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New media and other media in Communicating Archaeology

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PPT presentation from the Communicating Archaeology Seminar held 16 June 2011 http://eachtra.ie/index.php/journal/communicating-archaeology-a-forum-for-professionals-and-the-public/

PPT presentation from the Communicating Archaeology Seminar held 16 June 2011 http://eachtra.ie/index.php/journal/communicating-archaeology-a-forum-for-professionals-and-the-public/

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  • Collaboration in Science
  • The public are using this
  • Mix, Reuse, Share- Legally
  • Transcript

    • 1. Other media and new media Keynote speaker: John Tierney, Eachtra Archaeological Projects What is the value of exhibitions, posters, websites and events?  Are thoughtful argument and a permanent record sacrificed in the pursuit of mass communications and high impact media? June 16 2011 Harbour Hotel, Galway
    • 2. New Media
    • 3. Communicate
        • The Message - The story of people and place in the past
      • Consult
      • Inform
      • Educate
      • Collaborate
      • Editors (quality)
      • Registrars (keep track of every thing)
      • Heritage practice is the practice of critical thinking
    • 4. New media mechanisms for Communication
      • Transmedia (storytelling across different platforms )
        • Timeline
        • Video
        • Audio
        • Text
        • Host and multiple outputs – feed out into browsers, mobile handsets, televisions, geolocated datasets
      • Personal Learning Networks
        • People organise their learning datasets with different tools
          • Eg. Video based learners use Vimeo or Youtube
          • Audio – use Audioboo or iTunes
          • Mix and match is not only allowed but expected
      • Archaeologists as guides in this new media landscape ie the editors and registrars mentioned earlier
    • 5. National Roads Authority
    • 6. NRA Communication Strategy
      • During excavations –school visits and site visits
      • Annual Seminars
      • Monographs
      • Seanda (print and digital)
      • Brochures, leaflets and Posters (print and digital)
      • Archaeological Excavations Database (digital)
    • 7. Clogher Historical Society
    • 8. How are the CHS communicating archaeology now?
      • Annual journal publication (Print and Jstor online)
      • Current projects (amongst others)
        • 1643 Owen Roe O’Neill Walk – tracing historical walks – experts in place
        • Tripartite life of St Patrick – tracing places
        • Performing plays based on the historic sources, engaging communities
    • 9. Grassroots Communications
      • Be your own scientist
      • Canmore V Mycanmore
        • http://canmore.rcahms.gov.uk/en/mycanmore/
        • http://www.rcahms.gov.uk/
        • Gail Durbin V&A Museum
          • ‘ ask people to contribute data or content they are expert in’ ( http://www.archimuse.com/mw2010/bios/au_220013117.html )
          • What are Irish local historical and heritage groups expert in?
            • Their local places
    • 10.  
    • 11.  
    • 12.  
    • 13. http://her.highland.gov.uk/
    • 14.  
    • 15. Field survey and facebook
    • 16.  
    • 17.  
    • 18. Datasets
    • 19. Datasets (open?)
    • 20. Grey Literature
    • 21.  
    • 22.  
    • 23.  
    • 24.  
    • 25. Who are we communicating with? Eachtra Journal
    • 26. Historic Graves
    • 27.  
    • 28. Conclusions
      • Communicate – role for professional archaeologists
        • Datasets- collaborations in digital data publication
        • Education- local heritage practitioners
        • Journals, books, monographs, magazines – contributors
        • Heritage media– primary producers and collaborators with local groups
        • We need multiple strands of publication for the full range of heritage media that we produce ( TRANSMEDIA )
        • We need print media, video, audio, digital
        • Strong editorial input required regardless of media involved
        • Strong Registration Required
      • Benefits
        • New media – increased participation, mainstreaming of archaeology
        • This is a very exciting time full of potential
        • The means of production is affordable for everybody - for local and global publication

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