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EMC JOUR 3000 Fall 2011 Lecture 3 Within the Shot
 

EMC JOUR 3000 Fall 2011 Lecture 3 Within the Shot

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EMC JOUR 3000 Fall 2011 Lecture 3 Within the Shot EMC JOUR 3000 Fall 2011 Lecture 3 Within the Shot Presentation Transcript

  • EMC / JOUR 3000 INTRO TO MOTION PICTURES Edward Bowen Lecture Three – Inside the Shot
  • Technology of Motion Pictures
    • Intrashot Communication
    • Location - A real place chosen to shoot one or more shots for a film. “Jaws” (1975)
    http://www.youtube.com/watch?v=7cRpoMpUgC0
  • Technology of Motion Pictures
    • Intrashot Communication
    • Location - A real place chosen to shoot one or more shots for a film. “Black Swan” (2010)
    http://www.youtube.com/watch?v=sMOzjoC1n7Y
  • Technology of Motion Pictures
    • Intrashot Communication
    • Location - A real place chosen to shoot one or more shots for a film. “Ana’s Playground” (2009)
  • Technology of Motion Pictures
    • Intrashot Communication
    • Set - A place built to specifications as an environment for one of more shots in a film. “Phantom of the Opera” (2004)
    http://www.youtube.com/watch?v=jAR54mNVh48
  • Technology of Motion Pictures
    • Intrashot Communication
    • Set - A place built to specifications as an environment for one of more shots in a film. “Silent Hill” (2006)
    http://www.youtube.com/watch?v=vzu1JR1-RFs
  • Technology of Motion Pictures
    • Intrashot Communication
    • Set - A place built to specifications as an environment for one of more shots in a film. “Sweeney Todd” (2007)
    http://www.youtube.com/watch?v=xzKu_mSVXlU
  • Technology of Motion Pictures
    • Intrashot Communication
    • Set - A place built to specifications as an environment for one of more shots in a film. “The Garbage Pail Kids” (1987)
    http://www.youtube.com/watch?v=0lXmuXVGidY
  • Technology of Motion Pictures
    • Intrashot Communication
    • Set Extension - Extending or replacing various elements within through various special effects.
    • Foreground (hanging) miniatures. “Ben-Hur” (1925)
  • Technology of Motion Pictures
    • Intrashot Communication
    • Set Extension - Extending or replacing various elements within through various special effects.
    • Mattes. “Ben-Hur” (1959)
  • Technology of Motion Pictures
    • Intrashot Communication
    • Set Extension - Extending or replacing various elements within through various special effects.
    • Mattes. “Ben-Hur” (1959)
  • Technology of Motion Pictures
    • Intrashot Communication
    • Set Extension - Extending or replacing various elements within through various special effects.
    • Mattes. “Ben-Hur” (1959)
  • Technology of Motion Pictures
    • Intrashot Communication
    • Set Extension - Extending or replacing various elements within through various special effects.
    • Mattes. “Ben-Hur” (1959)
  • Technology of Motion Pictures
    • Intrashot Communication
    • Set Extension - Extending or replacing various elements within through various special effects.
    • Mattes. “Ben-Hur” (1959)
  • Technology of Motion Pictures
    • Intrashot Communication
    • Set Extension - Extending or replacing various elements within through various special effects.
    • Virtual extension.
    http://www.youtube.com/watch?v=clnozSXyF4k
  • Technology of Motion Pictures
    • Intrashot Communication
    • Virtual Set - An environment created through digital effects. “Tron: Legacy” (2010)
    http://www.youtube.com/watch?v=uhyScbAZrFs
  • Technology of Motion Pictures
    • Intrashot Communication
    • Virtual Actors. “Sky Captain and the World of Tomorrow” (2004)
    http://www.youtube.com/watch?v=AqGBt0124bY
  • Technology of Motion Pictures
    • Intrashot Communication
    • Virtual Actors. “Terminator Salvation” (2009)
    http://www.youtube.com/watch?v=L7YYfgx_cHo
  • Technology of Motion Pictures
    • Intrashot Communication
    • Virtual Actors - The Uncanny Valley
    http://www.youtube.com/watch?v=CNdAIPoh8a4
  • Technology of Motion Pictures
    • Intrashot Communication
    • Virtual Actors. “Sim0ne” (2002)
    http://www.youtube.com/watch?v=salcZxwspxg
  • Technology of Motion Pictures
    • Intrashot Communication
    • Blocking - Placement of the actors and determination of their movements within the location or set and shot, in relation to the camera.
