Eng 302 Rime


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Eng 302 Rime

  1. 1. “The Rime of the Ancient Mariner”Since then, at an uncertain hour,That agony returns:And till my ghastly tale is told,This heart within me burns. 582-85
  2. 2. Biographia Literaria XIVThe thought suggested itself (to which of us I do notrecollect) that a series of poems might be composedof two sorts. In the one, incidents and agents were tobe, in part at least, supernatural, and the excellenceaimed at was to consist in the interesting of theaffections by the dramatic truth of such emotions, aswould naturally accompany such situations,supposing them real. And real in this sense they havebeen to every human being who, from whateversource of delusion, has at any time believed himselfunder supernatural agency.
  3. 3. Biographia Literaria XIVFor the second class, subjects were to be chosen from ordinary life...In this idea originated the plan of the Lyrical Ballads; in which it was agreed, that my endeavours should be directed to persons and characters supernatural, or at least Romantic; yet so as to transfer from our inward nature a human interest and a semblance of truth sufficient to procure for these shadows of imagination that willing suspension of disbelief for the moment, which constitutes poetic faith. ... With this view I wrote the Ancient Mariner.
  4. 4. Wordsworth on the RimeFrom what I can gather it seems that the Ancient Mariner has upon the whole been an injury to the volume, I mean that the old words and the strangeness of it have deterred readers from going on. If the volume should come to a second Edition I would put in its place some little things which would be more likely to suit the common taste. --Letter to Joseph Cottle, 1799
  5. 5. W.W. in Lyrical BalladsThe Poem of my Friend has indeed great defects; first, that the principal person has no distinct character, either in his profession of Mariner, or as a human being who having been long under the control of supernatural impressions might be supposed himself to partake of something supernatural; secondly, that he does not act, but is continually acted upon; thirdly, that the events having no necessary connection do not produce each other; and lastly, that the imagery is somewhat too laboriously accumulated.
  6. 6. W.W. in Lyrical BalladsYet the Poem contains many delicate touches of passion, and indeed the passion is every where true to nature, a great number of the stanzas present beautiful images, and are expressed with unusual felicity of language; and the versification, though the metre is itself unfit for long poems, is harmonious and artfully varied, exhibiting the utmost powers of that metre, and every variety of which it is capable. It therefore appeared to me that these several merits (the first of which, namely that of the passion, is of the highest kind) gave to the Poem a value which is not often possessed by better Poems.
  7. 7. With mycross-bowI shot theAlbatross83
  8. 8. Thewedding-guest sat ona stone 17
  9. 9. At lengthdid cross analbatross63
  10. 10. The spiritPlagued usso;Nine fathomdeep he hadFollowed us133
  11. 11. A bout my neckW hung as1 43
  12. 12. The twainwere castingdice;“The game isdone! I’vewon! I’ve won!” 195-96
  13. 13. I looked uponthe rotting sea,And drew myeyes away242
  14. 14. The movingMoon wentup the sky,And nowhere didabide263
  15. 15. I watchedthe water-snakes273
  16. 16. And therain pourddown fromone blackcloud 320
  17. 17. Seraph oneverycorse492
  18. 18. My bodylay afloat553
  19. 19. Upon thewhirl wherethe shipsank556
  20. 20. Mesmer • Franz Memser 1734-1815, Vienna • “Glittering eye” • “Cannot choose” • “Bright eyed” • “Cursed me with his eye” (215)
  21. 21. “I fear thee, ancient Mariner”: Powers of Influence• Anxiety• Authority and power• Influence• Hypnosis• Trance• Mesmerism