The document provides symbols and definitions used in guitar chord diagrams. Barres, open and muted strings, and finger positions are defined. Chord names may include indications of being augmented, diminished, half-diminished, or containing a minor 7th. Slash notes define the bass note to be played. Numbers below the diagrams reference left hand finger positions.

1. GUITAR CHORD CHARTS/ACORDES DE GUITARRA
The following symbols are used in the Símbolos que se utilizan en los acordes
guitar diagrams: de guitarra:
Barre Cejilla
(
String not to be played x Cuerda apagada (la cuerda indicada no se toca)
Open String to be played o Cuerda suelta (la cuerda se toca al aire)
Augmented chord aug (+) aum Acorde aumentado
Diminished chord dim (°) dis Acorde disminuido
Half diminished chord ø Acorde disminuido con séptima menor
(includes a minor seventh)
Sol
g
The number to the right of some of the 3
El número que se encuentra a la
diagrams indicates the fret at which the chord is
to begin.
( derecha de algunos diagramas indica el traste
en que comienza el acorde.
1 3 4 2
The numbers which appear at the bottom of the Los números que aparecen en la parte
diagram make reference to the left hand finger- inferior del diagrama hacen referencia a la dig-
ing. itación.
1
2
3
Rem/Sol
D,g
4
3 2 4 1
Some chord labels have a slash (/) in between Algunos nombres de los acordes tienen una
two letters. The letter before the slash indicates diagonal (/) entre dos notas. La nota a la
the chord which needs to be played. The letter døSø¬ izquierda de la diagonal indica el acorde que se
cg
following the slash indicates the bass note debe tocar. La nota a la derecha de la diagonal
which needs to be played, either as the lowest indica la nota del bajo para el acorde que se
tone on the guitar or keyboard, or by the bass debe tocar en la guitarra, el teclado o el bajo.
player. In the following example, C/G indicates Por ejemplo, en Do/Sol (C/G) se toca el acorde
3 4 2 1
that a C chord should be played with the note G Do (C) sobre la nota de Sol (G) en el bajo.
sounding in the bass. Playing this as the bass Aunque no es necesario tocar la nota del bajo,
note is not absolutely necessary, but is helpful su ejecución ayuda a definir el movimiento de
for the voice leading of the piece. las voces de la estructura musical.
http://www.ocp.org http://www.spiritandsong.com
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2. GUITAR CHORD CHARTS/ACORDES DE GUITARRA, CONT. (2)
c cd ce cf cg c|a cb- cb c2
C
c6 c6e c7 c7f c7g c7;';4 c7ߨß4g c7_9 c9 c9b$
3
(
(
c9b c,./7 cµå∆7d c,./7g c,./7b c,./9 cå∂∂2 cå∂∂9 cå∂∂9d c.∂∂9|e
(
+ ,
cå∂∂9f cå∂∂9g Csus2,4 Csus#4 Csus2,#4 c;';4 csus4|a c•
(
(
cµ c,e_ cµf c,g c,b_ c,6 cµ6g c,7 cµ7e$
Cm
(
(
(
(
(
(
(
cµ7f cµ7b$ cµ9 cµ9(µå∆7) Cº cº7 cª7
(
(
c+ c+7 c=7e= c#(#11)
C#
#
(
4 4
(
(
4

