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Thomas Hardy Tess of the D'Urbervilles
Plot ,[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object]
Characters ,[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],Characters
Analysis and themes Ache of modernism This theme is notable in  Tess , who portrays "the energy of traditional ways and the strength of the forces destroying them". Hardy describes modern farm machinery with infernal imagery; at the dairy that the milk sent to the city must be watered down because the townspeople cannot stomach whole milk.  Man's separation from nature Angel‘s middle-class fastidiousness makes him reject Tess, a woman whom Hardy often portrays as a sort of Eve, in harmony with the natural world . When he parts from her he gets so sick that he is reduced to a "mere yellow skeleton.“ Man's separation from nature is implied both in the creation of destructive machinery and in the inability to rejoice in pure nature.
Sexual double standard  Tess falls is atruly good woman, but she is despised by society after losing her virginity before marriage. Hardy is onher side since he subtitles the book "a pure woman faithfully presented" and prefaces  it with Shakespeare's words "Poor wounded name! My bosom as a bed/ Shall lodge thee."  The double standard also makes the heroine's tragedy possible, and thus serves as a mechanism of Tess's broader fate.
Earth goddess  and/or Sacrificial victim Tess can be viewed variously as an Earth goddess or as a sacrificial victim. Early in the novel, she participates in a festival for Ceres, the goddess of the harvest, and when she performs a baptism she chooses a passage from Genesis the book of creation, over more traditional New Testament verses. At the end, when Tess and Angel come to Stonehenge, believed in Hardy's time to be a pagan temple, she lies down on an altar, thus fulfilling her destiny as a human sacrifice.
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Adaptations ,[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

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Tess Of The D Urbervilles

  • 1. Thomas Hardy Tess of the D'Urbervilles
  • 2.
  • 3.
  • 4.
  • 5.
  • 6. Analysis and themes Ache of modernism This theme is notable in Tess , who portrays "the energy of traditional ways and the strength of the forces destroying them". Hardy describes modern farm machinery with infernal imagery; at the dairy that the milk sent to the city must be watered down because the townspeople cannot stomach whole milk. Man's separation from nature Angel‘s middle-class fastidiousness makes him reject Tess, a woman whom Hardy often portrays as a sort of Eve, in harmony with the natural world . When he parts from her he gets so sick that he is reduced to a "mere yellow skeleton.“ Man's separation from nature is implied both in the creation of destructive machinery and in the inability to rejoice in pure nature.
  • 7. Sexual double standard Tess falls is atruly good woman, but she is despised by society after losing her virginity before marriage. Hardy is onher side since he subtitles the book "a pure woman faithfully presented" and prefaces it with Shakespeare's words "Poor wounded name! My bosom as a bed/ Shall lodge thee." The double standard also makes the heroine's tragedy possible, and thus serves as a mechanism of Tess's broader fate.
  • 8. Earth goddess and/or Sacrificial victim Tess can be viewed variously as an Earth goddess or as a sacrificial victim. Early in the novel, she participates in a festival for Ceres, the goddess of the harvest, and when she performs a baptism she chooses a passage from Genesis the book of creation, over more traditional New Testament verses. At the end, when Tess and Angel come to Stonehenge, believed in Hardy's time to be a pagan temple, she lies down on an altar, thus fulfilling her destiny as a human sacrifice.
  • 9.
  • 10.
  • 11.