C u b i s m b e g a nb e t we e n t h ey e a r s 1906 a n d 1914wi t h t h e l a t e rs t y l e of Pa ulCe z a n n e , wh...
C u b i s m b e g a n a s a n i d e aa n d t h e n i t b e c a me a s t y l e .T h e b a s i c p r i n c i p l e o fCu b...
F i r s t   a bs t r a c t   a r ts t y l eR a d i c a l c h a n g e o fr e n a i s s a n c e n o r ms o fpa i nt i ngD...
•F o r m a ls i mp l i f i c a t i o na nd e x pr e s s i v ep o we r• Ba    s   e   d    f r omAf r    i   c   a   n a nd...
•T a u g h t t ob r e a k a wa yf r omt e c hni quea ndc onc e nt r a te on c ol ora n d p o we rof s i ngl ebr us hs t r ...
 He   wa s aSpa ni s hpa i nt e r a nds c ul pt orP i c a s s o w a sb o r n i n 1881 o nO c t o b e r 25P i c a s s o ...
P i c a s s o w a s ad r a f t s ma n a ta g e 15 w h e n h ewa s a c c e p t e di nt o t heR o y a l A c a d e myo f Ar ...
H e w a s b o r    ni n 1882 i nF r a n c e Br a   que ,l i k e Pi c a s   s o,ga i ne d hi si ni t i a l a r   ti nf l u...
I n f l u e n ce d byLa t i s s ea nd t heFa uv e s ,t he nCe z a n n ea ndPi c a s s oWo r k e dc l os e l ywi t h
F e r d i n a n dLe ge rR o b e r tDe l a u n a yR a y m o n dD u c h a m p -V i l l o nM a r c e lD u c h a mp J a c...
F l a t t e r , m o r ec o n s i s t e n t a n d mo r ea mb i g u o u sC o l o r S c h e m e ;m o n o c h r o m a t i c ...
.P o r t r a i t o f   •G i r l w i t h    A mb r o s e        Ma n d o l i n    Vol l a r d        P i c a s s o 1910 P i...
•T h eMa n d o r a               Por t ugue Br a q u e               s e Br a q u e   1909                     1911
•T h r e e. Br e a d a n d       Wo m e nF r u i t Di s h     Pi c a s s oP i c a s s o 1909       1913
M o r e c o l o r f u l t h a na n a l. y t i c a l a n di nc or por a t e dv a r i ous e x t r a ne ousma t e r i a l s...
.F r u i t Di s h    T h e Gu i t a r a n d Gl a s s      P i c a s s o 1913  B r a q u e 1912
. St i l l Li f e       •T h r e e wi t h Ch a i r    Mu s i c i a n s ,   Ca n i n g ,     P i c a s s o , 1921
I n c u b i s t a r t w o r k s , o b j e c t sa r e br ok e n up, a na l y z e d, a ndr e -a s s e m b l e d i n a na b ...
C u b i s m i sc ha r a c t e r i z e d c hi e f l yb y a n e mp h a s i s o nf o r ma l s t r u c t u r e , t h er e duc...
 B a s e d o n PaulCézannes three mainingredients - geometricity,simultaneity (multiple views)and p a s s a g eP A S S A...
Cubism
Cubism
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Cubism