3. GUITAR CHORD CHARTS/ACORDES DE GUITARRA, CONT. (3)
c+, c#µa$ c#µb c#µb# c+,7 c+,7b c#µ å∂∂11 c≠º c+º7
C#m
#
(
(
4 4
(
(
4 4
c≠ª7
d_ d_f (d$a$ d_c d$6 d$µå∆7 d_.[[9 d.[[9f+ d$sus2
D$
$
(
(
(
(
4 4 4
4
(
(
d de df+ dg d|a db dc dc+ d($6)
D
(
d6 D6,9 d6f# d6|a d7 d7f+ d7g d7|a d7c d7($9)
4 5
(
((
d7;';4 d9 d9f# d9;';4 d13 d,./7 d,./7/A d,./7f= Dadd6,9 d.[[9
(
(
(
d.[[9|a d;';2 d;';2c d;';2,4 Dsus4 d;';4|a Dsus4c
d.[[9f+
d, d,e d,f d,g d,|a d,c d,6 d,6|a d,7
Dm
(
d,7f d,7g d,7c dµ7 å∂∂11 D,.∂∂9 dº dº7 dª7 d (æø 3)
(
(
(
(
(
(

4. GUITAR CHORD CHARTS/ACORDES DE GUITARRA, CONT. (4)
d#• d#, d+º7 d#º7a d#ª7
D#
# D#m
#
(
6
(
e_ e_f e$a e_b$ e$c e-d e_7 e_7;';4 e_7/D-
E$
$ 3
(
(
(
6
6 3
(
(
(
(
(
2 3
e_9 e_,./7 e_, e$µ6 e$µ6b$ e_,7
E$m
$
(
7
5 6 6 6
(
(
(
(
e ef# eg+ e|a eb ec# ed e6 e7
E
e7g+ e7|a e7b e7d e7(+9) e7;';4 e9 e9d eµå∆7 e,./9
(
(
eµå∆9d# e å∂∂6,9 e.[[9 e;';2 e;';2,4 e;';4
(
4
(
e, e,f# e,g e,|a e,b e,d e,d= e,2 e,6
Em
e,6g eµ6c# e,7 e,7g e,7|a e,7b e,7d e,9 e,11 e,.[[9
eµ å∂∂11 eº eº7 eª7 e (æø 3)
(

5. GUITAR CHORD CHARTS/ACORDES DE GUITARRA, CONT. (5)
f fg f|a fb$ fc fe$ fe f6 f7
F
(
(
(
(
(
(
(
(
f7a f7c f7sus4c f9 f9e$ f13 f,./7 f,./7g f,./7|a f,./7c
(
(
(
3
(
f,./9 f,./9c f å∂∂6,9 f.[[9 f;';2 f;u;2a f;';2,#4 fsus4 f;u;4g f;u;4b-
5
(
(
(
(
(
(
(
f;u;4c fµ fµa$ fµc fµ6 f,7 fµ7sus4 fµ7a$ fµ7e$
Fm
(
(
(
(
(
(
(
6
(
f,å∂∂9 f,.[[11 fº fº7 f(æø 3)
(
(
f= f+|a+ f+c+ f#d# f#e f+7 f+7sus4 f=7|a= f+7c+
F#
#
(
(
(
(
(
f+7e f#9 f#sus4 f+º f+[],e f+º|a f+º7 f+ª7 f+ª7e
(
(
f#µ f+,|a f+,b f#,c# f+,d f#µe f#,6 f#µ6c# f#µ7
F#m
#
(
(
(
4
(
(
(
(
(
5
f+,7|a f#µ7b f#µ7c# f#µ7e f+,9 f=(no3)
(
(
(
(
(
(

6. GUITAR CHORD CHARTS/ACORDES DE GUITARRA, CONT. (6)
g_ g$a$ g_/D-
G$
$
(
(
(
g g|a gb gc gd ge gf gf= g6
G
, ,
g6|a g6b g6d g6,9
( g6,9/D g6,9/E g7 g7|a g7b g7d
3
(
(
3 2 1 4
g7f g7;';2,4 g7;';4 g9 g9b g,./7 g,./7|a g,./7b g,./7d g,./7f#
(
(
Solsus2
g,./9 g,./9|a g,./9b g.[[2 g.[[9 g.[[9b g å∂∂9d g;';2 g;';2,4 g;';4
2 1 3 4
Solsus+4
g;';#4 gsus4d gµ gµa g,b_ gµc g,d g,f g,6
Gm
(
(
(
(
(
2 1 3
g,6b_ gµ7 g,7b_ gµ7c gµ9 gµ å∂∂9 gº gºb_ gº7 gªb$
9
5
(
(
(
(
g(no3) g# g#b# g#d# g+7 g+7b+ g#sus4 g#sus4d#
(
G#
#
(
(
4 4
(
(
4 4
(
g+, g+,b g#,6 g+,7 g#µ7d# g+º7 g+ª7
G#m
#
(
(
(
4 4 4
4
(

