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Solos for alto saxophone   larry teal
 

Solos for alto saxophone larry teal

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    Solos for alto saxophone   larry teal Solos for alto saxophone larry teal Document Transcript

    • for the ALTO SAXOPHONE With Piano Accompaniment 'j Selected and Edited b) LARRY TEAL ED. 2599 MCMLX V by G. Schirmer, Inc. International Copyright Secured Printed in U.S.A. 0 G.SCHIRMER New York/London 1
    • CONTENTS Piano AI.RI.IM LEAF (from: Lyric Pieces, O p . 12) . CANZONETTA, 6 Op. , FANTASY PIECE. p . 7 3 . KO. 3 O , ItVTERRIEZ7,O I , , , , , . . . . (from: GOye.YCa.3) . . . . . < . < < , , , . , , , , . . . . . .Joseph Haydn , , , , , , , . . . 32 12 , , , , 2 2 , , , , 68 25 , . . , 35 13 . , , , 26 10 . ~ . . . 19~ . , , . . 41 15 44 16 Alfred0 d'<Ambrosio . . . . ~ . . , , , , , , Ed1w-d Grieg , , , , , , , , , , J (from: Sonatina, Op.~1 0 0 ) ~ MINUET . , , GYPSY ROSDO , . , , . , Robert Schumann . . . Enrique Granados , . . . . , ~Antonin Dvofhk ~ . . Joseph Haydn Saxophone . 8 MINUET(from: Diilertirnenfo in D . K . H 4 ) . , . . . iVolfgang Amadeus hlozart , NOCTURKE, Posth. Op. . . . . . Frédéric Chopin . , . , . 15 7 , , . , , Jfodest Mussorgsky , , . . 53 20 ROMANTIC PIECE. Op. 75. No. 1 Antonin DvoTAk . . , . 22 9 KONDO D Ih ii'olfgaiig Amadeus Mozart 48 18 SICILIENNE D ALLEGRO AN (from: Fliite Soiiiita A'o.2) Johaiin Sebastian Bach , , , 7 4 Maurice Ravel , , , 62 23 58 22 , , . . , , THE OLDCASTLE (from: Pictu1-es a t an Exhibition) SONATINE (from: F i u t Movement) , , , . . , , VOCALISE, Op. 34. S o . 14. , , . . , , . , , , . , . , . . , Sergep Rachmaninoff , ~
    • FOREWORD Although many outstanding composers have written solos for the saxophone, its comparatively late invention leaves a great void in its literature. For many years its use was confined to military bands and, occasionally, the orchestra. Emergence of the saxophone as a solo instrument did not take place until the 1920’s, and it is since then that most of the solo literature written for it has been composed. If the serious saxophonist wants to perform the music of the Classical and Romantic periods, he must turn to transcriptions. The pieces in this collection have been selected for their musical value, and for their adaptability to the st)le and limitations of the instrument. Being transcriptions, certain changes were necessary. Cuts have been made where deemed advisable and many of the compositions were transposed from their original keys. Tempo indications are those recommended b) the transcriber. Technically the solos might be graded from medium-easy to medium-difficult. It is suggested that, for the purpose of interpretative study, the student avail himself of other music by the domposers included here. A knowledge of the style of each composer and the era in which he lived ir inlraluable. These compositions may be used both as study pieces and in concert p.erformance, and are valuable additions to the literature available for the solo saxophone. L. T.
    • Index by Composers Piano ALFREDO D’AMBROSIO , , , . . , . Canzonetta, Op. G 2 2 7 4 . . . . . . . . 15 7 . . . . . . . , JOHANN SEBASTIAN . . . . . . Sicilienne and Allegro BACH (from: Flute Sonata N o . 2) FRÉDÉRIC CHOPIN . . . . . . . . Nocturne, Op. Posth. . . . . . . . ANTONINDvo~~AK . . . . . . . . Larghetto (from: Sonntina, O p . 100) . . . . 19 8 22 9 26 10 Album Leaf (from. Lyric Pieces, Op. 12) . . 32 12 Gypsy R o n d o . . . . . . . . . . . 3 5 13 . . . . . . . . . . . . . . . . 41 15 ANTONIN DVORAK . . . . . . . . . Romantic Piece. Op. 7 5 . No. 1 ENRIQUE GRAS ADOS . . . . . . . . Intermezzo (from : Goye.ccas) E ~ ~ V AGRIEG RB . . . . . . . JOSEPH HAYDN . JOSEPH HAYDN . . . . . . . . . Minuet . . . . . . . . . . WOLFGANGI A D E u s MOZART. Ax . , , . . . . . . . . . . hIinuet (from: Diuertirnento in D,K . 334) AMADEUS MOZART. . . . Rondo in D WOLFGANG MODESTMUSSORGÇKY Saxophone T h e Old Castle (from: Pictures at an Exhibition) SERGEY RACHMANINOFF . . . . I’ocalise, Op. 34, No. 14 . . . . . . . . . MAURICE RAVEL . . . . . . . . . Sonatine (from: First Movement) ROBERT SCHUMANN . . . . . . . Fantasy Piece, Op. 7 3 , No. 3 . . . . . . 18 20 58 , 16 53 . . . . . 44 48 . 22 62 23 68 25