    http://www.tcm.com/mediaroom/video/11517/Citizen-Kane-Movie-Clip-The-Sacred-Cause.html “ Citizen Kane” (1941)
  • Technology of Motion Pictures
    • Intrashot Communication
    • Blocking - Placement of the actors and determination of their movements within the location or set and shot, in relation to the camera.
    http://www.youtube.com/watch?v=8yuR_HjCLcw “ Citizen Kane” (1941)
  • Technology of Motion Pictures
    • Intrashot Communication
    • Blocking - Placement of the actors and determination of their movements within the location or set and shot, in relation to the camera.
    http://www.facebook.com/video/video.php?v=10150301284860612 “ The Sound of Music” Robert Wise (1965)
  • Technology of Motion Pictures
    • Intrashot Communication
    • Framing - The perceived distance relationship of the camera (viewer) to the subject
  • Technology of Motion Pictures
    • Intrashot Communication
    • Framing - Close-up: A shot framed to emphasize the human head or face, or something of the same approximate size of the human head. Abbreviated CU .
    • Variations: Extreme Close-up, Shoulder shot.
  • Technology of Motion Pictures
    • Intrashot Communication
    • Framing - Close-up
  • Technology of Motion Pictures
    • Intrashot Communication
    • Framing - Close-up
  • Technology of Motion Pictures
    • Intrashot Communication
    • Framing - Close-up. “La Passion de Jeanne D’Arc” (1928) Carl Theodor Dreyer
    http://www.youtube.com/watch?v=nAqnUPqj3JY
  • Technology of Motion Pictures
    • Intrashot Communication
    • Framing - Close-up. “A Place in the Sun” (1951) George Stevens
    http://www.youtube.com/watch?v=nAqnUPqj3JY
  • Framing Close-ups - Extreme Close-ups
  • Framing Close-ups - Extreme Close-ups
  • Technology of Motion Pictures
    • Intrashot Communication
    • Framing - Extreme Close-up. “Citizen Kane” (1941) Orson Welles
    http://www.youtube.com/watch?v=jipboWI9uiE
  • Technology of Motion Pictures
    • Intrashot Communication
    • Framing - Extreme Close-up. “Blue Velvet” (1986) David Lynch
    http://www.tcm.com/mediaroom/index/?o_cid=mediaroomlink&cid=282728 http://www.youtube.com/watch?v=wDEzzFtrCTs
  • Framing Close-ups - Shoulder Shot
  • Framing Close-ups - Shoulder Shot
  • Technology of Motion Pictures
    • Intrashot Communication
    • Close-up: A shot framed to emphasize the human head or face, or something of the same approximate size of the human head. Abbreviated CU . Variations: Extreme Close-up, Shoulder shot.
    • Medium Shot (MS): Shows a person ’s face and a significant portion of the person’s body. Variations: Waist shot, cowboy, knee shot.
  • Framing Medium Shots - Waist Shots
  • Framing Medium Shots - Waist Shots
  • Framing Medium Shots - Cowboys
  • Framing Medium Shots - Cowboys
  • Technology of Motion Pictures
    • Intrashot Communication
    • Close-up: A shot framed to emphasize the human head or face, or something of the same approximate size of the human head. Abbreviated CU . Variations: Extreme Close-up, Shoulder shot.
    • Medium Shot (MS): Shows a person ’s face and a significant portion of the person’s body.m Variations: Waist shot, cowboy, knee shot.
