Managing Musical Performance Data and Documentation<br />Neil McDermott<br />School of Culture & Creative Arts – Music<br ...
Managing Musical Performance Data and Documentation<br />Managing research data in the College of Arts<br />Case study: Ba...
The Internet<br />Database containing (or referencing) delivery quality dataset<br />Publically available, searchable webs...
Bass culture in Scottish musical traditions <br />Currently pending AHRC application<br />Project will analyse historical ...
Documentation & data in music recording<br />Session notes – documentation kept by the engineer during recording<br />Prod...
File Formats<br />Compressed for greater ease of delivery and use<br />High quality – uncompressed or minimally/losslessly...
Metadata<br />Data about data<br />Created automatically at digitisation<br />Content specific metadata has to be added by...
Managing Musical Performance Data and Documentation<br />Neil McDermott<br />School of Culture & Creative Arts – Music<br ...
Upcoming SlideShare
Loading in …5
×

Managing music data

1,318 views
1,275 views

Published on

Presentation given by Neil McDermott, Resource Development Officer in Music, University of Glasgow. Presented at the 'Managing Perfomance Data and Documentation' seminar held in Glasgow on 17th February 2011.

Published in: Education, Business, Technology
0 Comments
0 Likes
Statistics
Notes
  • Be the first to comment

  • Be the first to like this

No Downloads
Views
Total views
1,318
On SlideShare
0
From Embeds
0
Number of Embeds
2
Actions
Shares
0
Downloads
5
Comments
0
Likes
0
Embeds 0
No embeds

No notes for slide
  • Chapel  Royal vc pt (R.M.27.a.11, first half 18thc.jpg
  • they do that thing in the Fugitive where they record a phone call with the on-the-run doctor and then they say: &quot;What&apos;s that in the background? Can you clean that up for me at all?” and a guy twists a few knobs and miraculously they make out the sound of the 24th street bells or something and immediately get a squad of cars round.I want to make the point that at the moment that is complete science fictionbut in the future it may not be and so we have to preserve data gathered now in a lossless format so as to enable future researchers to divine as much as they are able to from it.If the audio was compressed into a crap mp36:26pmgood use of the movie6:26pmthere is no chance that forensic audio improval could do any of that stuff.
  • Means of creation of the dataPurpose of the dataTime and date of creationCreator or author of dataPlacement on a computer network where the data was createdStandards used
  • Managing music data

    1. 1. Managing Musical Performance Data and Documentation<br />Neil McDermott<br />School of Culture & Creative Arts – Music<br />✐- Neil.McDermott@glasgow.ac.uk<br />- 0141 330 2067<br />
    2. 2. Managing Musical Performance Data and Documentation<br />Managing research data in the College of Arts<br />Case study: Bass Culture in Scottish musical traditions<br />Documentation & data in music recording<br />Best practice methods for dealing with performance data:-<br />Formats<br />Metadata<br />
    3. 3. The Internet<br />Database containing (or referencing) delivery quality dataset<br />Publically available, searchable website<br />File store containing archival quality dataset<br />
    4. 4. Bass culture in Scottish musical traditions <br />Currently pending AHRC application<br />Project will analyse historical printed sources<br />Selected sources will be:-<br />Made available online with annotation and critical commentary<br />Disseminatedvialive performance and commercial recording<br />
    5. 5.
    6. 6.
    7. 7. Documentation & data in music recording<br />Session notes – documentation kept by the engineer during recording<br />Producer’s notes – documentation kept by the producer during recording<br />Edit Decision List (EDL) – compiled by the producer with reference to his notes<br />
    8. 8.
    9. 9.
    10. 10.
    11. 11. File Formats<br />Compressed for greater ease of delivery and use<br />High quality – uncompressed or minimally/losslessly compressed<br />
    12. 12. Metadata<br />Data about data<br />Created automatically at digitisation<br />Content specific metadata has to be added by researchers<br />Can be embedded within the file or stored in an accompanying database<br />Allows our digital objects to be indexed and easily searchable<br />
    13. 13. Managing Musical Performance Data and Documentation<br />Neil McDermott<br />School of Culture & Creative Arts – Music<br />✐- Neil.McDermott@glasgow.ac.uk<br />- 0141 330 2067<br />

    ×