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EMC 3000 Lecture 6 Editing

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  • Orson-Welles-On-Editing http://www.youtube.com/watch?v=5GdYMEvbje8
  • http://www.youtube.com/watch?v=X1Q1EH3wBl8 Production-dailies-of-The-Crow--Stairway-To-Heaven---Mark-Dacascos
  • Film-Glossary---Jump-Cut
  • Film-Glossary---Dissolve
  • Master-Shot-1
  • The-Exorcist--First-Evil-Face-Appearance
  • Transcript

    • 1. EMC / JOUR 3000 INTRO TO MOTION PICTURES Edward Bowen Lecture Four - The Technical Dimension Intershot Communication
    • 2. Technology of Motion Pictures
      • Intershot Communication –
      • Any variable that takes place between shots; the relation of one shot to the next, or many shots to each other. Editing.
    • 3. Technology of Motion Pictures
      • Intershot Communication –
      • Any variable that takes place between shots; the relation of one shot to the next, or many shots to each other. Editing.
      http://www.youtube.com/watch?v=5GdYMEvbje8
    • 4. Technology of Motion Pictures
      • Intershot Communication –
      • Any variable that takes place between shots; the relation of one shot to the next, or many shots to each other. Editing. “All That Jazz”
    • 5. Technology of Motion Pictures
      • Intershot Communication – Building Blocks
      • Frame – The individual sequential images that make up motion pictures; a single photograph on a strip of film.
    • 6. Technology of Motion Pictures
      • Intershot Communication – Building Blocks
      • Frame – The individual sequential images that make up motion pictures; a single photograph on a strip of film.
      • Dailies – The raw unedited footage shot in a single day.
      • Take – The result of one operation of the motion picture or video camera; footage created between “roll camera” and “cut.”
    • 7. Technology of Motion Pictures
      • Intershot Communication – Building Blocks
      http://www.youtube.com/watch?v=X1Q1EH3wBl8
    • 8. Technology of Motion Pictures
      • Intershot Communication – Building Blocks
      • Shot – In the final edited film, the continuous and uninterrupted material between editing transitions.
      http://www.youtube.com/watch?v=hpa4WUw74XE 22:42
    • 9. Technology of Motion Pictures
      • Intershot Communication – Punctuation and Transitions
      • Transition – The technique used to connect two shots together.
    • 10. Technology of Motion Pictures
      • Intershot Communication – Punctuation and Transitions
      • Transition – The technique used to connect two shots together.
      • Cut - The direct connection of the two shots. Nothing comes between. One shot ends and the other begins. (Straight cut)
    • 11. Technology of Motion Pictures
      • Intershot Communication – Punctuation and Transitions
      • Cut
    • 12. Technology of Motion Pictures
      • Intershot Communication – Punctuation and Transitions
      • Transition – The technique used to connect two shots together.
      • Cut - The direct connection of the two shots. Nothing comes between. One shot ends and the other begins. (Straight cut)
      • Soft Cut - One that does not call attention to itself. You may not even notice that the shot has changed. (Cutting on action, continuity, matched action, motivated cutting). “Casablanca” “ Singin ’ in the Rain ”
    • 13. Technology of Motion Pictures
      • Intershot Communication – Punctuation and Transitions
      • Transition – The technique used to connect two shots together.
      • Cut - The direct connection of the two shots. Nothing comes between. One shot ends and the other begins. (Straight cut)
      • Soft Cut - One that does not call attention to itself. You may not even notice that the shot has changed. (Cutting on action, continuity, matched action, motivated cutting). “Casablanca” “ Singin ’ in the Rain ”
      • Hard Cut - One that calls attention to itself. You notice that the image has changed. Bam! (abrupt, abrasive, discontinuous). Panic on the Beach “ Jaws, ” Shower Scene “ Psycho, ” “ Battleship Potemkin ”
    • 14. Technology of Motion Pictures
      • Intershot Communication – Punctuation and Transitions
      • Transition – The technique used to connect two shots together.
      • Cut - The direct connection of the two shots. Nothing comes between. One shot ends and the other begins. (Straight cut)
      • Soft Cut - One that does not call attention to itself. You may not even notice that the shot has changed. (Cutting on action, continuity, matched action, motivated cutting).
      • Hard Cut - One that calls attention to itself. You notice that the image has changed. Bam! (Discontinuity)
      • Jump Cut – A hard cut that creates a displacement in time and space. Disjointed.
    • 15. Technology of Motion Pictures
      • Intershot Communication – Punctuation and Transitions
      • Jump Cut – A hard cut that creates a displacement in time and space. Disjointed.
