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Transformation: Operational Techniques
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Transcript

  • 1. TRANSFORMATION:OPERATIONAL TECHNIQUES Adapted from Art Synectics By: Nicholas Roukes
  • 2. MAGNIFICATIONThe reconstruction of an object on a much larger scale. Spoonbridge and Cherry Claes Oldenburg
  • 3. MAGNIFICATIONThe reconstruction of an object on a much larger scale. Unknown Title Tetsuya Ishida
  • 4. MINIFICATIONMaking an object appear smaller. Warning Line Does Not Matter, No. Wu Wei
  • 5. MULTIPLICATIONRepeating images or forms within a composition. Golconda Reneé Magritte
  • 6. SUBSTITUTIONChanging the original qualities of objects and surfaces. Hiding in the City No. 86 Lu Bolin
  • 7. SUBSTITUTIONChanging the original qualities of objects and surfaces. Hiding in the City No. 86 Lu Bolin (In case you missed it, artist Lu Bolin camouflages himself to disappear into his surroundings)
  • 8. REVERSALSReversing color, perspective, functions, size, or laws of nature. The Madonna of Port Lligat Salvador Dali
  • 9. FRAGMENTATIONSplitting or fragmenting objects or images. Galatea of the Spheres Salvador Dali
  • 10. PARTIAL DELINEATIONPresenting only a portion of the object in its finished state. Slaves Michaelangelo
  • 11. DISTORTION Changing an object or an image by deformation, distortion, orprogressive states of degradation: burned, dissolved, decomposed, crushed, cracked, etc. Soft Construction with Boiled Beans Salvador Dali
  • 12. DISGUISINGThe use of latent or hidden images; obscuring the qualities of an object by wrapping, masking, or camoflaging. Wrapped Reichstag The Kiss Christo and Jean Claude Renee Magritte
  • 13. METAMORPHOSISDepicting an image in progressive states of change. Reptiles M.C. Escher
  • 14. METAMORPHOSISDepicting an image in progressive states of change. Mi Esposa Desnuda M.C. Escher
  • 15. TRANSMUTATIONA radical form of metamorphosis; creating Jekyll-and-Hyde transformations, mutation, alterations, hybridizations, re-materializatons The Wounded Dear Frida Kahlo
  • 16. SIMULTANEITYPresenting several views or time modes simultaneously. I and the Village Marc Chagall
  • 17. SOFT FOCUSChanging the focus on all or part of the image. Abdullah’s Prayer Maggie Taylor
  • 18. TRANSFERENCEThe intrusion of an object or element into a space not normally its own. Le Temps Traversé Reneé Magritte
  • 19. TRANSFERENCEThe intrusion of an object or element into a space not normally its own. Woman Who Loves Fish Maggie Taylor
  • 20. COLLAPSING VOLUMERendering 3D objects to appear flat, (or reverse, flat objects to appear 3D) Drawing Hands M.C. Escher
  • 21. ANIMATIONInanimate Objects can be made “to come to life”; subjects can be given human qualities. Some Roses and their Phantoms Dorothea Tanning
  • 22. ANIMATIONInanimate Objects can be made “to come to life”; subjects can be given human qualities. L’Ange du Foyer Max Ernst
  • 23. PROGRESSIVE IMAGE BREAKDOWNSubjecting an image to treatment that deteriorates, obscures, or break down into simple shapes or patterns. The Disintegration of the Persistence of Memory Salvador Dali
  • 24. POSITIVE NEGATIVE REVERSALUsing the negative space to define an image. Standing Woman Alexander Archipenko
  • 25. POSITIVE NEGATIVE REVERSALUsing the negative space to define an image. Untitled Jerry Uelsmann