Artes Visuales Bloque 4 La naturaleza y el espacio urbano en la imagen Alfredo Castañeda (1938 - ) E n el lugar de los abrazos (In the Place of the Embrace)1979, oil on canvas 120.00 X 120.00 cm, Private Collection

Paisaje natural Gerardo Murillo. Dr. Atl (1875 - 1964) Cola de Caballo (Ponytail) ca. 1942 oil and atlcolour on jute 128.00 X 77.00 cm Museo Nacional de Arte. INBA. CONACULTA

Paisaje Natural Figurativo realista José María Velasco (1840 - 1912) Cañada de Metlac, vista tomada cerca de la estación de Fortín (Metlac Ravine, Viewed from near the Station in Fortin) 1897 oil on canvas 104.00 X 160.00 cm Museo Nacional de Arte. INBA. CONACULTA

José María Velasco (1840 - 1912) Cañada de Metlac, vista tomada cerca de la estación de Fortín

(Metlac Ravine, Viewed from near the Station in Fortin) 1897 oil on canvas 104.00 X 160.00 cm Museo Nacional de Arte. INBA. CONACULTA

Paisaje Natural Figurativo no realista Olga Costa (1913 - 1993) Cerro parchado (Patched Hill) 1972 ink on paper 20.00 X 28.00 cm Artist's private collection

Olga Costa

(1913 - 1993) Cerro parchado (Patched Hill)

1972

ink on paper 20.00 X 28.00 cm

Artist's private collection

Paisaje Natural Interpretación abstracta Francisco Toledo (1940 - ) Laberinto para llegar a Lachixopa (Labyrinth of Paths to Lachixopa ) 1971 oil on canvas 80.50 X 120.00 cm Museo de Arte Moderno. INBA. CONACULTA

Francisco Toledo (1940 - ) Laberinto para llegar a Lachixopa

(Labyrinth of Paths to Lachixopa ) 1971 oil on canvas 80.50 X 120.00 cm

Museo de Arte Moderno. INBA. CONACULTA

Paisaje Rural Francisco Goitia (1882 - 1960) p aisaje de Zacatecas con ahorcados II (Zacatecas Landscape with Hanged Men II) ca. 1914, oil on canvas, 95.00 X 100.00 cm, Museo Nacional de Arte. INBA. CONACULTA

Paisaje rural figurativo realista Conrad Wise Chapman (1842 - 1910) Franceses en el cerro del Obispado, Monterrey (The French on Obispado Hill, Monterrey) ca. 1880 oil on canvas 27.00 X 36.00 cm Colección de Arte of the Banco Nacional de México, S.A.

Conrad Wise Chapman

(1842 - 1910) Franceses en el cerro del Obispado, Monterrey

(The French on Obispado Hill, Monterrey) ca. 1880 oil on canvas 27.00 X 36.00 cm

Colección de Arte of the Banco Nacional de México, S.A.

Paisaje rural figurativo no realista Mattie Lou O'Kelley (1908 - 1997) Farm Scene 1975 oil on canvas 61.00 X 92.10 cm Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr.

Mattie Lou O'Kelley

(1908 - 1997)

Farm Scene 1975 oil on canvas 61.00 X 92.10 cm

Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr.

Paisaje rural Interpretación abstracta Diego Rivera (1886 - 1957) Paisaje Zapatista (Zapatist Landscape) 1915 oil on canvas 145.00 X 125.00 cm Museo Nacional de Arte. INBA. CONACULTA

Diego Rivera

(1886 - 1957)

Paisaje Zapatista (Zapatist Landscape) 1915 oil on canvas 145.00 X 125.00 cm

Museo Nacional de Arte. INBA. CONACULTA

Paisaje Urbano Jimmy Lee Sudduth (1910 - ), Big City Skyline, ca. 1988, paint, mud, and sand on plywood, 94.00 X 121.90 cm Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment

Paisaje Urbano Figurativo Realista Christiane Pflug (1936 - 1972) Kitchen Door with Ursula 1966 oil on canvas 164.80 X 193.20 cm Collection of The Winnipeg Art Gallery; Acquired with the assistance of the Women’s Committee and The Winnipeg Foundation

Christiane Pflug (1936 - 1972)

Kitchen Door with Ursula 1966

oil on canvas 164.80 X 193.20 cm

Collection of The Winnipeg Art Gallery; Acquired with the assistance of the Women’s Committee and The Winnipeg Foundation

Paisaje Urbano Figurativo no realista José Castro Leñero (1953 - ) De la serie ciudad en movimiento (From the Series City on the Move) 1998 tempera and oil on canvas 110.00 X 165.00 cm Museo de Arte Moderno. INBA. CONACULTA