      http://www.youtube.com/watch?v=z0nM4-oYEGU
    • 16. Technology of Motion Pictures
      • Intershot Communication – Punctuation and Transitions
      • Fade - A fade-out is the image in a shot going dark. A fade-in is a dark screen brightening into a clear image. Traditionally used to suggest changes in time and place. “Casablanca”
    • 17. Technology of Motion Pictures
      • Intershot Communication – Punctuation and Transitions
      • Fade - A fade-out is the image in a shot going dark. A fade-in is a dark screen brightening into a clear image. Traditionally used to suggest changes in time and place.
      • Dissolve - An overlapping transition between two shots in which for a period of time both shots are seen. That is, there is a double image or superimposition of the two shots as one fades out and another fades in overtop.
    • 18. Technology of Motion Pictures
      • Intershot Communication – Punctuation and Transitions
      • Dissolve
      http://www.youtube.com/watch?v=EFrVnOM23Sc
    • 19. Technology of Motion Pictures
      • Intershot Communication – Building Blocks
      • Shot – In the final edited film, the continuous and uninterrupted material between editing transitions.
      • Scene - The smallest narrative unit of time, place, action. The action in a single location and continuous time. Unity of time and place.
      • The last scene at the airport in “Casablanca.”
      • The party scene in “ Singin ’ in the Rain. ”
      • The beach scene when the Kitner boy is killed in “Jaws.”
    • 20. Technology of Motion Pictures
      • Intershot Communication – Building Blocks
      • Sequence – a) A series of scenes which comprise a distinct narrative unit, usually connected either by unity of action, theme, location or time;
      • b) events that take place in various locations in continuous time, or in various times in a consistent location.
      • Rescue scene from “Birth of a Nation”
      • Paris flashback from “Casablanca”
      • Gotta Dance from “ Singin ’ in the Rain ”
      • Training from “Rocky”
      • Promenade (Tourists on the Menu) from “Jaws”
      • Heist from “Ocean’s Eleven”
      • The Three Level Shared Dream from “Inception”
    • 21. Technology of Motion Pictures
      • Intershot Communication – Concepts
      • Editing - The process of joining all of the bits of film together to constitute the completed motion picture.
    • 22. Technology of Motion Pictures
      • Intershot Communication – Concepts
      • Editing - The process of joining all of the bits of film together to constitute the completed motion picture.
      • Montage – The art of creating emotional or narrative impact through editing.
    • 23. Technology of Motion Pictures
      • Intershot Communication – Concepts
      • Editing - The process of joining all of the bits of film together to constitute the completed motion picture.
      • Montage – The art of creating emotional or narrative impact through editing; the whole being more than the sum of the parts.
      • The Odessa Steps in “The Battleship Potemkin”
      • Watching the Neighbors in “Rear Window”
      • The Shower Scene in “Psycho”
      • Panic on the Beach in “Jaws”
    • 24. Technology of Motion Pictures
      • Intershot Communication – Concepts
      • Cutting within a scene (“ innercutting, ” “ intracutting, ” intercutting) - The process of using cut-ins to develop the narrative within a scene; cutting between details within a scene.
      http://www.tcm.com/mediaroom/video/80550/Casablanca-video-clip-Capt-Renault-makes-a-wager-with-Rick-.html
    • 25. Technology of Motion Pictures
      • Intershot Communication – Concepts
      • Cutting within a scene (“ innercutting, ” “ intracutting, ” intercutting) - The process of cutting between angles, views and details within a scene to develop the scene’s narrative.
    • 26. Technology of Motion Pictures
      • Intershot Communication – Concepts
      • Cutting within a scene
      • “ Requiem for a Dream” (2000)
    • 27. Technology of Motion Pictures
      • Intershot Communication – Concepts
      • Crosscutting (Intercutting). Cutting back and forth between two different locations or among several different locations (often in parallel or simultaneous action), or times, or dream dimensions.
      • The Rescue from “Birth of a Nation”
      • The Baptism from “The Godfather”
      • The Three Level Shared Dream from “Inception”
    • 28. Technology of Motion Pictures
      • Intershot Communication – Concepts
      • Flashcutting. Using cuts that are so brief that they are barely perceptible to the human eye. Sometimes called subliminal cutting when used to establish a psychological subtext. “The Exorcist”
      http://www.youtube.com/watch?v=TD0RJ_iuBPo
    • 29. Technology of Motion Pictures
      • Intershot Communication – Concepts
      • “ The Cutting Edge – The Magic of Movie Editing”

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