Marketing and Selling Fine Art Prints

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    Presentation created and presented by Gary A. Stafford, Lazer Incorporated (fineart.lazerinc.com)

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    Marketing and Selling Fine Art Prints - Presentation Transcript

    1. Image © 2009 iStockphoto LP
    2. Reference Materials
      • Art Marketing 101: A Handbook for the Fine Artist by Constance Smith
      • Licensing Art 101: Publishing and Licensing Artwork for Profit by Michael Woodward
      • Raffle – please fill out feedback form »
    3. Introduction
      • Who is Lazer?
      • Purpose of seminar
      • What is a fine art or giclée print? »
    4. Agenda for Seminar
      • Selling Prints vs. Originals
      • Developing a Marketing Plan
      • Break
      • Pricing Your Prints
      • Expanding Your Prints Sales
      • Your Website
      • Questions and Answers
      • Tour »
    5. Selling Prints vs. Originals
      • Your customer must perceive sufficient value in your prints versus the originals
      • Why wouldn’t they?
      • Poor quality prints (printing or capture)
      • Commoditization of prints – high volume and low price (Wal-Mart effect)
      • Poor presentation of prints »
    6. Selling Prints vs. Originals
      • How do we create the perception of value?
      • You have to believe there is value in your prints
      • You have to know enough about the fine art printmaking process to answer your customer’s questions (our other seminar)
      • You have to create a sense of the print’s value to your customer through your marketing and sales activities »
    7. Developing a Marketing Plan Business Plan Marketing Plan Marketing Objectives Marketing Strategy Action Plan
    8. Marketing Plan “A written document that details the necessary actions to achieve one or more marketing objectives . It can be for a product or service, a brand, or a product line. Marketing plans cover between one and five years.” – Wikipedia
    9. Marketing Plan
      • “ Outlines the specific actions you intend to carry out to interest potential customers and clients in your product and/or service and persuade them to buy the product and/or services you offer.” – About.com
    10. Marketing Plan
      • “Marketing is the philosophy of business, which is to sell more stuff , to more people, more often, for more money, more efficiently.” – Sergio Zyman, Coca-Cola
    11. Developing a Marketing Plan Business Plan Marketing Plan Marketing Objectives Marketing Strategy Action Plan
    12. Marketing Objective Examples
      • Usually financial in nature, be clear, be measurable, and have a stated time frame for achievement.
      • Over the next year, become known regionally as a fine artist specializing in traditional landscape oil paintings. »
    13. Marketing Objective Examples
      • Within the next 18 months, generate enough ongoing print sales to fully fund my photography pursuits.
      • Within two years, generate a fulltime income through ongoing sales of my original paintings and prints. »
    14. Developing a Marketing Plan Business Plan Marketing Plan Marketing Objectives Marketing Strategy Action Plan
    15. Marketing Strategy
      • The ‘Marketing Mix’ - the 4P’s
      • Product - The product you are selling Prints, originals, framed or unframed, size
      • Price – Your pricing strategy What will you charge? What will they pay?
      • Place – The time and place in which you sell: Right place, right time, and the right quantity
      • Promotion – Getting your product known Advertising, direct marketing, PR, selling »
    16. Marketing Strategy
      • The ‘Extended Marketing Mix’
      • People – Who represents your business You, your customers, art rep, gallery, etc.
      • Physical Evidence – Your reputation What others say about you and you artwork
      • Process – How people obtain your product The buying experience you create
      • Packaging – How is the product presented »
    17. Developing a Marketing Plan Business Plan Marketing Plan Marketing Objectives Marketing Strategy Action Plan
    18. Sample Action Plan
      • Artist’s resume (biography, statement, exhibits)
      • Website with portfolio, resume, and contact info
      • Join and actively participate in networking groups, both in person and online (facebook)
      • Business cards
      • Quarterly direct mail postcard campaign
      • Postcards as handouts in addition to brochure
      • Tri-fold brochure
      • Portfolio of prints of your work »
    19. Supplemental Actions
      • Shows and exhibitions*