José Castro Leñero

(1953 - ) De la serie ciudad en movimiento (From the Series City on the Move) 1998

tempera and oil on canvas 110.00 X 165.00 cm

Museo de Arte Moderno. INBA. CONACULTA

Paisaje Urbano Interpretación abstracta José Clemente Orozco (1883 - 1949) Los muertos (The Dead Men) 1931 oil on canvas 111.00 X 92.00 cm Museo de Arte Carrillo Gil. INBA. CONACULTA

José Clemente Orozco

(1883 - 1949)

Los muertos (The Dead Men) 1931

oil on canvas 111.00 X 92.00 cm

Museo de Arte Carrillo Gil. INBA. CONACULTA

Paisaje Industrial José Clemente Orozco (1883 - 1949), Paisaje de Picos (Landscape with Peaks) 1943 tempera on masonite, 99.00 X 121.00 cm, Museo de Arte Carrillo Gil. INBA. CONACULTA

Paisaje Industrial Figurativo realista José María Velasco (1840 - 1912) Fábrica de la Hormiga (La Hormiga Factory) 1863 oil on canvas 71.00 X 93.00 cm Museo Nacional de Arte. INBA. CONACULTA

José María Velasco

(1840 - 1912)

Fábrica de la Hormiga (La Hormiga Factory) 1863

oil on canvas 71.00 X 93.00 cm

Museo Nacional de Arte. INBA. CONACULTA

Paisaje Industrial Figurativo no realista Alexander A. Maldonado (1901 - 1989) Waterfront at Night / Spectacular Night 1964 oil on canvas 54.00 X 69.20 cm Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr.

Alexander A. Maldonado

(1901 - 1989)

Waterfront at Night / Spectacular Night 1964

oil on canvas 54.00 X 69.20 cm

Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr.

Paisaje Industrial Interpretación Abstracta David Alfaro Siqueiros (1896 - 1974) Explosión en la ciudad (Explosion in the City) 1945 pyroxylin on masonite 76.00 X 61.00 cm Museo de Arte Carrillo Gil. INBA. CONACULTA

David Alfaro Siqueiros

(1896 - 1974)

Explosión en la ciudad (Explosion in the City) 1945

pyroxylin on masonite 76.00 X 61.00 cm

Museo de Arte Carrillo Gil. INBA. CONACULTA

Representaciones visuales del espacio Florence Riggs (1962 - ) Dinosaurs, ca. 1993, commercial yarn, 97.60 X 125.40 cm Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase made possible by Ralph Cross Johnson

Representaciones del espacio frontales y planas Carmen Lomas Garza (1948 - ) Camas para Sueños (Bed for Dreams) 1985 gouache on paper 71.40 X 52.10 cm Smithsonian American Art Museum, Museum purchase through the Smithsonian Institution Collections Acquisition Program

Carmen Lomas Garza

(1948 - ) Camas para Sueños (Bed for Dreams) 1985

gouache on paper 71.40 X 52.10 cm

Smithsonian American Art Museum, Museum purchase through the Smithsonian Institution Collections Acquisition Program

Representaciones del espacio en perspectiva lineal Martina Lopez (1952 - ) Heirs Come to Pass, 3 1991 silver-dye bleach print made from digitally-assisted montage 76.20 X 127.00 cm Smithsonian American Art Museum, Gift of the Consolidated Natural Gas Compay Foundation

Martina Lopez

(1952 - ) Heirs Come to Pass, 3 1991

silver-dye bleach print made from digitally-assisted montage 76.20 X 127.00 cm

Smithsonian American Art Museum, Gift of the Consolidated Natural Gas Compay Foundation

Expresión y evocación (temas) Ann Harbuz (1908 - 1985) Dominion School, 1982, acrylic on canvas,72.00 X 102.50 cm Canadian Museum of Civilization

Destrucción del medio ambiente Austin Mecklem (1894 - 1951) Engine House and Bunkers 1934 oil on canvas 96.50 X 127.60 cm Smithsonian American Art Museum, Transfer from the U.S. Department of Labor

Austin Mecklem

(1894 - 1951)

Engine House and Bunkers 1934

oil on canvas 96.50 X 127.60 cm

Smithsonian American Art Museum, Transfer from the U.S. Department of Labor

Modificación del paisaje por la acción humana José María Velasco (1840 - 1912) Templo de San Bernardo (San Bernardo Church) 1861 oil on paper mounted on canvas 32.80 X 44.80 cm Museo Nacional de Arte. INBA. CONACULTA

José María Velasco (1840 - 1912)

