Humanities 100 Sayre ch11

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Humanities 100, Chapter 11, EBUS, Coastline

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  • Canaletto. London: The Thames and the City of London from Richmond House. Detail.1747. Oil on canvas. 44-7/8" x 39-3/8".Trustees of the Goodwood House, West Sussex, UK. [Fig. 11.1]
  • Christopher Wren. Saint Paul's Cathedral: Western façade.1675-1710.[Fig. 11.2]
  • Illustration from Robert Hooke's Micrographia, London, 1665: A flea.1665Courtesy the University of Virginia Library. [Fig. 11.3]
  • Illustration from Robert Hooke's Micrographia, London, 1665: A slice of cork.1665Courtesy the University of Virginia Library. [Fig. 11.3]
  • Joseph Wright. An Experiment on a Bird in the Air-Pump.1768. Oil on canvas. 6' x 8'.National Gallery, London. [Fig. 11.4]
  • Transfer-printed Queen’s Ware.ca. 1770. Earthenware.The Wedgwood Museum, Barlaston, England. [Fig. 11.5]
  • Thomas Farnolls Pritchard. Iron Bridge, Coalbrookdale, England.1779. Cast iron.[Fig. 11.6]
  • William Hogarth. Gin Lane.1751. Engraving and etching. 14" x 11-7/8".Copyright The Trustees of the British Museum, London/Art Resource, New York. [Fig. 11.7]
  • Germain Boffrand. Salon de la Princesse de Soubise (Salon ovale), Hôtel de Soubise, Paris.ca. 1740. 33' x 26' ovoid.Photo: Bulloz. Reunion des Musees Nationaux/Art Resource, New York. [Fig. 11.8]
  • Charles-Joseph Natoire. Salon de la Princesse de Soubise, Hôtel de Soubise, Paris: Cupid and Psyche, painted section of ceiling.1738. Oil on canvas. 5' 7-3/4" x 8' 6-3/8".Peter Willi/The Bridgeman Art Library. [Fig. 11.9]
  • Jean-Antoine Watteau. The Embarkation from Cythera.ca. 1718-19. Oil on canvas. 50-3/4" x 76-3/8".Staatliche Museen, Schloss Charlottenburg, Berlin. [Fig. 11.10]
  • François Boucher. Madame de Pompadour.1756. Oil on canvas. 79-1/8" x 61-7/8".The Bridgeman Art Library. Bayerische Hypo und Vereinsbank, Alte Pinakothek, Bayerische Staatsgemäldesammlungen, Munich. [Fig. 11.11]
  • François Boucher. The Toilet of Venus. Signed and dated lower right: f-Boucher-1751.1751. Oil on canvas. 42-5/8" x 33-1/8".Bequest of William K. Vanderbilt, 1920 (20.155.9). Photograph © 1. The Metropolitan Museum of Art, New York. [Fig. 11.12]
  • Jean-Antoine Watteau. The Signboard of Gersaint.ca. 1721. Oil on canvas. 5' 4" x 10' 1".Staatliche Museen zu Berlin, Preussischer Kulturbesitz, Verwaltung der staatl. Schlösser und Gärden Kunstsammlungen. [Fig. 11-CL.1]
  • Peter Paul Rubens. The Signboard of Gersaint: The Coronation of Marie de’ Medici by Rubens.1622-25. Oil on canvas. 12' 11" x 23' 10".Musée du Louvre, Paris. [Fig. 11-CL.2]
  • Jean-Honoré Fragonard. The Swing.1767. Oil on canvas. 32-5/8" x 26".Wallace Collection, London. [Fig. 11.13]
  • Henry Flitcroft and Henry Hoare. The Park at Stourhead, Wiltshire, England.1744-65.[Fig. 11.14]
  • Claude Lorrain. The Rest on the Flight into Egypt (Noon).1661. Oil on canvas. 45-5/8" x 62-7/8".Hermitage Museum, Saint Petersburg, Russia. The Bridgeman Art Library. Collection of Empress Josephine, Malmaison, 1815. [Fig. 11.15]
  • Jean-Baptiste-Siméon Chardin. The Brioche (The Dessert).1763. Oil on canvas. 18-1/2" x 22".Photo: Hervé Lewandowski. Musée du Louvre/RMN Reunion des Musées Nationaux, France. SCALA/Art Resource, New York. [Fig. 11.16]