    • 1. Canzonetta Allegretto moderato J = 80 Alto * n L - 1 I - I - Alfred0 d'Ambrosio, Op. 6 (1871 - 1914) I I I I" Y Piano f P O M C M L X V , by G. Schirmer, 45722~ Inc. lnternational Copyright Secured Printed in the U. S . -2.
    • dim. cresc. rall. P 41, (5)a tempo a r P tempo I - 45722 fY r-
    • 4 poco accel. cresc. @ Più lento 45722 J = 72
    • c 3 ix f j I . n 3 D I I I I F 45722
    • 6 rit. -rit. i i I l I h I - r Più moss0 45722 I I P I
    • 7 2. Sicilienne and Allegro from: Flute Sonata No. 2 Sicilienne II" 45722 a legato Johann Sebastian Bach I l -I I
    • 8 poco cresc. I 45722 r I
    • 9 15722
    • 10 W 1 I 45722 I I I l
    • 11 I . 15722 i.
    • 12 45722
    • 13 ( i CJ l 45722 I I I ' - I- I I
    • 14 JI" I l l l rit.(last time only 9h: I 45722 " l ?1 rit .(last time on&) I IS I, A
    • 15 3. Nocturne Frédéric Chopin, Op. Posth. (1810 1849) Transcribed by Francis L. York - Lento con gran espressione i l mf J=69 I- l= una corda ci 45732 p dolce -- " -=========- Copyright, 1949, by G . Schirnter, Inc. International Copyright Secured
    • 16 I 45122 I I -
    • 17 I I I r I cadenza I i I = = = = -
    • 18 ritm. 45722
    • 4. Larghetto 19 f r o m : Sonatina Op, 100 Larghetto J = 66 Antonin DvoPak
    • 20 I -- DOCO 45722 meno moss0 I n
    • 21 . ? > 7 . ? ? . rit. 45722 rit.
    • 22 5. Romantic Piece Antonin Dvofak,Op. 75, Allegro moderato J = 96 13- molto espressivo 7 l 45722 l cresc. No.1
    • 23 A i I G b c: cresc. 4 3 I J f I i i 43722 dim.
    • 24 f Ici 45722 I -If dim. Q dim.
    • 25 O In I cresc. poco meno moss0 - dim. D O C 0 171RIM mOSS0 457.22
    • 26 6. Intermezzo from: Goyescas Moderato I senza pedale 45722 ' O .%lC.ifXV,by G . Schirrner, Inc. International Copyright Secured Printed in U.S.A. Enrique Granados (1867- 1916)
    • 27 45722
    • 28 I 1 > 45722 >
    • 29 A - I I I E f? I 45722 1 I I I ZI. / ntf la melodia sentita I cresc. I 1 I c I -. F l I l I" I - . 1 1 e A I l raU. poco I I I f f I I + - - I 1 I I l I I l l I l I I I
    • 30 I 45722 t
    • 31 rit. teneramerite I 45722 n
    • 32 7. Album - Leaf from: Lyric Pieces, Op. 12 Edward Grieg 45722
    • 33 a tempo i @ a tempo 45722
    • 34 sostenuto i I rit. I rit. J I rit. 45722 I
    • 35 8. Gypsy Rondo Joseph Haydn
    • 36 45722
    • 37 l 45722 I I I
    • 38
    • 39
    • 40 45722
    • 41 9. Minuet Joseph Haydn Pl -====== If'
    • 42 mf I cresc. I 45722
    • 43
    • 44 10. Minuet from: Divertimento in D, K, 334 Wolfgang Amadeus Mozart (1756- 1791) II 45722
    • 45
    • 46 i i 45122
    • 47 3 - I I l 45722 - 7 I I I I
    • 48 11. Rondo in D Allegro J = 120 Y 45722 - Wolfgang Amadeus Mozart
    • 49 f< Y U eJ 45722 I I l
    • 50 45722
    • 51 P l I 55722 l l 1 I l i I l I I I I l I I I I i I
    • 52 O I If 45722
    • 53 12. The Old Castle from: Pictures at an Exhibition Andante cantabile Modest Mussorgsky (1839- 1881) J.= 51 A i -=========- ‘$5122
    • 54 dim. 45722
    • 55 43722
    • 56 I I 45722 r pr w r a II a 1 I - PI 1 P I I 1 r vr 1 1 i/ 1 l ' dim. 1 r v 1 1 1 1 I r v 1 1 1
    • 57 -=========-
    • 58 13. Vocalise Sergey Rachmaninoff, Op. 34,No. 14 Lentamente e molto cantabile i i ii 45722 - (1873 1943) J=58 *To be played only upon repetition of the first section I
    • 59 ritenuto 45722 .. poco pi& moss0
    • 60 I i crest. F I P 7 - 45722 f f I ,--
    • 61 45722
    • 62 14. Sonatine (from: First movement) Maurice Ravel (1875 1937) + fi / re hv d n e i i i I ri I 15722 - - I -
    • 63 I I A rit. , . =====45722 - =====-+ I
    • 64 1 2 i i 7 45122 7 '
    • 65 poco rit. I DOCO rit. 0 cresc. e accel. crescendo 77tf accelerando e anim6 animé i dim. 4572% e rall.
    • 66 45722
    • 67 rit. un oeu retenu I i, lonr -15722
    • 68 15. Fantasy Piece Robert Schumann, Op. 73, NO. 3 (1810 1856) -
    • 69
    • 70 45722
    • 71 I 7 l@ I P f
    • 72 3- - 45722 ' 3 A
    • 73 @ Coda A I J v 45722 D h S r / I - I F I I I l , d I I I ti0 I ---I I I ' -P I ?' I -===========- . -P v '
    • 74 45722
    • 75 U Piii mosso 45722