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Resourcing Your Practice: Managing a Hybrid Life INDEPENDENT ARTIST NYFA & ARTSERVE HOSTED BY ARTPRIZE October 6, 2010
Investing in your future Employment = People paying you to learn
BA Theatre Studies OSU 1992 - 1997 Archiving Assistant Theatre Research Institute OSU  1994 - 1997 Digital Archivist Assistant Allott & Lomax Consulting Engineers 1997- 1998 Marketing Associate Oregon Group Architects 1998 - 2001 Community Arts Services Associate Culture Works  2001 - 2002 VP, Community Arts Services Culture Works  2002 - 2003 Independent Curator and Consultant Self-employed 2003 - 2004 Administrative Director New Media Scotland  2004 Executive Director New Media Scotland  2004 - 2007 Director of Creative Industries ArtServe Michigan  2008 - Present Career History
[object Object],[object Object],[object Object],Advocate. Support. Connect.
Creative Industries? ,[object Object],[object Object],[object Object]
Director of Creative Industries ,[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object]
Performance: Language Audiences Interaction Sculpture: Objects Spaces Making
Performance: Language Audiences Interaction Sculpture: Objects Spaces Making www.rootoftwo.com Technology
ā€˜ buying in does not mean selling outā€™.   Oh and hereā€™s some work with how they were resourced
A Country Road.  A Tree.  Evening. Philadelphia Fringe Festival, Pennsylvania, 16 - 19 September, 1999.
A Country Road. A Tree. Evening.   Self-financed   the materials of this work but won  in-kind   support   for its presentation at the festival including  travel, room, per diems, technical labor, invigilation, and sound and lighting equipment .
cross-platform, Intersculpt:uk 2003 Museum of Science and Industry Manchester, UK
cross-platform, Intersculpt:uk 2003 Museum of Science and Industry Manchester, UK Received small production grant of Ā£1800 from Arts Council England ($3600)
[object Object],[object Object]
[object Object],[object Object],[object Object]
Gimbalgolf, Crazy Art Golf Show Northern Quarter Gallery Manchester, UK 2004
Gimbalgolf Received  commission and exhibition fee   from gallery part of a fundraiser exhibition for gallery
Mute Objects COMMISSIONED BY STOREY GALLERY//FOLLY//LITFEST Virtual Public Art Project, Sound and Video Production/Editing and Flash Action Scripting and Animation.
Mute Objects Received  commission  from Folly for virtual version and also received a Ā£17,000   R & D grant   from Arts Council England ($34,000)
[object Object],[object Object]
[object Object]
Was part of a Ā£17,000  R & D grant   from Arts Council England and received Ā£1000  enterprise funding   from Sparc Aberdeen to develop it as a revenue generator for us and other designers on the site as  earned income . Identityware  www.idware.co.uk
et dukkehjem Received a $5,000  travel bursary   to Macedonia for exhibition,  in-kind support , and $4,000 University of Michigan  production grant . $3,000 Self-financed. Total project budget $12,000  www.etdukkehjem.net
[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Intersculpt:uk 03 Museum of Science and Industry Manchester, UK 2003 Received Ā£18,350  project grant   from Arts Council England (ACE) and  cash and in-kind   from various funders.
Received Ā£30,000  project grant   from Arts Council England (ACE) and  cash and in-kind   from various funders ($ Total Project Funding $80,000).
In-kind only
In-kind only
[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object]
[object Object],[object Object]
[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object]
Quotes from Will Hutton in The Observer 12/03/06 ā€œ Youā€™re 35 and experienced. Letā€™s face it, youā€™re uselessā€ In a universe in permanent flux, we are no longer valuable for what we have accomplished and the experience we have gathered; we're valuable for what we might be able to do in the future.
[object Object],[email_address] http://www.artservemichigan.org
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object]

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Asm cmppo ryp_artprize

  • 1. Resourcing Your Practice: Managing a Hybrid Life INDEPENDENT ARTIST NYFA & ARTSERVE HOSTED BY ARTPRIZE October 6, 2010
  • 2. Investing in your future Employment = People paying you to learn
  • 3. BA Theatre Studies OSU 1992 - 1997 Archiving Assistant Theatre Research Institute OSU 1994 - 1997 Digital Archivist Assistant Allott & Lomax Consulting Engineers 1997- 1998 Marketing Associate Oregon Group Architects 1998 - 2001 Community Arts Services Associate Culture Works 2001 - 2002 VP, Community Arts Services Culture Works 2002 - 2003 Independent Curator and Consultant Self-employed 2003 - 2004 Administrative Director New Media Scotland 2004 Executive Director New Media Scotland 2004 - 2007 Director of Creative Industries ArtServe Michigan 2008 - Present Career History
  • 4.
  • 5.
  • 6.
  • 7.
  • 8. Performance: Language Audiences Interaction Sculpture: Objects Spaces Making
  • 9. Performance: Language Audiences Interaction Sculpture: Objects Spaces Making www.rootoftwo.com Technology
  • 10. ā€˜ buying in does not mean selling outā€™. Oh and hereā€™s some work with how they were resourced
  • 11. A Country Road. A Tree. Evening. Philadelphia Fringe Festival, Pennsylvania, 16 - 19 September, 1999.
  • 12. A Country Road. A Tree. Evening. Self-financed the materials of this work but won in-kind support for its presentation at the festival including travel, room, per diems, technical labor, invigilation, and sound and lighting equipment .
  • 13. cross-platform, Intersculpt:uk 2003 Museum of Science and Industry Manchester, UK
  • 14. cross-platform, Intersculpt:uk 2003 Museum of Science and Industry Manchester, UK Received small production grant of Ā£1800 from Arts Council England ($3600)
  • 15.
  • 16.
  • 17. Gimbalgolf, Crazy Art Golf Show Northern Quarter Gallery Manchester, UK 2004
  • 18. Gimbalgolf Received commission and exhibition fee from gallery part of a fundraiser exhibition for gallery
  • 19. Mute Objects COMMISSIONED BY STOREY GALLERY//FOLLY//LITFEST Virtual Public Art Project, Sound and Video Production/Editing and Flash Action Scripting and Animation.
  • 20. Mute Objects Received commission from Folly for virtual version and also received a Ā£17,000 R & D grant from Arts Council England ($34,000)
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  • 23. Was part of a Ā£17,000 R & D grant from Arts Council England and received Ā£1000 enterprise funding from Sparc Aberdeen to develop it as a revenue generator for us and other designers on the site as earned income . Identityware www.idware.co.uk
  • 24. et dukkehjem Received a $5,000 travel bursary to Macedonia for exhibition, in-kind support , and $4,000 University of Michigan production grant . $3,000 Self-financed. Total project budget $12,000 www.etdukkehjem.net
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  • 28. Intersculpt:uk 03 Museum of Science and Industry Manchester, UK 2003 Received Ā£18,350 project grant from Arts Council England (ACE) and cash and in-kind from various funders.
  • 29. Received Ā£30,000 project grant from Arts Council England (ACE) and cash and in-kind from various funders ($ Total Project Funding $80,000).
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  • 40. Quotes from Will Hutton in The Observer 12/03/06 ā€œ Youā€™re 35 and experienced. Letā€™s face it, youā€™re uselessā€ In a universe in permanent flux, we are no longer valuable for what we have accomplished and the experience we have gathered; we're valuable for what we might be able to do in the future.
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