    • Full Shot (FS): Shows one or more full human forms from just below the feet to just above the head.
  • Framing Full Shots
  • Framing Full Shots
  • Framing Full Shots
  • Framing Full Shots
  • Framing Full Shots “ Top Hat (1935) ” http://www.youtube.com/watch?v=2poNEiVZNXQ
  • Technology of Motion Pictures
    • Intrashot Communication
    • Close-up: A shot framed to emphasize the human head or face, or something of the same approximate size of the human head. Abbreviated CU . Variations: Extreme Close-up, Shoulder shot.
    • Medium Shot (MS): Shows a person ’s face and a significant portion of the person’s body.m Variations: Waist shot, cowboy, knee shot.
    • Full Shot (FS): Shows one or more full human forms from just below the feet to just above the head.
    • Long Shot (LS): Includes more of the environment, establishing more fully details of the surrounding mise en scene . Variations: Extreme long shot.
  • Framing Long Shots
  • Framing Long Shots
  • Framing Long Shots
  • Framing Long Shots - Extreme Long Shots
  • Framing Long Shots - Extreme Long Shots
  • Framing Long Shots - Extreme Long Shots
  • Framing Long Shots - Extreme Long Shots “Lawrence of Arabia” (1962) David Lean http://www.youtube.com/watch?v=FvBcl40QOhQ
  • Framing Long Shots - Extreme Long Shots “Troy” (2004) Wolfgang Petersen http://www.youtube.com/watch?v=cCg8Ku7C5eI
  • Technology of Motion Pictures
    • Intrashot Communication
    • Camera Angle - The position/perspective of the camera (viewer) to the subject.
  • Technology of Motion Pictures
    • Intrashot Communication
    • Camera Angle - The position/perspective of the camera (viewer) to the subject.
    • Eye Level - Camera is placed face on to the subject
  • Technology of Motion Pictures
    • Intrashot Communication
    • Camera Angle - The position/perspective of the camera (viewer) to the subject.
    • Eye Level - Camera is placed face on to the subject
    • Low Angle - Camera is below the subject looking up on it. Since this is the child perspective of an adult, the low angle is thought to strengthen the subject. Anyone above your view is a superior, threatening or dominant.
  • Perspective Low Angle
  • Perspective Low Angle
  • Perspective Low Angle
  • Perspective Low Angle
  • Perspective Low Angle http://www.tcm.com/mediaroom/index/?o_cid=mediaroomlink&cid=11517
  • Technology of Motion Pictures
    • Intrashot Communication
    • Camera Angle - The position/perspective of the camera (viewer) to the subject.
    • Eye Level - Camera is placed face on to the subject
    • Low Angle - Camera is below the subject looking up on it. Since this is the child perspective of an adult, the low angle is thought to strengthen the subject. Anyone above your view is a superior, threatening or dominant.
    • High Angle - Camera is above the subject looking down on it. Since this is the adult perspective of a child, the high angle is thought to weaken the subject. Anyone below your view is subordinate.
