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Teoría del color AW
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Teoría del color AW

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La teoría del color por Andy Warhol

La teoría del color por Andy Warhol

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  • 1. Andy WarholColor & Shape
    Andy Warhol (American, 1928-1987)
    Camouflage, 1987
    screen prints on Lenox Museum Board,38 x 38 in.
    The Andy Warhol Museum, PittsburghFounding Collection,
    Contribution The Andy Warhol Foundation for the Visual Arts, Inc.© AWF
  • 2. Shapes are enclosed objects and can be created by line, color and value changes that define their edges.
    Shapescan be:
    organic (irregular shapes found in nature) also called “natural”
    geometric(shapes with strong lines and angles such as circles, triangles, and squares).
  • 3. Shape
    Shape is considered to be a two-dimensional element, while three-dimensional elements have volume or mass.
    Andy Warhol (American, 1928-1987)
    Skulls, 1979
    Screen print on Lenox Museum Board 30 x 40 in.
    The Andy Warhol Museum, Pittsburgh
    Founding Collection, Contribution Dia Center for the Arts. © AWF
  • 4. What is positive and negative space?
    Andy Warhol (American, 1928-1987)
    Space Fruit: Still Lifes (Cantaloupes I), 1979
    screen print on Lenox Museum Board
    30 x 40 in.
    The Andy Warhol Museum, PittsburghFounding Collection, Contribution Dia Center for the Arts© AWF
    Why is it important to consider both positive and negative space when creating your composition?
  • 5. Identify and describe the shapes.
    Are they organic or geometric?
    How are the shapes’ edges defined?
    Identify the dominant shapes in each composition.
    Andy Warhol (American, 1928-1987)
    Space Fruit: Still Lifes, 1979
    screen print on Lenox Museum Board, 30 x 40 in. each
    The Andy Warhol Museum, PittsburghFounding Collection
    Contribution Dia Center for the Arts© AWF
  • 6. Andy Warhol (American, 1928-1987)
    Space Fruit: Still Lifes (Pears), 1979
    screen print on Lenox Museum Board
    30 x 40 in.
    The Andy Warhol Museum, PittsburghFounding Collection
    Contribution Dia Center for the Arts© AWF
    Andy Warhol’s Printing Process:
    Warhol would print the background color and the shapes first, then the photographic image of fruit, finishing with hand drawn layer.
  • 7. Andy Warhol (American, 1928-1987)
    Grapes, 1979
    screen print on Strathmore Bristol Series 500 paper
    40 x 30 in.
    The Andy Warhol Museum, Pittsburgh, Founding Collection
    Contribution The Andy Warhol Foundation for the Visual Arts, Inc. © AWF
  • 8. Andy Warhol (American, 1928-1987)
    Skulls, 1979
    Screen print on Lenox Museum Board 30 x 40 in.
    The Andy Warhol Museum, Pittsburgh, Founding Collection
    Contribution Dia Center for the Arts. © AWF
  • 9. Color Theory
    Why is color theory important?
  • 10. Monochromatic
    Uses shades or tints from the same hue
    Andy Warhol (American, 1928-1987)
    Sunset, 1972
    Screen print on Paper
    34 x 34 in.
    The Andy Warhol Museum, Pittsburgh, Founding Collection Contribution Dia Center for the Arts© AWF
  • 11. Neutral Colors
    Neutral colors or earth tones are not seen on most color wheels. Black, gray, whites are neutral. Browns, beiges and tans are sometimes neutral too. Neutral colors can be made by mixing:
    • Black and white
    • 12. Complementary colors
    • 13. All three primaries together (plus some black or white)
  • Analogous
    Any three colors which are side by side on a 12 part color wheel, such as yellow-green, yellow, and yellow-orange. Usually one of the three colors predominates.
    Andy Warhol
    (American, 1928-1987)
    Cologne Cathedral, 1985
    Screen prints with diamond dust on Lenox Museum Board
    39 3/8 x 31 1/2 in.
    The Andy Warhol Museum
    PittsburghFounding Collection
    Contribution The Andy Warhol Foundation for the Visual Arts, Inc.© AWF
    Andy Warhol
    (American, 1928-1987)
    Camouflage, 1987
    Screen prints on Lenox Museum Board
    38 x 38 in.
    The Andy Warhol Museum
    PittsburghFounding Collection
    Contribution The Andy Warhol Foundation for the Visual Arts, Inc.© AWF
  • 14. Complementary
    Two colors that are the direct opposite of each other, such as red and green and blue-purple and yellow-orange. Complementary colors create the most contrast and balance in design.
    Andy Warhol (American, 1928-1987)Flowers, 1970, screen print on paper, 36 x 36 in. The Andy Warhol Museum, PittsburghFounding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. © AWF
    Space Fruit: Still Lifes (Pears), 1979screen print on Lenox Museum Board30 x 40 in. The Andy Warhol Museum, PittsburghFounding Collection, Contribution Dia Center for the Arts© AWF
  • 15. Andy Warhol
    (American, 1928-1987)
    Flowers, 1970
    Screen print on paper
    36 x 36 in.
    The Andy Warhol Museum, Pittsburgh,
    Founding Collection
    Contribution The Andy Warhol Foundation for the Visual Arts, Inc. © AWF
    Analogous with Complementary emphasis
    Andy Warhol
    (American, 1928-1987)
    Sunset, 1972
    Screen print on Paper
    34” x 34”
    The Andy Warhol Museum, Pittsburgh,
    Founding Collection Contribution Dia Center for the Arts© AWF
  • 16. Andy Warhol
    (American, 1928-1987)
    Camouflage, 1986acrylic and silkscreen
    ink on linen
    40 x 40 in.
    The Andy Warhol Museum, Pittsburgh, Founding Collection,
    Contribution The Andy Warhol Foundation for the Visual Arts, Inc.
    © AWF
     