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Cubism

  1. 1. C u b i s m b e g a nb e t we e n t h ey e a r s 1906 a n d 1914wi t h t h e l a t e rs t y l e of Pa ulCe z a n n e , wh e n h er e duc e d hi si mp r e s s i o n s o fna t ur e t os i mp l eg e o me t r i cs ha pe s , a s i t ss t a r t i ng poi nt .C u b i s m b e g a nb e t w e e n 1907 a n d1908 b y t w o Ge o r g e s B r a q u e H a r b o u r 1908-1909 o i la r t i s t s , Pa bl o o n c a n v a s 92 x 73c mPi c a s s o a nd
  2. 2. C u b i s m b e g a n a s a n i d e aa n d t h e n i t b e c a me a s t y l e .T h e b a s i c p r i n c i p l e o fCu b i s m wa s a r e v o l ta ga i ns t t he t r a di t i ona li de a t ha t r e pr e s e nt a t i ono u g h t t o c o n f o r m t o wh a tt he e y e s s e e s a t onep a r t i c u l a r mo me n t .C u b i s m i s b a s e d o ng e o me t r i c s h a p e s a n ddi s t i nc t us e of s pa c e .D i s t o r t i o n a n d
  3. 3. F i r s t a bs t r a c t a r ts t y l eR a d i c a l c h a n g e o fr e n a i s s a n c e n o r ms o fpa i nt i ngD e p i c t e d s u b j e c t s f r o mmu l t i p l e v i e w p o i n t s o ra ngl e s t he nr e a s s e mb l i n g i t i na b s t r a c t f o r m.T w o m a j o r p h a s e s :a na l y t i c a l a nds y nt he t i cP i c a s s o a n d B r a q u e w e r et he f oundi ng Fa t he r s of
  4. 4. •F o r m a ls i mp l i f i c a t i o na nd e x pr e s s i v ep o we r• Ba s e d f r omAf r i c a n a ndI be r i a ns c u l p t ur e s•U s e d e a r t ht o n e s s i mi l a rt o t h e Af r i c a nma s k s• La r gei ns pi r a t i on f or
  5. 5. •T a u g h t t ob r e a k a wa yf r omt e c hni quea ndc onc e nt r a te on c ol ora n d p o we rof s i ngl ebr us hs t r ok e•Di s e n g a g e s T WO V A S E S O F F L O WE R Swi t h d e t a i l
  6. 6.  He wa s aSpa ni s hpa i nt e r a nds c ul pt orP i c a s s o w a sb o r n i n 1881 o nO c t o b e r 25P i c a s s o h a dbe e n a r ounda r t a l l hi sl i f e , f or hi sf a t he r a ndmo t h e r b o t h
  7. 7. P i c a s s o w a s ad r a f t s ma n a ta g e 15 w h e n h ewa s a c c e p t e di nt o t heR o y a l A c a d e myo f Ar t i nBa r c e l o n a . ‘ Le sD e mo i s e l l e sd ’A v i g n o n ’ wa sPi c a s s o ’s 1 s tCu b i s t -l i k ewo r k
  8. 8. H e w a s b o r ni n 1882 i nF r a n c e Br a que ,l i k e Pi c a s s o,ga i ne d hi si ni t i a l a r ti nf l ue nc et hr ough hi sf a t he r . I n 1900 B r a q u emo v e d t oPa r i s t os t udy t he
  9. 9. I n f l u e n ce d byLa t i s s ea nd t heFa uv e s ,t he nCe z a n n ea ndPi c a s s oWo r k e dc l os e l ywi t h
  10. 10. F e r d i n a n dLe ge rR o b e r tDe l a u n a yR a y m o n dD u c h a m p -V i l l o nM a r c e lD u c h a mp J a c que sVi l l onJ a c q u e s
  11. 11. F l a t t e r , m o r ec o n s i s t e n t a n d mo r ea mb i g u o u sC o l o r S c h e m e ;m o n o c h r o m a t i c (t a n ,b r o w n , g r a y , c r e a m, g r e e n ,a nd bl ue )E m p h a s i s o n p i c t o r i a ls t r uc t ur e , not c ol or
  12. 12. .P o r t r a i t o f •G i r l w i t h A mb r o s e Ma n d o l i n Vol l a r d P i c a s s o 1910 P i c a s s o 1909
  13. 13. •T h eMa n d o r a Por t ugue Br a q u e s e Br a q u e 1909 1911
  14. 14. •T h r e e. Br e a d a n d Wo m e nF r u i t Di s h Pi c a s s oP i c a s s o 1909 1913
  15. 15. M o r e c o l o r f u l t h a na n a l. y t i c a l a n di nc or por a t e dv a r i ous e x t r a ne ousma t e r i a l s Co l l a g e s a n dpa pi e r c ol l e sI n c l u d e d a n u m b e rof da i l y hous e hol dobj e c t s I ns t e a d ofb r e a k i n g d o wn a nobj e c t i nt of r a g me n t s a n d t h e n
  16. 16. .F r u i t Di s h T h e Gu i t a r a n d Gl a s s P i c a s s o 1913 B r a q u e 1912
  17. 17. . St i l l Li f e •T h r e e wi t h Ch a i r Mu s i c i a n s , Ca n i n g , P i c a s s o , 1921
  18. 18. I n c u b i s t a r t w o r k s , o b j e c t sa r e br ok e n up, a na l y z e d, a ndr e -a s s e m b l e d i n a na b s t r a c t e d f o r m -i n s t e a d o fde pi c t i ng obj e c t s f r om onev i e wp o i n t , t h e a r t i s tde pi c t s t he s ubj e c t f r om amu l t i t u d e o f v i e w p o i n t s .t h e r e j e c t i on of t he s i ngl ev i e wp oi nt i n f a v ou r ofs h o wi ng t h e f r a g me nt e ds ubj e c t f r om s e v e r a ldi f f e r e nt poi nt s o f v i e w,
  19. 19. C u b i s m i sc ha r a c t e r i z e d c hi e f l yb y a n e mp h a s i s o nf o r ma l s t r u c t u r e , t h er e duc t i on of na t ur a lf o r ms t o t h e i rg e o me t r i c a le qui v a l e nt s , a nd t heor ga ni z a t i on of t hepl a ne s of a r e pr e s e nt e dobj e c t i nde pe nde nt l yof r e pr e s e nt a t i ona lr e q u i r e me n t s .
  20. 20.  B a s e d o n PaulCézannes three mainingredients - geometricity,simultaneity (multiple views)and p a s s a g eP A S S A G E - T h ea r e a t ha tc o n n e c t s t wodi f f e r e ntp l a n e s (t o p a n ds i de ) t o onea not he rS I M U L T A N E I T Y - The simultaneous views of Still Life with Compote andthe glass (top and side) Glass, 1914-15 Pablo Picasso (Spanish, 1881-1973)G E O M E T R I C I T Y -T h e e mp h a s i s o n

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