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OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
OCC GATE Workshop:  BRUSH STROKES Main INTRO 2010 parts 1-2
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OCC GATE Workshop: BRUSH STROKES Main INTRO 2010 parts 1-2

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Part 1-2 of 6 - Creativity & Harry Noden's Image Grammar

Part 1-2 of 6 - Creativity & Harry Noden's Image Grammar

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  • 1. “ BRUSH STROKES ” by HARRY R. NODEN PART 1
  • 2. STANDARDS <ul><li>WRITING STRATEGIES </li></ul><ul><li>1.2 Use precise language, action verbs , sensory details , appropriate modifiers , and the active rather than the passive voice. </li></ul>
  • 3. STANDARDS <ul><li>WRITTEN AND ORAL ENGLISH LANGUAGE CONVENTIONS </li></ul><ul><li>1.1 Identify and correctly use clauses (e.g., main and subordinate), phrases (e.g., gerund, infinitive, and participial), and mechanics of punctuation (e.g., semicolons, colons, ellipses, hyphens). </li></ul>
  • 4. STANDARDS <ul><li>WRITTEN AND ORAL ENGLISH LANGUAGE CONVENTIONS </li></ul><ul><li>1.2 Understand sentence construction (e.g., parallel structure, subordination, proper placement of modifiers) and proper English usage (e.g., consistency of verb tenses). </li></ul>
  • 5. OBJECTIVE <ul><li>Using ________________ , students will identify and apply five basic Brushstrokes and practice composing and revising sentences. </li></ul>
  • 6. QUICK-WRITE <ul><li>Select one of the following pictures </li></ul><ul><li>Quickly write one or two sentences describing what you see [in the picture] </li></ul>
  • 7. QUICK-WRITE :
  • 8. QUICK-WRITE :
  • 9. QUICK-WRITE :
  • 10. QUICK-WRITE :
  • 11. QUICK-WRITE :
  • 12. QUICK-WRITE :
  • 13. QUICK-WRITE :
  • 14. QUICK-WRITE :
  • 15. THE TWIST <ul><li>Now try to “ CHANGE” your sentence. </li></ul><ul><li>How can you REVISE it to make it better? </li></ul>
  • 16. “ BRUSH STROKES ” by HARRY R. NODEN
  • 17. BRUSHSTROKES <ul><li>An introduction </li></ul>
  • 18. Using Grammatical Structures to Teach Writing HARRY R. NODEN Taken from Image Grammar
  • 19. <ul><li>“ The writer is an artist, painting images of life with specific and identifiable brush strokes, images as realistic as Wyeth and as abstract as Picasso…” </li></ul>About Brushstrokes …
  • 20. <ul><li>“… In the act of creation, the writer, like the artist, relies on fundamental elements.” </li></ul><ul><li>[page 1] </li></ul>About Brushstrokes …
  • 21. Andrew Wyeth
  • 22. Pablo Picasso
  • 23. Pablo Picasso
  • 24. <ul><li>“ In the act of creation, the writer, like the artist, relies on fundamental elements.” </li></ul><ul><ul><ul><ul><ul><li>NODEN </li></ul></ul></ul></ul></ul>
  • 25.  
  • 26.  
  • 27. “ BRUSH STROKES” by HARRY R. NODEN PART 2
  • 28. REVIEW <ul><li>What are the “foundations” of good writing and communication? </li></ul>
  • 29. THE BASIC PARTS OF SPEECH <ul><li>Nouns </li></ul><ul><li>Verbs </li></ul><ul><li>Pronouns </li></ul><ul><li>Adverbs </li></ul><ul><li>Adjectives </li></ul><ul><li>Conjunctions </li></ul><ul><li>Prepositions </li></ul><ul><li>Interjections </li></ul>
  • 30. THE TWIST <ul><li>How can we take our quick-write sentences and communicate with more power and resonance ? </li></ul>
  • 31. THE BRUSHSTROKES <ul><li>Participles </li></ul><ul><li>Vivid Verbs </li></ul><ul><li>Inverted Adjectives </li></ul><ul><li>Absolutes </li></ul><ul><li>Appositives </li></ul>
  • 32. THE BRUSHSTROKES <ul><li>PARTICIPLES </li></ul><ul><li>Vivid Verbs </li></ul><ul><li>Inverted Adjectives </li></ul><ul><li>Absolutes </li></ul><ul><li>Appositives </li></ul>
  • 33. PAINTING WITH PARTICIPLES <ul><li>an –ing (or –ed) verb tagged on the beginning or end of a sentence. </li></ul>
  • 34. PARTICIPLES PAINTED BY HEMINGWAY IN THE OLD MAN AND THE SEA : <ul><li>Shifting the weight of the line to his left shoulder and kneeling carefully, he washed his hand in the ocean and held it there, submerged, for more than a minute, watching the blood trail away and the steady movement of the water against his hand as the boat moved. </li></ul>
  • 35. PARTICIPLES PAINTED BY ANGELA <ul><li>The gorilla stared sadly at the people outside the glass. </li></ul><ul><li>Resting his chin on the rubber tire, the gorilla sat, wondering how he came to be trapped in this manmade jungle. </li></ul>
  • 36. GUIDED PRACTICE : TRY THIS BRUSH STROKE WITH THE FOLLOWING…
  • 37.  
  • 38.  

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