    Andy Warhol
    (American, 1928-1987)
    Camouflage, 1986acrylic and silkscreen
    ink on linen
    40 x 40 in.
    The Andy Warhol Museum, Pittsburgh, Founding Collection,
    Contribution The Andy Warhol Foundation for the Visual Arts, Inc.
    © AWF
    Value
  • 17. Tint and Shade
    Andy Warhol (American, 1928-1987)
    Flowers, 1970
    Screen print on paper
    36 x 36 in.
    The Andy Warhol Museum, Pittsburgh Founding Collection,
    Contribution The Andy Warhol Foundation for the Visual Arts, Inc. © AWF
    Andy Warhol (American, 1928-1987)
    Camouflage, 1987
    Screen prints on Lenox Museum Board
    38 x 38 in.
    The Andy Warhol Museum, Pittsburgh, Founding Collection
    Contribution The Andy Warhol Foundation for the Visual Arts, Inc. © AWF
  • 18. Temperature
    Color temperate can help enhance the mood of an image.
    Andy Warhol (American, 1928-1987) Vesuvius, 1985screen print on Arches 88 paper, 31 7/16 x 39 1/4 in. The Andy Warhol Museum, PittsburghFounding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc.© AWF
  • 19. ColorVariations
    Andy Warhol (American, 1928-1987)
    Camouflage, 1986
    acrylic and silkscreen ink on linen
    40 x 40 in. each
    The Andy Warhol Museum, Pittsburgh,Founding Collection,
    Contribution The Andy Warhol Foundation for the Visual Arts, Inc.
    © AWF
  • 20. Test your knowledge
    Andy Warhol (American, 1928-1987)
    Space Fruit: Still Lifes, 1979,
    screen print on Lenox Museum Board
    30 x 40 in. each
    The Andy Warhol Museum, PittsburghFounding Collection
    Contribution Dia Center for the Arts© AWF