Templo de San Bernardo

(San Bernardo Church) 1861

oil on paper mounted on canvas 32.80 X 44.80 cm

Museo Nacional de Arte. INBA. CONACULTA

Sentido de pertenencia Fernando Best Pontones (1889 - 1957) Valle (Valley) 1919 oil on canvas 139.00 X 188.00 cm Museo de Arte Moderno. INBA. CONACULTA

Fernando Best Pontones

(1889 - 1957) Valle (Valley) 1919

oil on canvas 139.00 X 188.00 cm

Museo de Arte Moderno. INBA. CONACULTA

Unidad o dualidad naturaleza-cultura Robert Dawson (1950 - ) Cracked Mud and Vineyard near Arvin, California, from the Great Central Valley Project 1985 gelatin silver print on paper 35.20 X 45.10 cm Smithsonian American Art Museum, Gift of the Consolidated Natural Gas Company Foundation

Robert Dawson

(1950 - ) Cracked Mud and Vineyard near Arvin, California, from the Great Central Valley Project 1985

gelatin silver print on paper 35.20 X 45.10 cm

Smithsonian American Art Museum, Gift of the Consolidated Natural Gas Company Foundation

El espacio Urbano Fermín Revueltas (1903 - 1935) Andamios exteriores (External Scaffolding) 1923 watercolour on paper 26.50 X 32.50 cm Museo Nacional de Arte. INBA. CONACULTA

Fermín Revueltas (1903 - 1935)

Andamios exteriores (External Scaffolding) 1923

watercolour on paper 26.50 X 32.50 cm

Museo Nacional de Arte. INBA. CONACULTA

Comunicación e incomunicación Tommy Evvik (1951 - ) First Meeting 1983 stencil on paper 30.50 X 62.50 cm Collection of The Winnipeg Art Gallery; Gift of Departmen of Indian & Northern Affairs, Canada

Tommy Evvik

(1951 - )

First Meeting 1983

stencil on paper 30.50 X 62.50 cm

Collection of The Winnipeg Art Gallery; Gift of Departmen of Indian & Northern Affairs, Canada

Espacio privado Frederick Horsman Varley (1881 - 1969) View from the Artist’s Bedroom Window, Jericho Beach 1929 oil on canvas 99.40 X 83.80 cm Collection of The Winnipeg Art Gallery; Acquired with the assistance of the Women's Committee and the Woods-Harris Trust Fund No. 1

Frederick Horsman Varley

(1881 - 1969)

View from the Artist’s Bedroom Window, Jericho Beach 1929

oil on canvas 99.40 X 83.80 cm Collection of The

Winnipeg Art Gallery; Acquired with the assistance of the Women's Committee and the Woods-Harris Trust Fund No. 1

Espacio público Maurice Prendergast (1858 - 1924) Summer, New England 1912 oil on canvas 48.90 X 69.90 cm Smithsonian American Art Museum ; Gift of Mrs. Charles Prendergast

Maurice Prendergast

(1858 - 1924)

Summer, New England 1912

oil on canvas 48.90 X 69.90 cm

Smithsonian American Art Museum ; Gift of Mrs. Charles Prendergast

Cambio y permanencia Allan Rohan Crite (1910 - ) Sunlight and Shadow 1941 oil on board 64.20 X 99.10 cm Smithsonian American Art Museum, Museum purchase

Allan Rohan Crite (1910 - )

Sunlight and Shadow 1941

oil on board 64.20 X 99.10 cm

Smithsonian American Art Museum, Museum purchase

Tradición Jesse Treviño (1946 - ) Mis Hermanos 1976 acrylic on canvas 121.90 X 177.80 cm Smithsonian American Art Museum, Gift of Lionel Sosa, Ernest Bromley, Adolfo Aguilar of Sosa, Bromley, Aguilar and Associates

Jesse Treviño

(1946 - ) Mis Hermanos 1976

acrylic on canvas 121.90 X 177.80 cm

Smithsonian American Art Museum, Gift of Lionel Sosa, Ernest Bromley, Adolfo Aguilar of Sosa, Bromley, Aguilar and Associates

Modernidad Malcah Zeldis (1931 - ) Miss Liberty Celebration 1987 oil on corrugated cardboard 138.40 X 92.70 cm Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr.

Malcah Zeldis

(1931 - )

Miss Liberty Celebration 1987

oil on corrugated cardboard 138.40 X 92.70 cm

Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr.

Material Didáctico de apoyo para los docentes de Artes Visuales de Educación Secundaria Dirección General de Educación Secundaria Jalisco, México, 2006 Diseño e Investigación L.D.I Jaime Córdova Jiménez