers get interested about a topic and triggering their curiosity to explore more Accurat for Popular Science, May Issue Thursday 27 February 14
  4. 4. = We think that aesthetic features can be considered not only as an ornamental attribute within a data-driven visual story Accurat for La Lettura, Corriere della Sera Thursday 27 February 14
  5. 5. = we think that we should, in some particular cases, allow for a visualization to take its shape from a visual idea and not straight from the data: Accurat for La Lettura, Corriere della Sera Thursday 27 February 14
  6. 6. = we think that a reader should be able to find a data-visualization both intellectually compelling and emotionally rich Accurat for La Lettura, Corriere della Sera Thursday 27 February 14
  7. 7. Oh, that is beautiful. And strange! I want to know what this is about! image from Populuxe Set, Creative Commons licence “ Thursday 27 February 14
  8. 8. VISUALIZING PAINTERS’ LIVES Personal Project, directed by Giorgia Lupi and Michela Buttignol, produced by Accurat Thursday 27 February 14
  9. 9. Thursday 27 February 14
  10. 10. Can we add more fun? image from Populuxe Set, Creative Commons licence “ Thursday 27 February 14
  11. 11. A SLICE FOR EVERYONE MC CANN WorldGroup, Accurat for Fiorucci Thursday 27 February 14
  12. 12. Thursday 27 February 14
  13. 13. Thursday 27 February 14
  14. 14. Thursday 27 February 14
  15. 15. Thursday 27 February 14
  16. 16. Thursday 27 February 14
  17. 17. Thursday 27 February 14
  18. 18. Thursday 27 February 14
  19. 19. can we do it when we have a limited amount of data? image from Populuxe Set, Creative Commons licence “ Thursday 27 February 14
  20. 20. “FAMOUS WRITERS’ SLEEP HABITS AND LITERARY PRODUCTIVITY” Maria Popova, Accurat, Wendy MacNaughton, for brainpickings.org Thursday 27 February 14
  21. 21. Thursday 27 February 14
  22. 22. Thursday 27 February 14
  23. 23. Thursday 27 February 14
  24. 24. Thursday 27 February 14
  25. 25. Thursday 27 February 14
  26. 26. Thursday 27 February 14
  27. 27. can we do it even with interactive data visualizations? image from Populuxe Set, Creative Commons licence “ Thursday 27 February 14
  28. 28. NEXT ATLAS Thursday 27 February 14
  29. 29. Thursday 27 February 14
  30. 30. NEXT ATLAS Thursday 27 February 14
  31. 31. = loading an analytical representation with emotional investment can generate attention rather than distraction Accurat for La Lettura, Corriere della Sera Thursday 27 February 14
  32. 32. = purpose: testing what is interesting and what is not, ...what people like and what they don’t, ....what they understand and what they don’t Accurat for La Lettura, Corriere della Sera Thursday 27 February 14
  33. 33. = The risk we take is a constant search for beauty, unconventional, but still beauty, to make people “wander”. Accurat for La Lettura, Corriere della Sera Thursday 27 February 14
  34. 34. = BEAUTIFUL REASONS Tapestry conference 26 February 2014 Annapolis giorgia lupi tw: @giorgialupi www.accurat.it www.giorgialupi.net Thursday 27 February 14
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