Christ as the Man of Sorrows, 1673, by Pedro de Mena
Christ as the Man of Sorrows, 1673, by Pedro de Mena
 
 
 
 
 
 
 
 
 
 
Virgin of the Misericordia, 1634, by Francisco de Zurbarán
A detail of Dead Christ, 1625–30, by Gregorio Fernández
Fernández's Dead Christ,
Ecce Homo, 1617, by Fernández
Pedro de Mena's Mary Magdalen
Mary Magdalen Meditating on the Crucifixion
Portrait of Juan Martínez Montañés, 1635, by Diego Velázquez
Saint Bruno, 1634, by Juan Martínez Montañés
Saint Francis in Meditation, 1635–1639, by Francisco de Zurbarán
Saint Francis Borgia, 1624, by Juan Martínez Montañés
Saint Francis Standing in Meditation, about 1663, by Pedro de Mena
The Crucifixion, 1627, by Francisco de Zurbarán
The Immaculate Conception, 1618–1619, by Diego Velázquez
Virgin of the Immaculate Conception, about 1620, by Juan Martínez Montañés
Virgin of the Misericordia, 1634, by Francisco de Zurbarán
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Lo Sagrado Hecho Real

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  • Your slideshow is really beautiful – I’ve enjoyed it a lot! Congratulations and thanks.

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Lo Sagrado Hecho Real

  1. 7. Christ as the Man of Sorrows, 1673, by Pedro de Mena
  2. 8. Christ as the Man of Sorrows, 1673, by Pedro de Mena
  3. 19. Virgin of the Misericordia, 1634, by Francisco de Zurbarán
  4. 20. A detail of Dead Christ, 1625–30, by Gregorio Fernández
  5. 21. Fernández's Dead Christ,
  6. 22. Ecce Homo, 1617, by Fernández
  7. 23. Pedro de Mena's Mary Magdalen
  8. 24. Mary Magdalen Meditating on the Crucifixion
  9. 25. Portrait of Juan Martínez Montañés, 1635, by Diego Velázquez
  10. 26. Saint Bruno, 1634, by Juan Martínez Montañés
  11. 27. Saint Francis in Meditation, 1635–1639, by Francisco de Zurbarán
  12. 28. Saint Francis Borgia, 1624, by Juan Martínez Montañés
  13. 29. Saint Francis Standing in Meditation, about 1663, by Pedro de Mena
  14. 30. The Crucifixion, 1627, by Francisco de Zurbarán
  15. 31. The Immaculate Conception, 1618–1619, by Diego Velázquez
  16. 32. Virgin of the Immaculate Conception, about 1620, by Juan Martínez Montañés
  17. 33. Virgin of the Misericordia, 1634, by Francisco de Zurbarán
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