Intro to a2 course g325 critical perspectives in media - question b

  • 5,281 views
Uploaded on

 

  • Full Name Full Name Comment goes here.
    Are you sure you want to
    Your message goes here
    Be the first to comment
    Be the first to like this
No Downloads

Views

Total Views
5,281
On Slideshare
0
From Embeds
0
Number of Embeds
8

Actions

Shares
Downloads
152
Comments
0
Likes
0

Embeds 0

No embeds

Report content

Flagged as inappropriate Flag as inappropriate
Flag as inappropriate

Select your reason for flagging this presentation as inappropriate.

Cancel
    No notes for slide

Transcript

  • 1. G325 – Critical Perspectives in Media
    Section A , Question B – Theoretical Evaluation of Production
  • 2. Section A: Theoretical Evaluation of Production
    The second part to Question 1 of the exam:
    Question 1(b)
    Evaluate your coursework in relation to a media concept.
    In the exam 1 of the following areas will be selected for you to write about:
    Genre
    Narrative
    Representation
    Audience
    Media language
  • 3. How to approach 1b.
    You need to understand all 5 concepts, including relevant theories.
    In pairs brainstorm what each of the 5 concepts mean.
    Your task is to produce a detailed evaluation of your coursework using all 5 concepts. The documents you produce will be vital revision aids for the exam next summer. You must use a variety of ICT/digital technology skills when creating your revision documents.
  • 4. ICT/Digital Technology
    As a media student, it is expected that you are up to date with technology. Therefore you should aim to use as many ways as possible in which to create and display your work:
    Slideshare
    Prezi http://prezi.com/
    Visio
    Flickr
    Tubechop
    Scribd
    Jing
    http://www.jingproject.com/?gclid=CN_R9K_WlaICFY-X2AodnGedEA
    Film and upload to YouTube
    Voice record / Xtranormal http://www.xtranormal.com/
    Post it note film http://www.youtube.com/watch?v=EUUh9KROqf4
  • 5. Genre
    Genres are categories or types of media text. Genres are recognisable through the repeated use of generic codes and conventions:
    Iconographies
    Narrative
    Representations
    Ideologies
    Which of the above codes/conventions does your c/w use and how?
  • 6. Genre theories
    How would any of the following genre theorists apply to your c/w?
    Steve Neale (1980) - all genres are instances of repetition and difference
    Douglas Pye - films have to conform to audience expectations about narrative
    Tom Ryall – conventions = Narrative, Themes, Characters/stereotypes, Iconography
  • 7. Genre and Audience
    Genre offers audiences a structure or framework
    Audiences gain enjoyment from “spotting the conventions” (repetition) and making comparisons with other films of the same genre
    If a text deviates from the conventions it can confuse us, but at the same time we enjoy seeing the rules broken
    Audiences like the anticipation of waiting for the predictable features
    How did you use genre to offer your audience a framework? Do you think your target audience enjoyed spotting the conventions or seeing the rules broken?
  • 8. Narrative theories
    You should aim to apply the narrative theorists which can be applied to your c/w:
    Propp – 8 character roles
    Todorov – equilibrium – disequilibrium – new equilibrium
    Barthes – 5 codes (action, enigma, cultural, symbolic, semic)
    Levi-Strauss – binary opposites
  • 9. Narrative
    All media texts tell stories. The structure of these stories is called the narrative.
    A story must have verisimilitude (appear to be real) in order to engage us – how does your c/w have verisimilitude?
    It might seem more obvious to apply narrative theory to a film (see next 2 slides), but if you created a magazine you need to consider the following:
    How is your magazine structured? How does the front cover lead the reader into the magazine? How does the contents page lead the reader into the rest of the magazine? Consider enigma codes (Barthes) used in all 3 aspects of your c/w. Analyse your dps in relation to Todorov’s theory.
  • 10. Opening sequences and narrative
    • To introduce character (Propp)
    • Establish narrative structure (Todorov)
    • Captivate audience/interest
    • Establish core themes (Levi Strauss)
    • Introduce core iconography
    • Establishes audience expectation through use of
    generic conventions
    • Establish sense of enigma (Barthes)
  • 11. Narrative conventions of opening sequences
    • Predominance of action codes (Barthes)
    • Significance of soundtrack – establishing mood
    • Use of titles as credits/ event signifiers
    • Pace
  • 12. Representation
    Everything in the media is a representation - everything we see is being represented e.g. regions/locations, individuals, groups, places, nations, ideas
    Questions we would ask when analysing representations:
    WHO or WHAT is being represented?
    HOW is the representation created?
    WHO has created the representation?
    WHY is the representation created in that way? What is the
    intention?
    WHAT is the effect of the representation?
    Consider the representations in your c/w and answer the above questions in detail.
  • 13. Representation
    To maintain a representation of reality, media language elements such as lighting, music, editing, camera work and mise en scene are used. How did you use these micro aspects to create representations?
    Sometimes, representations are seen to be a deliberate attempt to create associations and ideas for the audience – did you represent any characters in a certain way so as to remind your audience or someone/something else?
  • 14. Representation theories
    You might not have studied many representation theories at AS Level, but consider how the following can be applied to your c/w:
    Laura Mulvey (the gaze)
    Marjorie Ferguson (facial expressions)
    Trevor Millum (facial expressions)
  • 15. Audience
    Consider: age, gender, demographic profile, socio-economic group, existing/new, lifestyle, values, attitude
    Categories A, B, C1, C2, D, E
    Is your audience mass or niche?
    What would the three reactions to your c/w be:
    A preferred reading (your intended interpretation)
    An oppositional reading (someone who didn’t like it)
    A negotiated reading (someone who isn’t the target audience but might appreciate it for whatever reason)
  • 16. Audience
    Every media text is made with a view to pleasing an audience in some way – how did you try to please your audience?
    Success is measured by the audience’s response to a media text and those that do not attract and maintain an audience do not survive.
    At the heart of this is the fact that all media texts are created in order to make money.
  • 17. Media Language
    You will need to write about:
    Denotations
    Connotations
    Anchorage
    And…
  • 18. Media Language
    You made lots of decisions regarding the following micro aspects:
    Camera
    Editing
    Lighting
    Sound
    Mise-en- Scene
    Special Effects: visual, sound and lighting
    Choose 1 page or scene from your c/w and analyse the above aspects in as much detail as possible. Analyse the effectiveness of each area as if you were analysing the unseen exam.
  • 19. Deadline
    You have until the new timetable commences (w/b 5th July) – 3 weeks – to complete this task. Save all of the documents in your area ready to upload onto your new A2 blog with your new A2 teacher.