1. ANAMATIC
Final draft

2. SCENE:1 SHOT:1
The trailer will start off with an
establishing shot of the mother and
daughter entering the house.

3. SCENE:2 SHOT:2
Medium shot of the mother and
daughter entering the house

4. SCENE:1 SHOT:3
Long shot of the mother and
daughter entering the house. I’m
not to sure about this shot as I
don’t think it adds anything to the
scene, in terms of showing their
close relationship. However I will
film this scene and decide when
editing.

5. SCENE:1 SHOT:4
This close up of the mother
and daughter hugging
emphasises how close these
they are.

6. SCENE:2 SHOT:1
This is a long shot of Louise and
Nicola sitting on the sofa, Louise has a
letter on the table.

7. SCENE:2 SHOT:2
This is an extreme close up of the
letter. To make this more scary I will
write “MUM” on the front of the
envelope.

8. SCENE:2 SHOT:3
Again another extreme close up, but it is
Louise picking up the letter.

9. SCENE:2 SHOT:4
This mid shot of Louise staring at the
letter shows the fear and makes the
audience wonder what secret she is
keeping.

10. SCENE:2 SHOT:5
Close up of Louise’s face
emphasises the fear in her eyes.
However instead of this shot I will
show a close up of the letter so the
audience can read what it says

11. SCENE:2 SHOT:6
Extreme close up of Louise
scrunching the letter up. I don’t
think this shot works as the
audience already realise that
she is scared and scrunching it
up is unnecessary

12. SCENE:3 SHOT:1
Wide shot of Louise sitting on the bed
staring at a picture of her adopted son

13. SCENE:3 SHOT:2
Mid shot of Louise sitting on the
bed staring at the picture and
saying how much she regrets what
she did

14. SCENE:3 SHOT:3
Over the shoulder and point of
view shot of the son

15. SCENE:3 SHOT:4
Close up of Louise’s face up. To make
this shot more emotional I will shoot
Louise kissing the picture instead of
just holding it

16. SCENE:4 SHOT:1
Wide shot of Louise cooking

17. SCENE:4 SHOT:2
Mid shot of Louise cooking

18. SCENE:1 SHOT:3
Mid shot of Louise cooking. I think
these shots are not working as they’re
too long and as this is a trailer it
should get to the point faster, so I
might cut these cooking shots out

19. SCENE:4 SHOT:4
Extreme close up of
Louise cutting vegetables

20. SCENE:4 SHOTS:5
Tilt shot from the extreme close up of
the knife to her body. I will definitely
take out these shots

21. SCENE:4 SHOTS:6
The lights go out in the
kitchen

22. SCENE:4 SHOT: 7
Mid shot of Michael behind
Louise holding a knife makes this
scene dramatic and entices the
audience to watch the film

23. SCENE:5 SHOT:1
Mid shot of Michael holding a knife
with blood on it. Making the
audience wonder if he killed Louise.
This scene is good as it adds to the
tension of the trailer

24. SCENE:5 SHOT:2
Mid shot of Michael
holding the knife and
walking slwoly

25. SCENE:5 SHOT:3
Mid shot of Michael slowly
with the knife

26. SCENE:5 SHOT:4
Close up of the Knife

27. SCENE:5 SHOT:5
Extreme close up of the
knife. This scene builds up
to the last scene of the
trailer showing Michael
isn’t here for peace but
revenge.

28. SCENE:6 SHOT:1
Wide shot of Nicola tied to
the bed and Michael
holding a knife.

29. SCENE:6 SHOT:2
Long shot of Nicola on the
bed and the knife above
her body.

30. SCENE:6 SHOT: 3
Extreme close up of Nicola’s
face and her screaming and
pleading for mercy

31. SCENE:6 SHOT:4
Over the shoulder
shot of Nicola on the
bed screaming while
Michael is standing
over her ready to kill
her

32. SCENE:6 SHOT:5
Wide shot of Michael lifting the
knife up about to end Nicola’s life

33. SCENE:6 SHOT:5
Extreme close up of the
knife

34. SCENE:6 SHOT:6
Over the shoulder shot of
Michael lifting the knife up
and about to stab his sister
as she screams. This scene is
good as it adds to the horror
of the trailer and entices the
audience to watch it as they
want to know if he kills her
or not and if he will escape
or die