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EMC / JOUR 3000 INTRO TO MOTION PICTURES<br />Edward Bowen<br />Lecture Four <br />Inside the Shot Part 2<br />Movement an...
Technology of Motion Pictures<br />Camera Movement<br />Pan - Camera swivels horizontally from a fixed axis.<br />
Technology of Motion Pictures<br />Camera Movement<br />Pan - Camera swivels horizontally from a fixed axis.           “Ba...
Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Pan - Camera swivels horizontally from a...
Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Pan - Camera swivels horizontally from a...
Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Zoom – Magnification or reduction of an ...
Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Zoom – Magnification or reduction of an ...
Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Zoom – Magnification or reduction of an ...
Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Zoom – Magnification or reduction of an ...
Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Dolly (Traveling of Tracking) shot.  Cam...
Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Dolly (Traveling of Tracking) shot. “Jul...
Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Dolly (Traveling of Tracking) shot. “Jul...
Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Dolly (Traveling of Tracking) shot. “Sta...
Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Dolly (Traveling of Tracking) shot.     ...
Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Dolly (Traveling of Tracking) shot.<br /...
Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Dolly (Traveling of Tracking) shot.<br /...
Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Dolly (Traveling of Tracking) shot.<br /...
Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Dolly (Traveling of Tracking) shot.<br /...
Technology of Motion Pictures<br />Intrashot Communication - Camera Movement.<br />Crane Shot: Shot taken from a mobile de...
Technology of Motion Pictures<br />Intrashot Communication - Camera Movement.<br />Crane Shot: Shot taken from a mobile de...
Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Crane Shot: Shot taken from a mobile dev...
Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Crane Shot: Shot taken from a mobile dev...
Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Crane Shot: Shot taken from a mobile dev...
Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Aerial Shot: Shot taken from a helicopte...
Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Steadicam<br />http://www.youtube.com/wa...
Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Steadicam<br />http://vimeo.com/9035023<...
Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Steadicam “Snake Eyes’ (1998) Brian DePa...
Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Hand-held – “Faces” (1968) John Cassavet...
Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Hand-held – “Green Zone” (2009) Paul Gre...
Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Hand-held – “Cloverfield” (2008) Matt Re...
Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Motivated Lighting –  Lighting style in which t...
Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Motivated Lighting –  Lighting style in which t...
Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Motivated Lighting –  Lighting style in which t...
Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Motivated Lighting –  Lighting style in which t...
Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Motivated Lighting –  Lighting style in which t...
Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Unmotivated Lighting –  Lighting style in which...
Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Unmotivated Lighting –  Lighting style in which...
Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Unmotivated Lighting –  Lighting style in which...
Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Unmotivated Lighting –  Lighting style in which...
Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Unmotivated Lighting –  Lighting style in which...
Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Unmotivated Lighting –  Lighting style in which...
Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Unmotivated Lighting –  Lighting style in which...
Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />High Key –  Lighting style in which the image i...
Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />High Key –  Lighting style in which the image i...
Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Low Key –  More dramatic lighting style in whic...
Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Expressionism–   “The Black Cat” (1934) Edgar U...
Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Film Noir –   “He Walked By Night” (1948) Cinem...
Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />“The Godfather” (1972) Cinematography by Gordon...