  • Jean-Baptiste-Siméon Chardin. A Philosopher Occupied with His Reading.1734. Oil on canvas. 54-3/8" x 41-3/8".Photo: Hervé Lewandowski/ MusPhoto: Hervé Lewandowski/ Musée du Louvre/RMN Réunion des Musées Nationaux, France. SCALA/Art Resource, New York. [Fig. 11.17]
  • Sydney Parkinson. Portrait of a Maori (later engraved and published as Plate XVI in Parkinson's Journal.1769. Wash drawing. 15-1/2" x 11-5/8".The British Library, London. Add. 23920 f.55. [Fig. 11.18]
  • William Marlow. View of the Wilderness at Kew.1763. Watercolor. 11-1/16" x 17-13/16".Metropolitan Museum of Art, New York. [Fig. 11.19]
  • François Boucher. Le Chinois Galant.1742. Oil on canvas. 41" x 57".The David Collection, inv.B275. Photo: Pernille Klemp. [Fig. 11.20]
  • Qing dynasty. Yu the Great Taming the Waters.Completed 1787. Jade carving. 7' 4-1/4" x 3' 1-3/4".Collection of The Palace Museum, Beijing. [Fig. 11.21]
  • Jean Denis Attiret. The Presentation of Uigur Captives, within the series Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems.ca. 1765-74; poem dated 1760. Etching mounted in album. 51 x 87 cms.© The Cleveland Museum of Art, John L. Severance Fund. 1998.103.14. [Fig. 11.22]
  • Elisabeth-Louise Vigée-Le Brun. Marie-Antoinette en chemise.1783. Oi on canvas. 33-1/2" x 28-1/4".Hessische Hausstiftung (Hessian House Foundation) Museum Schloss Fasanerie. [Fig. 11.23]
  • Jacques-Louis David. Marie-Antoinette conduite au supplice (Queen Marie-Antoinette on the way to the guillotine).1783. Ink drawing.DR 3599 Coll. Rothschild. Musée du Louvre/RMN Réunion des Musées Nationaux, France. SCALA/Art Resource, New York. [Fig. 11.24]
  • Humanities 100 Sayre ch11

    1. 1. Canaletto. London: The Thames and the City of London from Richmond House. Detail. 1747. Oil on canvas. 44-7/8" x 39-3/8". Trustees of the Goodwood House, West Sussex, UK. [Fig. 11.1]
    2. 2. Christopher Wren. Saint Paul's Cathedral: Western façade. 1675-1710. [Fig. 11.2]
    3. 3. Illustration from Robert Hooke's Micrographia, London, 1665: A flea. 1665 Courtesy the University of Virginia Library. [Fig. 11.3]
    4. 4. Illustration from Robert Hooke's Micrographia, London, 1665: A slice of cork. 1665 Courtesy the University of Virginia Library. [Fig. 11.3]
    5. 5. Joseph Wright. An Experiment on a Bird in the Air-Pump. 1768. Oil on canvas. 6' x 8'. National Gallery, London. [Fig. 11.4]
    6. 6. Transfer-printed Queen’s Ware. ca. 1770. Earthenware. The Wedgwood Museum, Barlaston, England. [Fig. 11.5]
    7. 7. Thomas Farnolls Pritchard. Iron Bridge, Coalbrookdale, England. 1779. Cast iron. [Fig. 11.6]
    8. 8. William Hogarth. Gin Lane. 1751. Engraving and etching. 14" x 11-7/8". Copyright The Trustees of the British Museum, London/Art Resource, New York. [Fig. 11.7]
    9. 9. Germain Boffrand. Salon de la Princesse de Soubise (Salon ovale), Hôtel de Soubise, Paris. ca. 1740. 33' x 26' ovoid. Photo: Bulloz. Reunion des Musees Nationaux/Art Resource, New York. [Fig. 11.8]
    10. 10. Charles-Joseph Natoire. Salon de la Princesse de Soubise, Hôtel de Soubise, Paris: Cupid and Psyche, painted section of ceiling. 1738. Oil on canvas. 5' 7-3/4" x 8' 6-3/8". Peter Willi/The Bridgeman Art Library. [Fig. 11.9]
    11. 11. Jean-Antoine Watteau. The Embarkation from Cythera. ca. 1718-19. Oil on canvas. 50-3/4" x 76-3/8". Staatliche Museen, Schloss Charlottenburg, Berlin. [Fig. 11.10]
