poem: hopeless interperetation:
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 poem: hopeless interperetation: poem: hopeless interperetation: Document Transcript

  • vanessa maynard poem: hopeless I played connect the dots with your beauty marks And I ended up with picture perfect sheet music I read your musical notes with a composer’s eyes And heard out song for the first time My spine is still tingling, mental images of your fine tune is what I’ve been nodding my head to lately Every now and then you can catch me humming your nudity under my heavy breath interperetation: The poem, by Sage Francis, seems to represent his female lover as a metaphor for his other love: music. He reads her body as a kind of music-making machine, letting himself create music through her body. I would like to juxtapose in this exercise the intimacy of love-making to the intimacy of music-making.
  • I played connect the dots with your beauty marks And I ended up with pic ture perfect sheet music I read your musical notes with a composer's eyes And heard out song for the first time My spine is still tingling, mental images of your fine tuneThe poem, by Sage Francis, seems to represent his female lover as a metaphor for his other love: music. He reads her body as a kind of music-making machine, letting himself create music through her body. I would like to juxtapose in this exercise the intimacy of love-making to the intimacy of music-making. is what I've been nodding my head to lately Every now and then you can catch me humming your nudity under my heavy breath
  • I played connect the dots with your beauty marks And I ended up with picture perfect sheet music I read your musical notes with a composer's eyes And heard out song for the first time My spine is still tingling, mental images of your fine tune is what I've been nodding my head to lately Every now and then you can catch me humming your nudity under my heavy breath The poem, by Sage Francis, seems to represent his female lover as a metaphor for his other love: music. He reads her body as a kind of music-making machine, letting himself create music through her body. I would like to juxtapose in this exercise the intimacy of love-making to the intimacy of music-making.
  • I pl d connect the dots with your beauty marks aye for his himselfl create musicHe seems body. I would ofike music-juxtapose in this other ove: music. rancis, her represent kind l over aking machine, The poem, by Sage F reads her tobody as a his femal l mas a metaphor And I ended up with picture pereft sheet music c - to exercise the intimacy of l making to the intimacy of musicmaking. I read your musical notes with a compose'r eyes e And heard out son ofr the ifst time g r My spine is still tin il , mental imges of your ife tune gn g a n ove- through is what I' been noddin my head to ley ve g atl Every now and then you can catch me hummin g your nudity under my heavy breath etting l
  • I played connect the dots with your beauty marks And I ended up with picture perfect sheet music I read your musical notes with a composer's eyes And heard out song for the first time My spine is still tingling, mental images of your fine tune is what I've been nodding my head to lately Every reads herand seems to representcan catch ame humminglove: now body as a kind of music-making female lover as himself create his other then you his machine, letting metaphor for music through The poem, by Sage Francis, music. He your nuditylikeunder in this exercise thebreath to juxtapose my heavy intimacy of love-making to the intimacy of her body. I would music-making.