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EMC JOUR 3000 Fall 2011 Lecture 4 Movement and Light

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  • http://www.youtube.com/watch?v=9cyfnkyRavI300x-Zoom---World--39-s-most-powerful-Optical-zoom-Panavision
  • Luke---Reid---Noah-06-23-10.movhttp://www.youtube.com/watch?v=Hn2IiRyD70Q
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  • Endorphin--2009--Overdose-Scene---Canon-XL2-24p-Dolly-Shot-720phttp://www.youtube.com/watch?v=uRGdFU-DS7U
  • Dolly-Zoomhttp://www.youtube.com/watch?v=iv41W6iyyGs
  • dolly-zoom—Jawshttp://www.youtube.com/watch?v=svEPWBxpYjo
  • The-Film-Lab--Raimi-Week-Trick-Shots-Ep--2--Dolly-Zoomhttp://www.youtube.com/watch?v=FPBYOIetRdw
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  • The-Formorian--Making-the-Crane-Shothttp://www.youtube.com/watch?v=ZK2U-LXXQ6k
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  • HItchcock-s--Notorious---Analysing-the--key-to-the-cellar-door—scene
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  • http://www.tcm.com/mediaroom/index/?o_cid=mediaroomlink&amp;cid=247745
  • Shawshank---Establishing-shot-wmvhttp://www.youtube.com/watch?v=wyDifF2_Csk
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  • 12-5-minutes-one-shot-1http://vimeo.com/3235512
  • Faces--CASSAVETES---Night-clubhttp://www.youtube.com/watch?v=9595kcSEc4A
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  • DW1-1http://www.youtube.com/watch?v=f5CPqpQ_i7Y
  • Office-Space-Printerhttp://vimeo.com/5944863
  • Katz-s-Delicatessen---in--When-Harry-Met-Sallyhttp://www.youtube.com/watch?v=F-bsf2x-aeE
  • SE7EN---Trailer---HQ---1995http://www.youtube.com/watch?v=J4YV2_TcCoE
  • The-Black-Cat—1934http://www.youtube.com/watch?v=iMWi2Rxmsfs
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  • http://www.youtube.com/watch?v=AbchmWS5jIUCinematographer-Gordon-Willis-talks-about-Godfather
  • Transcript of "EMC JOUR 3000 Fall 2011 Lecture 4 Movement and Light"

    1. 1. EMC / JOUR 3000 INTRO TO MOTION PICTURES<br />Edward Bowen<br />Lecture Four <br />Inside the Shot Part 2<br />Movement and Light<br />
    2. 2. Technology of Motion Pictures<br />Camera Movement<br />Pan - Camera swivels horizontally from a fixed axis.<br />
    3. 3. Technology of Motion Pictures<br />Camera Movement<br />Pan - Camera swivels horizontally from a fixed axis. “Barry Lyndon” (1975) Stanley Kubrick<br />http://youtu.be/qHCc4eMgIqQ<br />
    4. 4. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Pan - Camera swivels horizontally from a fixed axis.<br />Tilt - Camera swivels vertically from a fixed axis.<br />
    5. 5. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Pan - Camera swivels horizontally from a fixed axis.<br />Tilt - Camera swivels vertically from a fixed axis.<br />http://youtu.be/66TuSJo4dZM<br />
    6. 6. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Zoom – Magnification or reduction of an image optically, without moving the camera. Adjusting from wide to telephoto or visa versa.<br />http://www.youtube.com/watch?v=9cyfnkyRavI<br />
    7. 7. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Zoom – Magnification or reduction of an image optically, without moving the camera. Adjusting from wide to telephoto or visa versa. “As The World Turns” (2010)<br />http://www.youtube.com/watch?v=Hn2IiRyD70Q<br />
    8. 8. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Zoom – Magnification or reduction of an image optically, without moving the camera. Adjusting from wide to telephoto or visa versa. “Barry Lyndon” (1975) Stanley Kubrick<br />http://youtu.be/aHCwzsFEJyw<br />
    9. 9. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Zoom – Magnification or reduction of an image optically, without moving the camera. Adjusting from wide to telephoto or visa versa. “Barry Lyndon” (1975) Stanley Kubrick<br />http://youtu.be/0QtmFGv67kw<br />
    10. 10. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Dolly (Traveling of Tracking) shot. Camera moves forward or backwards or to the side. Usually on wheels; often on track.<br />
    11. 11. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Dolly (Traveling of Tracking) shot. “Jules and Jim” (1962) Francois Truffaut<br />http://www.tcm.com/mediaroom/index/?o_cid=mediaroomlink&cid=245567<br />
