The Visual Rhetoric of AIDS Activist Collective Gran Fury Propaganda Spread Consciousness:
1981.
335 cases of AIDS have been diagnosed in the United States. 158 people have died. “ Gay Cancer” GRID
1982.
1,580 cases have been diagnosed. 603 people have died. Drug Users Blood AIDS
1985.
23,174 cases have been diagnosed in the United States. 12,652 people have died. 51 Countries Quarantine/Tattooing Rock Hudson
1986.
ACT UP: AIDS Coalition to Unleash Power New York Chicago Los Angeles San Francisco Berlin Seattle London Paris Portland Denver Boston Atlanta
Let the Record Show (1987)
1988
Gran Fury
1988 - 1989
1995.
“ We’ve got to have some common sense about a disease transmitted by people engaging in unnatural acts.” -Senator Jesse Helms New York Times
This presentation has been based principally on the following primary sources:
Crimp, Douglas. AIDS Demographics . Seattle: Bay Press, 1990.
Crimp, Douglas. "Gran Fury Talks to Douglas Crimp." Art Forum . April 2003, 70-71, 232, 234.
Deitcher, D.. “Gran Fury.” Discourses: Conversations in Postmodern Art and Culture . Cambridge: MIT Press, 1990.
Dubin, Steven C.. Arresting Images: Impolitic Art and Uncivil Actions . New York: Routledge,1992.
Gran Fury. Good Luck... Miss You, Gran Fury . New York: New Museum, 1995.
Human Rights Campaign, HIV/AIDS & HRC: Two Decades of Fighting for Life , 2001.
Meyer, R.. “This is to Enrage you: Gran Fury and the Graphics of AIDS Activism.” But is it Art? The Spirt of Art as Activism . Seattle: Bay Press, 1995. 51-83.
Images of ACT UP and Gran Fury propaganda posters as well as images of activists at work:
Crimp, Douglas. AIDS Demographics . Seattle: Bay Press, 1990.
Image of Let the Record Show :
Image of Gran Fury members at Venice Bienelle:
Crimp, Douglas. "Gran Fury Talks to Douglas Crimp." Art Forum . April 2003, 70.
Initial proposal for symposium discussion on guerri more
Initial proposal for symposium discussion on guerrilla artist collective Gran Fury. The presentation takes the artwork being discussed and brings it to the audience in a manner appropriate to the street-level medium, choosing dramatic, powerful, and loud font types, colors, slide transitions, and photo presentations/distortions to imitate the propaganda-like material being shown. This presentation, much like the artists' work is meant to incite anger and suggest action. less
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