  • skram ytuaeb ruoy htiw stod eht tcennoc deyalp I macy of music-making. inti- love-making tointimacythis exercisejuxtapose in would like himself create music through her body. I ting body asmachine,of mu- sic-makingmusic.kind reads her love: for He oth- er his female lover as a metaphor to repre- sent cis, seems by Sage Fran- The poem, cisum teehs tcefrep erutcip htiw pu dedne I dnA seye s'resopmoc a htiw seton lacisum ruoy daer I emit tsrif eht rof gnos tuo draeh dnA enut enif ruoy fo segami latnem ,gnilgnit llits si enips yM yletal ot daeh ym gniddon neeb ev'I tahw si gnimmuh em hctac nac uoy neht dna won yrevE htaerb yvaeh ym rednu ytidun ruoy to the the of a his let-
  • The poem, by Sage Francis, seems to represent his female lover as a metaphor for his other love: music. He reads her body as a kind of music-making ma- chine, letting himself create music through her body. I would like to jux- tapose in this exercise the intimacy of love-making to the intimacy of music- making. skram ytuaeb ruoy htiw stod eht tcennoc deyalp I cisum teehs tcefrep erutcip htiw pu dedne I dnA seye s'resopmoc a htiw seton lacisum ruoy daer I emit tsrif eht rof gnos tuo draeh dnA enut enif ruoy fo segami latnem ,gnilgnit llits si enips yM yletal ot daeh ym gniddon neeb ev'I tahw si gnimmuh em hctac nac uoy neht dna won yrevE htaerb yvaeh ym rednu ytidun ruoy
  • ur yo ct - th rfe com wi e pe a e s of ots ur ith timge e d ct w st ma to th h pi otes firtali ead ch h ect it aln the en h a t a t onn ks w ic or ng,m my n c re c. I si . u dy g. d c ar up us g f gli ing ca y b : m bo kin ve er a lo h c-m ye mded ic r m son ltin odd ou av er gh usi th u m o ro f pla ty en us ou s t til n n y he is h o hty r sic ac fo u m Ibeau It md y ye d ous s ne bee hen y r m ti oen h at e i ap re th et c d i Anheerear's eear ne tu've nd t r m m f to a sel g as m in r hi ak ve g -m Ipose d h spifinet I a nde s lo in e e tt ov al le f l m e, fe in y o An y ur ha nowing y u is h c hca t ma im en g nt yo w ly y m it es in e i M pr ak h re -m se t isla tever umnud i to ic c s us er em m ex se of is Eme hur s, h ci ind n t an k e i Fr a s e as o yo g y ap Sa d xt y bo u , b er o j em h e t s po d ik e ea l Th r ld e H ou w
  • htiw stod eht tcennoc deyalp I skram ytuaeb ruoy erutcip htiw pu dedne I dnA cisum teehs tcefrep a htiw seton lacisum ruoy daer I seye s'resopmoc tsrif eht rof gnos tuo draeh dnA emit latnem ,gnilgnit llits si enips yM enut enif ruoy fo segami ym gniddon neeb ev'I tahw si yletal ot daeh hctac nac uoy neht dna won yrevE gnimmuh em yvaeh ym rednu ytidun ruoy htaerb of music-making. cise the intimacy of love-making to the intimacy her body. I would like to juxtapose in this exer- ing machine, letting himself create music through music. He reads her body as a kind of music-mak- his female lover as a metaphor for his other love: The poem, by Sage Francis, seems to represent
  • The poem, by Sage Francis, seems to represent his female lover as a metaphor for his other love: music. He reads her body as a kind of music-making machine, letting himself create music through her body. I would like to juxtapose in this exercise the intimacy of love-making to the intimacy of music-making. skram ytuaeb ruoy htiw stod eht tcennoc deyalp I cisum teehs tcefrep erutcip htiw pu dedne I dnA seye s'resopmoc a htiw seton lacisum ruoy daer I emit tsrif eht rof gnos tuo draeh dnA enut enif ruoy fo segami latnem ,gnilgnit llits si enips yM yletal ot daeh ym gniddon neeb ev'I tahw si gnimmuh em hctac nac uoy neht dna won yrevE htaerb yvaeh ym rednu ytidun ruoy
  • The poem, by Sage Francis, se ems t represent his o fem ale lov er as a m etaphor for his other lov e: music. He reads her body as a kind of music- m aking m achine, letting himself creat music e through her body. I would lik e t juxt o apose in this exercise the intim acy of lov e-m aking t o the intim acy of music-m aking. skram tuaeb ruoy htiw tod eht tcennoc deyalp I y s cisum te ehs tcefrep e ru cip htiw pu dedne I dnA t seye 'sresopmoc a htiw ston lacisum ruoy dae r I e emt tsrif eht rof gnos tuo d raeh dnA i enu enif ruoy fo segami la nem ,gnilgnt llts si enips yM t t i i yltal t daeh ym gniddon ne eb e'vI tahw si e o gnimmuh em htac nac uoy neht dna won yrevE c htae rb yvaeh ym rednu tidun ruoy y