2. The Catastrophe Theory Metaphor for the Process of Text Generation: The Predator Prey Cycle

8. Figures on page 2, 3, 4, & 5 are taken from The Neurological Basis of Signs in Communication Processes. The Toronto Semiotic Circle; P. Bouissac, M. Kinsbourne, A.R. Lecours, M. Mair, J. Mehler, J.-L. Nespoulous, K. Pribram. P. Perron ed. Figure on page 1 is a graphic design by Nick Meyer. Figure on page 7 is taken from Zen and the Brain. James H. Austin, M.D.

9. Example 1 The ‘Bomb Scares’ fragment demonstrates: sound and movement synch onomatopoeic head movement alternation of melodic contrib completion of melody

10. “ Can’t you think of anyone that might relish the thought?” Demonstrates: Up going melody with its stablizer Brief eye flash (2/10 sec) Sound Movement synchronies

11. Example 5

12. Example 5 - part 2

13. Example 5 - part 3

14. Jokes away free! Vivacious fragment movement synchrony participation of a third leads to synchrony in the dyad phonetic pidgin, when melody survived where words failed Eye contact intercepted trajectory concludes the fragment.

15. Swimming Pools

17. Let’s get away from telling jokes, because I can never remember any and I’m very bad at them.