    12. 12. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Dolly (Traveling of Tracking) shot. “Jules and Jim” (1962) Francois Truffaut<br />http://youtu.be/lj0mHadxpVU<br />
    13. 13. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Dolly (Traveling of Tracking) shot. “Stagecoach” (1939) John Ford<br />http://youtu.be/7Pu9V85Njg8<br />
    14. 14. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Dolly (Traveling of Tracking) shot. “Endorphin” (2009) Michael J. Sirois<br />http://www.youtube.com/watch?v=uRGdFU-DS7U<br />
    15. 15. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Dolly (Traveling of Tracking) shot.<br />Dolly/Zoom: Dollying and Zooming the lens at the same time.<br />“La Haine” (1995) Mathieu Kassovitz<br />http://www.youtube.com/watch?v=iv41W6iyyGs<br />
    16. 16. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Dolly (Traveling of Tracking) shot.<br />Dolly/Zoom (Vertigo Shot): Dollying and Zooming the lens at the same time. “Jaws” (1975) Steven Spielberg<br />http://www.youtube.com/watch?v=svEPWBxpYjo<br />
    17. 17. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Dolly (Traveling of Tracking) shot.<br />Dolly/Zoom (Vertigo shot): Dollying and Zooming the lens at the same time.<br />http://www.youtube.com/watch?v=FPBYOIetRdw<br />
    18. 18. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Dolly (Traveling of Tracking) shot.<br />Dolly/Zoom (Vertigo Shot): Dollying and Zooming the lens at the same time.<br />http://www.youtube.com/watch?v=-Vm54QL8iZc<br />
    19. 19. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement.<br />Crane Shot: Shot taken from a mobile device that can move forward and backward and up and down. “The Formorian” (2007) Aideen McCarthy<br />http://www.youtube.com/watch?v=ZK2U-LXXQ6k<br />
    20. 20. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement.<br />Crane Shot: Shot taken from a mobile device that can move forward and backward and up and down. “Gone With The Wind” (1939) Victor Fleming<br />http://www.youtube.com/watch?v=MWShydqVGfI<br />
    21. 21. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Crane Shot: Shot taken from a mobile device that can move forward and backward and up and down.<br />“Notorious” (1946) Alfred Hitchcock<br />
    22. 22. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Crane Shot: Shot taken from a mobile device that can move forward and backward and up and down. “Touch of Evil” (1958) Orson Welles<br />http://www.youtube.com/watch?v=Yg8MqjoFvy4<br />
    23. 23. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Crane Shot: Shot taken from a mobile device that can move forward and backward and up and down.<br />“High Noon” (1952) Fred Zinnemann<br />http://www.tcm.com/mediaroom/video/247745/High-Noon-Movie-Clip-Frank-Miller.html<br />
    24. 24. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Aerial Shot: Shot taken from a helicopter, airplane, or other flying device. “The Shawshank Redemption” (1994) Frank Darabont<br />http://www.youtube.com/watch?v=wyDifF2_Csk<br />
    25. 25. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Steadicam<br />http://www.youtube.com/watch?v=kXQP3mlPA_s<br />
    26. 26. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Steadicam<br />http://vimeo.com/9035023<br />
    27. 27. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Steadicam “Snake Eyes’ (1998) Brian DePalma<br />http://vimeo.com/3235512<br />
    28. 28. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Hand-held – “Faces” (1968) John Cassavetes<br />http://www.youtube.com/watch?v=9595kcSEc4A<br />
    29. 29. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Hand-held – “Green Zone” (2009) Paul Greenglass<br />http://www.youtube.com/watch?v=bkTpAYrLcOo<br />
    30. 30. Technology of Motion Pictures<br />Intrashot Communication - Camera Movement<br />Hand-held – “Cloverfield” (2008) Matt Reeves<br />http://www.youtube.com/watch?v=ufYF0f-zMgY<br />
    31. 31. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Motivated Lighting – Lighting style in which the light sources imitate existing sources, such as lamps or windows. “The Walking Dead” (2010) Frank Darabont<br />http://www.youtube.com/watch?v=6MJYyp47DuQ<br />
