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Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
Lecture 6
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Lecture 6

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  • 1. Digital kunst IT-Universitetet d. 7. Marts 2006
  • 2.  
  • 3. Jeremy Blake (USA): Angel Dust (2000)
  • 4. Kært barn …
            • New Media kunst
            • Digital kunst
            • Computerbaseret kunst
            • Internetkunst
            • net.art
            • Softwarekunst
            • Generativ kunst
  • 5. Samtidskunst
  • 6.
    • ” Technologies develop faster than the rhetoric evaluating them and we are still in the process of developing descriptions for using digital technology as a medium – in social, economic, and aesthetic respect.” - Christiane Paul: Digital art 2003 p. 67
  • 7. Digital kunst
    • Christiane Pauls inddeling:
            • As a tool
            • As a Medium
  • 8. Nancy Burson (USA): Beauty Composites (1982)
  • 9. Tania Ruiz Guitíerrez (Colombia): La Plaza II (2004). Real time rendered video-projektion
  • 10. Dirk Eijsbout (NL): Interface #4/TFT tennis V18
  • 11. Simon Heijdens (NL): Three (2004)
  • 12. Akio Kamisato (JP), Takehisa Mashimo (JP), Satoshi Shibata (JP): Moony (2004)
  • 13. Steve Heimbecker (CA): POD (Wind Array Cascade Machine) (2005)
  • 14. Sabrine Raaf (USA): Translator II: Grower 2005)
  • 15. Ben Fry (USA): Valence (1999-2002) http:// acg . media .mit. edu / people / fry / valence / applet /
  • 16. John Gerrard (IRL): The Ladder (2005)
  • 17. Jeffrey Shaw: The Golden Calf (1994) http://www.jeffrey-shaw.net/html_main/show_work.php3?record_id=94#
  • 18. John F. Simon (USA): Complex City (2000)
  • 19. Piet Mondrian: Broadway Boogie Woogie (1942/1943)
  • 20. Casey Reas (USA): Software Structures (2004)
    • Sol LeWitt: Wall Drawing #358 (1971) A 12" (30 cm) grid covering the wall. Within each 12" (30 cm) square, one arc from the corner. (The direction of the arcs and their placement are determined by the draftsman.)
  • 21. http:// artport.whitney.org / commissions / softwarestructures / map.html
  • 22.
    • Internetkunst
  • 23. Net.art
    • J8~g#|;Net.Art{-^s1
  • 24. Net.art Per Se
  • 25.
    • ” Net.artists are Duchamp’s ideal Children”
    • - Vuk Cosic 1997
  • 26. JoDi (NL/B): 404 (1997) http://404.jodi.org/
  • 27. Heath Bunting (GB): _readme – Own be Owned or Remain Invisible http://www.irational.org/heath/_readme.html
  • 28. Vuk Cosic (SL): ASCII Unreal http://www.ljudmila.org/~vuk/ascii/unreal/
  • 29. Alexei Shulgin (R): Form Art (1997) http://www.c3.hu/collection/form/index1.html
  • 30. Tidslinie 1994 1995 1996 1997 1998 1999 2000 Mosaic Netscape lanceret – den første browser, der kan vise billeder DK: Artnode etableres Kassel, Tyskland: Documenta udstiller net.art (men gør det fysisk) New York: Whitney har netkunst med på biennalen Berlin: Rhizome grundlægges (flytter hurtigt til New York) Triste, Italien: Net.art per se-konferencen Banff, Canada: Shulgin og Cosic erklærer net.art for død
  • 31.
    • ” Net.art is an answer to 'when' and not to 'what'. At the time we were proposing that the expression web art be used or any derivative.” - Vuk Cosic i mail til Kristine Ploug, august 2004
  • 32.
    • ” Net.art is a bit like Eastern Europe. There was lots of expectations, some of them were met, but in general we stopped being terribly attractive and scary somewhere around the dotcom boom.” - Interview med Vuk Cosic, we-make- money-not-art.com, jan. 2006
  • 33.
    • ” Often it has been net artists who, alongside various critics and activist have formulated critique against the assumptions built into new and existing computer and informational technologies.” - Rachel Greene, Internet Art, 2004
  • 34. Ben Benjamin (USA): Superbad
  • 35. Young Hae Chang Heavy Industries: Dakota ( 2000)
    • http://www.yhchang.com/DAKOTA.html/
  • 36. Christophe Bruno (Fr): Adwords (2002) Ord: Symptom Ord: Dream Ord: Mary Ord: Money
  • 37. Christophe Bruno (Fr): Dreamlogs (2005)
    • "You can only command language by obeying it" - Georges Perec & Marcel Bénabou, P.A.L.F. project, OuLiPo 1964
    • http://www.iterature.com/dreamlogs/
  • 38. Carlo Zanni (IT): eBay Landscape (2004) http://www.zanni.org/ebaylandscape/
  • 39. Yes Men http://www.theyesmen.org/hijinks/dow/
  • 40. Christophe Bruno/YesMen
    • Yes Men møder Human Browser
    • http://www.iterature.com/human-browser/en/
  • 41. Alessandro Ludovico (IT) og Hans Bernhard (AU): Google will Eat itself (2005) http://www.gwei.org
  • 42. Golan Levin (G): The Dumpster (2006) http://artport.whitney.org/commissions/thedumpster/
  • 43. Beat Brogle & Philippe Zimmermann (CH): One Word Movie (2003)
    • http://www. onewordmovie . ch /
  • 44.
    • [email_address]

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