      • E-mail updates to clients and prospects
      • Rack cards (alternative to brochure)
      • Advertising in print and online
      • Letterhead and envelopes
      • Donate to a nonprofit fund-raiser
      • Search engine keyword advertising »
    20. Sample Marketing Budget
      • Artist’s resume $0
      • Starter website (foliosnap.com) $250
      • Participate in networking groups $0
      • Quarterly postcard campaign (250 x 4) $425
      • Postcards as handouts (250 x 4) $150
      • Business cards – (1,000) $25
      • Brochure – (500) $120
      • Portfolio presentation case (14 x 17) $75
      • Photographic prints of your art – (15) $175
      • $1,220
    21. 2009 Sample Marketing Budget
      • Artist’s resume $0
      • Starter website (foliosnap.com) $250
      • Participate in networking groups $0
      • Postcard campaign (250 x 3 ) $320
      • Postcards as handouts (250 x 3 ) $115
      • Business cards – (1,000) $25
      • Brochure – (500) $120
      • Portfolio presentation case (14 x 17) $75
      • Photographic prints of your art – (15) $175
      • $710
    22. Marketing Collateral Costs
      • Business cards (4/0) .02¢
      • Postcards as handouts (4/1) .16¢
      • Postcards with label/postage (4/1) .45¢
      • Brochure (4/4) .24¢
      • Flyers (4/0) .18¢
      • Rack Card (4/1) .18¢
      • Much lower cost in larger quantities
      • Don’t be afraid to distribute »
    23. Marketing Budget Tips
      • Design promotional materials yourself
      • Find design students who need printed samples for their portfolios (RIT)
      • Find photography students to photograph your artwork at a lower cost (RIT)
      • Barter your artwork and/or prints for design, photo, copywriting for your »
    24. Marketing Budget Tips
      • Use online web-to-print services like gotPrint.com, VistaPrint.com, PsPrint.com
      • Design with postage in mind (27 ¢ vs. 42¢)
      • Don’t start out by trying to build your site
      • Find a webhost that specializes in artists »
    25. Break! 10 Minutes
    26. Pricing Your Prints
      • Based on original (top-down)
      • Cost plus (bottom-up)
      • Market value (what will customers pay)
      • Dangers of setting the print price too high or too low
      • Does size determine price?
      • Multiple sizes or a single size? »
    27. Increasing the Value of Prints
      • Perceived value will increase as your reputation as an artist increases
      • Signing your prints (archival pen or pencil)
      • Title and date
      • Embossed watermarks
      • Embellishment, matting and framing
      • Certificate of Authenticity »
    28. Certificate of Authenticity
    29. Limited Editions
      • What is ‘limited’?
      • Hand numbered prints
      • Keep records and be able to provide proof
      • Selling in numeric order
      • Value increases with print number
      • Ideal quantity?
      • Print-on-demand verses print all at once
      • Multiple editions »
    30. Expanding Your Print Sales
      • Individual print sale
        • Art collectors, casual art buyers, and impulse buyers
      • Licensing artwork for multiple print sales
        • Hotels, restaurants, medical facilities, legal firms, corporations, and product design and manufacturing firms (PGC), franchises
    31. Your Website’s Purpose
      • Creates a professional appearance
      • Promotes awareness of you and your art
      • Collect leads (new clients)
      • Keeps current clients interested in your art
      • Sells (e-commerce) »
    32. Your Website’s Features
      • Online portfolio of work
      • How to contact you
      • Artist’s resume (about/bio/statement)
      • News, better yet a blog
      • Calendar of upcoming events
      • Guestbook (lead generator)
      • Pricing and purchase information »
    33. Your Website is You
      • Site is direct reflection of you as an artist
      • Bad design or ‘bugs’ = poor first impression
      • Major costs: web design, programming, URL registration, website and email hosting, online promotion, e-commerce
      • Impression web address and email make
      • Custom built vs. template-based
      • Importance of updating content »
    34. facebook
    35. facebook
    36. Big Black Bag
    37. Big Black Bag
    38. FolioLink
    39. FolioLink
    40. FolioSnap
    41. FolioSnap
    42. Gallery-Worldwide
    43. Gallery-Worldwide
    44. Art Evolved (artevo.com)
    45. Conclusion
      • Plan, Test, Adjust
      • Raffle
      • Questions and Answers
      • Tour »
    46. Thank you

    + Gary StaffordGary Stafford, 8 months ago

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