    32. 32. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Motivated Lighting – Lighting style in which the light sources imitate existing sources, such as lamps or windows. “The Uninvited” (1944) Lewis Allen<br />http://www.tcm.com/mediaroom/video/293233/Uninvited-The-Movie-Clip-Don-t-Get-Rattled.html<br />
    33. 33. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Motivated Lighting – Lighting style in which the light sources imitate existing sources, such as lamps or windows. “Day for Night” (1973) Francois Truffaut<br />http://www.youtube.com/watch?v=N0vlqK_BS8k<br />
    34. 34. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Motivated Lighting – Lighting style in which the light sources imitate existing sources, such as lamps or windows. “Barry Lyndon” (1975) Stanley Kubrick<br />http://www.youtube.com/watch?v=KkJZOxqB-qk<br />
    35. 35. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Motivated Lighting – Lighting style in which the light sources imitate existing sources, such as lamps or windows. “Buried” (2010) Rodrigo Cortez<br />http://www.youtube.com/watch?v=j1Yyhxq56Xg<br />
    36. 36. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Unmotivated Lighting – Lighting style in which the light sources upon reflection do not seem to exist in the reality of the film<br />
    37. 37. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Unmotivated Lighting – Lighting style in which the light sources upon reflection do not seem to exist in the reality of the film<br />
    38. 38. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Unmotivated Lighting – Lighting style in which the light sources upon reflection do not seem to exist in the reality of the film Gargoyles (1972) <br />http://www.youtube.com/watch?v=59Kz6G8174w<br />
    39. 39. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Unmotivated Lighting – Lighting style in which the light sources upon reflection do not seem to exist in the reality of the film Zen - Vendetta (2011) <br />http://youtu.be/qo-vZxQl9-U<br />
    40. 40. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Unmotivated Lighting – Lighting style in which the light sources upon reflection do not seem to exist in the reality of the film<br />
    41. 41. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Unmotivated Lighting – Lighting style in which the light sources upon reflection do not seem to exist in the reality of the film “Twilight Zone - The Movie” (1983) John Landis<br />http://www.youtube.com/watch?v=nH5Mjhey4lQ<br />
    42. 42. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Unmotivated Lighting – Lighting style in which the light sources upon reflection do not seem to exist in the reality of the film “Dracula’s Widow” (1983) Christopher Coppola<br />http://www.youtube.com/watch?v=f5CPqpQ_i7Y<br />
    43. 43. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />High Key – Lighting style in which the image is more uniformly lit, with little variation between the brightest and darkest areas. “Office Space” (1999) Mike Judge<br />http://vimeo.com/5944863<br />
    44. 44. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />High Key – Lighting style in which the image is more uniformly lit, with little variation between the brightest and darkest areas. “When Harry Met Sally” (1989) Rob Reiner<br />http://www.youtube.com/watch?v=F-bsf2x-aeE<br />
    45. 45. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Low Key – More dramatic lighting style in which there is great variation between the brightest and darkest areas. “Se7en” (1995) David Fincher<br />http://www.youtube.com/watch?v=J4YV2_TcCoE<br />
    46. 46. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Expressionism– “The Black Cat” (1934) Edgar Ulmer<br />http://www.youtube.com/watch?v=iMWi2Rxmsfs<br />
    47. 47. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />Film Noir – “He Walked By Night” (1948) Cinematography by John Alton<br />http://www.tcm.com/mediaroom/video/221050/He-Walked-by-Night-Movie-Clip-Officer-Rawlins.html<br />
    48. 48. Technology of Motion Pictures<br />Intrashot Communication – Lighting<br />“The Godfather” (1972) Cinematography by Gordon Willis<br />http://www.youtube.com/watch?v=AbchmWS5jIU<br />
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