    12. 12. François Boucher. Madame de Pompadour. 1756. Oil on canvas. 79-1/8" x 61-7/8". The Bridgeman Art Library. Bayerische Hypo und Vereinsbank, Alte Pinakothek, Bayerische Staatsgemäldesammlungen, Munich. [Fig. 11.11]
    13. 13. François Boucher. The Toilet of Venus. Signed and dated lower right: f-Boucher-1751. 1751. Oil on canvas. 42-5/8" x 33-1/8". Bequest of William K. Vanderbilt, 1920 (20.155.9). Photograph © 1. The Metropolitan Museum of Art, New York. [Fig. 11.12]
    14. 14. Jean-Antoine Watteau. The Signboard of Gersaint. ca. 1721. Oil on canvas. 5' 4" x 10' 1". Staatliche Museen zu Berlin, Preussischer Kulturbesitz, Verwaltung der staatl. Schlösser und Gärden Kunstsammlungen. [Fig. 11-CL.1]
    15. 15. Peter Paul Rubens. The Signboard of Gersaint: The Coronation of Marie de’ Medici by Rubens. 1622-25. Oil on canvas. 12' 11" x 23' 10". Musée du Louvre, Paris. [Fig. 11-CL.2]
    16. 16. Jean-Honoré Fragonard. The Swing. 1767. Oil on canvas. 32-5/8" x 26". Wallace Collection, London. [Fig. 11.13]
    17. 17. Henry Flitcroft and Henry Hoare. The Park at Stourhead, Wiltshire, England. 1744-65. [Fig. 11.14]
    18. 18. Claude Lorrain. The Rest on the Flight into Egypt (Noon). 1661. Oil on canvas. 45-5/8" x 62-7/8". Hermitage Museum, Saint Petersburg, Russia. The Bridgeman Art Library. Collection of Empress Josephine, Malmaison, 1815. [Fig. 11.15]
    19. 19. Jean-Baptiste-Siméon Chardin. The Brioche (The Dessert). 1763. Oil on canvas. 18-1/2" x 22". Photo: Hervé Lewandowski. Musée du Louvre/RMN Reunion des Musées Nationaux, France. SCALA/Art Resource, New York. [Fig. 11.16]
    20. 20. Jean-Baptiste-Siméon Chardin. A Philosopher Occupied with His Reading. 1734. Oil on canvas. 54-3/8" x 41-3/8". Photo: Hervé Lewandowski/ MusPhoto: Hervé Lewandowski/ Musée du Louvre/RMN Réunion des Musées Nationaux, France. SCALA/Art Resource, New York. [Fig. 11.17]
    21. 21. Sydney Parkinson. Portrait of a Maori (later engraved and published as Plate XVI in Parkinson's Journal. 1769. Wash drawing. 15-1/2" x 11-5/8". The British Library, London. Add. 23920 f.55. [Fig. 11.18]
    22. 22. William Marlow. View of the Wilderness at Kew. 1763. Watercolor. 11-1/16" x 17-13/16". Metropolitan Museum of Art, New York. [Fig. 11.19]
    23. 23. François Boucher. Le Chinois Galant. 1742. Oil on canvas. 41" x 57". The David Collection, inv.B275. Photo: Pernille Klemp. [Fig. 11.20]
    24. 24. Qing dynasty. Yu the Great Taming the Waters. Completed 1787. Jade carving. 7' 4-1/4" x 3' 1-3/4". Collection of The Palace Museum, Beijing. [Fig. 11.21]
    25. 25. Jean Denis Attiret. The Presentation of Uigur Captives, within the series Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems. ca. 1765-74; poem dated 1760. Etching mounted in album. 51 x 87 cms. © The Cleveland Museum of Art, John L. Severance Fund. 1998.103.14. [Fig. 11.22]
    26. 26. Elisabeth-Louise Vigée-Le Brun. Marie-Antoinette en chemise. 1783. Oi on canvas. 33-1/2" x 28-1/4". Hessische Hausstiftung (Hessian House Foundation) Museum Schloss Fasanerie. [Fig. 11.23]
    27. 27. Jacques-Louis David. Marie-Antoinette conduite au supplice (Queen Marie-Antoinette on the way to the guillotine). 1783. Ink drawing. DR 3599 Coll. Rothschild. Musée du Louvre/RMN Réunion des Musées Nationaux, France. SCALA/Art Resource, New York. [Fig. 11.24]

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