7. GUITAR CHORD CHARTS/ACORDES DE GUITARRA, CONT. (7)
a_ a_c a$d$ a_e_ a$g a_2c a$2e a$6 a_13
A$
$ 4 4 4
(
(
(
(
(
(
(
(
a_,./7 a_,./7e_ a_,./9 a_,./9b_ a$ å∂∂9 a$ßuß4 a$µ a_,f
A$m
$
(
(
( 4
(
(
4 4 4
a ab ac+ ad ae ag ag+ a6 a6b
A
(
(
(
(
5
(
5
(
a6c# a7 a7c+ a7d a7e a7g a7;';2 a7sus2,4 a7;';4 a7;';4e
(
a7(#9) a9 a9c+ a9;';4 a13 a,./7 a,./7e a,./9e a.[[9 a.[[9c#
(
5
(
(
(
a;';2 a;';2,4 a;';4 aº aº7 aª7
(
a, a,b a,c a,d a,e a,f= a,g a,g+ aµ2
Am
a,6 a,6e a,6g a,7 a,7c a,7d a,7g a,7.[[11 a, 9 a,9e
a,(,./7) aµ å∂∂6 a (no 3) a,11 a≠º7
A#
#
(
7

8. GUITAR CHORD CHARTS/ACORDES DE GUITARRA, CONT. (8)
b_ b_c b_d b_e_ b_f b$g b$a$ b$a b$6
B$
$
(
(
(
b$6c b$6d b$6f b_7 b_7;';2 b$7sus4 b_,./7 b$(#11) b_.[[9 b_;';4
(
(
(
(
(
(
(
(
b$sus4c b$+
(
b_, b-,d- b$,f b$µa$ b$µ4 b$µ6 b_,7 b_,7e_ b$º
B$m
$ (
(
(
(
6
(
(
b_º7
b bc# bd+ b|a ba# b6 b6d# b7 b7d+
B 4
(
(
4
(
7
(
(
b7e b7f# b7|a b7($9) b7;';4 bsus2 b;';2|a b;';2,4 b;';4 bsus4f#
(
(
(
(
(
b, b,c# b,d bµf# b,|a b,6 bµ6d b,7 b,7e
Bm
(
(
(
(
b,7f+ b,7a b,9 bµå∂∂9 b,.[[g bº7 bª7 bª7|a b(no3) b7(no3)
(
7
(
(

9. Guide to Transposing Chords
Original Capo 1, Capo 2, Capo 3, Capo 4, Capo 5, Capo 6, Capo 7,
Chord play: play: play: play: play: play: play:
c b b_ a a_ g f# f
c# (d_) c b b_ a a_ g f#
d c# c b b_ a a_ g
e_ (d#) d c# c b b_ a a_
e e_ d c# c b b_ a
f e e_ d c# c b b_
f# (g_) f e e_ d c# c b
g f# f e e_ d c# c
a_ (g#) g f# f e e_ d c#
a a_ g f# f e e_ d
b_ (a#) a a_ g f# f e e_
b b_ a a_ g f# f e
NOTE: Remember that the chords on this chart also represent all the variables of each particular chord.
For example, “C” also represents Cm, C6, C7, Cmaj7, Cm7, C9, Cmaj9, C7sus4, C11, C13, Cm6,
and so forth. Be sure to add these designations to the principal form of the new chord you have
found in transposing.