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Conventions of MOB 
gangster films. 
Georgia Shelton
Conventions… 
I will be analysing the conventions of mob 
gangster films as that is what I wish to create 
my opening on. 
The most apparent convention of a mob 
gangster film is the props, guns, expensive 
cars. This displays their wealth as a gangster 
and portrays them as the antagonist due to 
the superiority they show towards less 
wealthy characters.
Mise en Scene… 
Mise en scene is simply a group of elements 
which the director chooses to put on the film, 
including, lighting, props, makeup, 
characters, costume, setting, colour. 
Wealth is furthermore shown in mob 
gangster films through mise en scene, 
costume in particular. Formal outfits, mainly 
suits are worn to show superiority, wealth 
and dominance.
The Godfather… 
First, you see a title of the 
production company, 
‘Paramount’, being a very 
well known company allows 
the audience to recognize 
that the film will be good 
quality. 
Followed by the first title is a 
second, informing the 
audience on the name of the 
film. It is apparent to the 
audience already that the main 
character will be dominant, 
due to the ‘puppet’ controlling 
the ‘father’. 
We are now first introduced to 
the character after a black 
screen with non-diegetic 
synchronous sound. It is a 
close up, with low level lighting 
creating an intense and eerie 
mood, the characters stern look 
also creating this. 
The same character is shown as 
the camera tracks out/zooms out, 
not revealing a location as the 
lighting is still low level, still 
creating an intense and eerie feel. 
As the camera continues to track/zoom out, a second 
character is revealed as an over the shoulder shot. 
Making the first character now look inferior. The 
location is still not clearly apparent and the lighting is 
still very dark, reflecting the personalities of the
Pulp Fiction… 
The first scene you see is a two shot in a casual 
setting with the characters looking relaxed around 
each other. This goes against what you would expect 
too see in a gangster film as the lighting is natural and 
it doesn’t make the characters feel uneasy/on edge. 
There is no diegetic noise in the background, only 
dialogue from the two characters. 
We are then introduced to the third 
character as the waitress, the 
ambient noise in the background 
continues and the mood hasn’t 
changed. 
We then see a mid shot 
of one of the original 
characters with the 
diegetic synchronous 
sound of the coffee 
being poured.
Pulp Fiction continued… 
We are then cut back to the 
scene of the two original 
characters, however the 
women’s body language has 
changed, coming across as she 
is tired/distressed. 
We then see another mid shot of the 
female character with the male 
dialogue in the background. 
However the female character is 
quiet and not speaking, showing a 
traditional representation of men as 
dominant. 
We are the cut to a over 
the shoulder, mid shot of 
the male character, the 
mood still going against 
what you would expect 
to see in a gangster film.
Goodfellas… 
We first see a mid shot of the back 
of a car, with low level lighting and 
the diegetic sound of the car 
speeding. This creates a 
mysterious mood. 
The previous shot then tracks 
sideways, creating a point of 
view shot. 
We then see our first title, 
setting the scene in New York. 
New York is a common place 
where gangsters are found. 
The title cuts back to the car, but 
this time inside where we are 
introduced to the characters, who 
are wearing suits, which is a 
We then cut to an establishing shot 
of the characters stood in low level 
lighting, in a red spotlight. This 
further more creates intensity due to 
the lighting as red is usually 
associated with blood/death. 
The intensity begins to risen as the 
character wakes up the other 
character due to a diegetic thump. 
All the characters are unaware of 
what it might be making the
Conclusion… 
From analysing openings from mob gangster films it 
has given me an insight of what costume and 
lighting is effective on setting the scene. 
For example the low level lighting in the opening of 
Godfather and the use of only dialogue creates an 
intense and intreging mood for the audience, 
drawing them in. 
Although Pulp Fiction goes against what you would 
expect to see in a gangster opening, it can also be 
very effective, as the audience are waiting for 
something to happen.

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Conventions

  • 1. Conventions of MOB gangster films. Georgia Shelton
  • 2. Conventions… I will be analysing the conventions of mob gangster films as that is what I wish to create my opening on. The most apparent convention of a mob gangster film is the props, guns, expensive cars. This displays their wealth as a gangster and portrays them as the antagonist due to the superiority they show towards less wealthy characters.
  • 3. Mise en Scene… Mise en scene is simply a group of elements which the director chooses to put on the film, including, lighting, props, makeup, characters, costume, setting, colour. Wealth is furthermore shown in mob gangster films through mise en scene, costume in particular. Formal outfits, mainly suits are worn to show superiority, wealth and dominance.
  • 4. The Godfather… First, you see a title of the production company, ‘Paramount’, being a very well known company allows the audience to recognize that the film will be good quality. Followed by the first title is a second, informing the audience on the name of the film. It is apparent to the audience already that the main character will be dominant, due to the ‘puppet’ controlling the ‘father’. We are now first introduced to the character after a black screen with non-diegetic synchronous sound. It is a close up, with low level lighting creating an intense and eerie mood, the characters stern look also creating this. The same character is shown as the camera tracks out/zooms out, not revealing a location as the lighting is still low level, still creating an intense and eerie feel. As the camera continues to track/zoom out, a second character is revealed as an over the shoulder shot. Making the first character now look inferior. The location is still not clearly apparent and the lighting is still very dark, reflecting the personalities of the
  • 5. Pulp Fiction… The first scene you see is a two shot in a casual setting with the characters looking relaxed around each other. This goes against what you would expect too see in a gangster film as the lighting is natural and it doesn’t make the characters feel uneasy/on edge. There is no diegetic noise in the background, only dialogue from the two characters. We are then introduced to the third character as the waitress, the ambient noise in the background continues and the mood hasn’t changed. We then see a mid shot of one of the original characters with the diegetic synchronous sound of the coffee being poured.
  • 6. Pulp Fiction continued… We are then cut back to the scene of the two original characters, however the women’s body language has changed, coming across as she is tired/distressed. We then see another mid shot of the female character with the male dialogue in the background. However the female character is quiet and not speaking, showing a traditional representation of men as dominant. We are the cut to a over the shoulder, mid shot of the male character, the mood still going against what you would expect to see in a gangster film.
  • 7. Goodfellas… We first see a mid shot of the back of a car, with low level lighting and the diegetic sound of the car speeding. This creates a mysterious mood. The previous shot then tracks sideways, creating a point of view shot. We then see our first title, setting the scene in New York. New York is a common place where gangsters are found. The title cuts back to the car, but this time inside where we are introduced to the characters, who are wearing suits, which is a We then cut to an establishing shot of the characters stood in low level lighting, in a red spotlight. This further more creates intensity due to the lighting as red is usually associated with blood/death. The intensity begins to risen as the character wakes up the other character due to a diegetic thump. All the characters are unaware of what it might be making the
  • 8. Conclusion… From analysing openings from mob gangster films it has given me an insight of what costume and lighting is effective on setting the scene. For example the low level lighting in the opening of Godfather and the use of only dialogue creates an intense and intreging mood for the audience, drawing them in. Although Pulp Fiction goes against what you would expect to see in a gangster opening, it can also be very effective, as the audience are waiting for something to happen.