  • Perspective High Angle
  • Perspective High Angle
  • Perspective High Angle “ Golddiggers of 1935” (1935) Busby Berkeley http://www.tcm.com/mediaroom/index/?o_cid=mediaroomlink&cid=319165
  • Perspective High Angle “ Psycho” (1960) Alfred Hitchcock http://www.youtube.com/watch?v=--v0-I0waqs
  • Perspective Canted / Dutch / Oblique Angle
  • Perspective Canted / Dutch / Oblique Angle
  • Perspective Canted / Dutch / Oblique Angle http://www.tcm.com/mediaroom/index/?o_cid=mediaroomlink&cid=116306 “ The Third Man” (1949) Carol Reed
  • Perspective Canted / Dutch / Oblique Angle “ Batman” (1966) Leslie H. Martinson http://video.google.com/videoplay?docid=-3016507337716192329#
  • Perspective Point of View (POV)
  • Perspective Point of View (POV)
  • Perspective Point of View (POV) Kuleshov Experiment (1910s) http://www.youtube.com/watch?v=4gLBXikghE0
  • Perspective Point of View (POV) “ Rear Window” (1954) Alfred Hitchcock http://www.youtube.com/watch?v=QLL8HY8MSPs
  • Perspective Point of View (POV) http://www.tcm.com/mediaroom/index/?o_cid=mediaroomlink&cid=222833 “ Dr. Jekyll and Mr. Hyde” (1932) Rouben Mamoulian
  • Perspective Point of View (POV) http://www.tcm.com/mediaroom/index/?o_cid=mediaroomlink&cid=34657 “ The Lady in the Lake” (1946) Robert Montgomery
  • Perspective Point of View (POV) http://www.youtube.com/watch?v=cpb13mDBP1I “ Doom” (2005) Andrzej Bartkowiak
  • Technology of Motion Pictures
    • Intrashot Communication -Lenses
    • Normal lens – A lens that creates an image similar to way we normally see the world.
  • Technology of Motion Pictures
    • Intrashot Communication -Lenses
    • Wide Angle Lenses – Provide a wider field of view, deeper focus, and exaggerated depth.
  • Technology of Motion Pictures
    • Intrashot Communication -Lenses
    • Wide Angle Lenses – Provide a wider field of view, deeper focus, and exaggerated depth.
    • Fish eye lens – Extreme wide angle.
  • Technology of Motion Pictures
    • Intrashot Communication -Lenses
    • Telephoto Lenses – Provide a narrower, magnified field of view, shallow focus, and compressed depth.
  • Technology of Motion Pictures
    • Intrashot Communication -Lenses
    • Telephoto Lenses – Provide a narrower, magnified field of view, shallow focus, and compressed depth.
    • “ The Graduate” (1967) Mike Nichols
    http://www.youtube.com/watch?v=i9eIXN6Sp40
  • Technology of Motion Pictures
    • Intrashot Communication
    • Focus - An image that is sharp with details precisely defined.
  • Technology of Motion Pictures
    • Intrashot Communication
    • Focus - An image that is sharp with details precisely defined.
    • Deep Focus -When everything, or almost everything, in a shot is clearly in focus, deep focus is achieved.
  • Focus Deep Focus “ Citizen Kane” (1941) Orson Welles http://www.youtube.com/watch?v=6UeqAXas-oA
  • Technology of Motion Pictures
    • Intrashot Communication
    • Focus - An image that is sharp with details precisely defined.
    • Deep Focus -When everything, or almost everything, in a shot is clearly in focus, deep focus is achieved.
    • Soft Focus - Certain creative situations call for images that are not harsh and sharp but muted. Soft focus is usually achieved by placing something in front of the lens (gauze), something on the lens (Vaseline), or slightly defocusing the lens. Older actors used to insist on gauze shots in closeups in order to hide the signs of their age.
  • Focus Soft Focus “ Casablanca” (1942) Michael Curtiz
  • Focus Soft Focus “ Vampyr” (1931) Carl Theodor Dreyer http://www.tcm.com/mediaroom/index/?o_cid=mediaroomlink&cid=273994
  • Technology of Motion Pictures
    • Intrashot Communication
    • Focus - An image that is sharp with details precisely defined.
    • Deep Focus -When everything, or almost everything, in a shot is clearly in focus, deep focus is achieved.
    • Soft Focus - Certain creative situations call for images that are not harsh and sharp but muted. Soft focus is usually achieved by placing something in front of the lens (gauze), something on the lens (Vaseline), or slightly defocusing the lens. Older actors used to insist on gauze shots in closeups in order to hide the signs of their age.
    • Selective Focus - Deciding which elements in a shot will be in and out of focus.
    • Rack Focus - Shifting focus during a shot.
  • Focus Selective Focus / Rack Focus “ Apricot” (2009) Ben Briand
  • Focus Selective Focus / Rack Focus “ The Young Victoria” (2010) Jean-Marc Vallee