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Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
Baroque Northern Europe
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Baroque Northern Europe

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  • 1. Chapter 25 Northern Europe 1600 – 1700 Baroque in Flanders, Dutch Republic, France and England
  • 2. Europe in the 17 th Century
  • 3. Figure 25-2 PETER PAUL RUBENS, Elevation of the Cross, Antwerp Cathedral, Antwerp, Belgium, 1610. Oil on panel, 15’ 1 7/8” x 11’ 1 1/2” (center panel), 15' 1 7/8" x 4' 11" (each wing).
  • 4.  
  • 5. Baroque in Flanders
  • 6. PETER PAUL RUBENS, drawing of Laocoön, ca. 1600-1608. Black-and-white chalk drawing with bistre wash, approx. 1’ 7” x 1’ 7”. Ambrosiana, Milan.
  • 7.  
  • 8. Figure 25-3 PETER PAUL RUBENS, Arrival of Marie de’ Medici at Marseilles, 1622–1625. Oil on canvas, approx. 5’ 1” x 3’ 9 1/2”. Louvre, Paris.
  • 9.  
  • 10. Figure 25-4 PETER PAUL RUBENS, Allegory of the Outbreak of War, 1638. Oil on canvas, 6’ 9” x 11’ 3 7/8”. Pitti Gallery, Florence.
  • 11.  
  • 12. Rubens, Garden of Love c. 1633 Oil on canvas, 198 x 283 cm Museo del Prado, Madrid
  • 13.  
  • 14. Rubens, An Autumn Landscape with a View of Het Steen c. 1635 Oil on wood, 137 x 235 cm National Gallery, London
  • 15. Figure 25-5 ANTHONY VAN DYCK, Charles I Dismounted, ca. 1635. Oil on canvas, approx. 9’ x 7’. Louvre, Paris.
  • 16. Figure 25-6 CLARA PEETERS, Still Life with Flowers, Goblet, Dried Fruit, and Pretzels, 1611. Oil on panel, 1’ 7 3/4” x 2’ 1 1/4”. Museo del Prado, Madrid.
  • 17. Baroque in Holland (Dutch Republic)
  • 18. Figure 25-8 GERRIT VAN HONTHORST, Supper Party, 1620. Oil on canvas, approx. 7’ x 4’ 8”. Galleria degli Uffizi, Florence.
  • 19. Figure 25-9 FRANS HALS, Archers of Saint Hadrian, ca. 1633. Oil on canvas, approx. 6’ 9” x 11’. Frans Halsmuseum, Haarlem.
  • 20. Figure 25-10 FRANS HALS, The Women Regents of the Old Men’s Home at Haarlem, 1664. Oil on canvas, 5’ 7” x 8’ 2”. Frans Halsmuseum, Haarlem.
  • 21. Malle Babbe 1633-35 Oil on canvas, 75 x 64 cm Staatliche Museen, Berlin
  • 22. The Merry Drinker 1628-30 Oil on canvas, 81 x 66,5 cm Rijksmuseum, Amsterdam
  • 23.  
  • 24. Figure 25-11 JUDITH LEYSTER, Self-Portrait, ca. 1630. Oil on canvas, 2’ 5 3/8” x 2’ 1 5/8”. National Gallery of Art, Washington (gift of Mr. and Mrs. Robert Woods Bliss).
  • 25. Self-Portrait 1629 Oil on panel, 15,5 x 12,5 cm Alte Pinakothek, Munich Self Portrait as a Young Man 1634 Oil on canvas, 61 x 52 cm Galleria degli Uffizi, Florence
  • 26. Self-portrait 1640 Oil on canvas, 102 x 80 cm National Gallery, London
  • 27. Figure 25-15 REMBRANDT VAN RIJN, Self-Portrait, ca. 1659–1660. Oil on canvas, approx. 3’ 8 3/4” x 3’ 1”. The Iveagh Bequest, Kenwood House, London.
  • 28. Self-Portrait 1659 Oil on canvas, 84,5 x 66 cm National Gallery of Art, Washington
  • 29. Figure 25-12 REMBRANDT VAN RIJN, Anatomy Lesson of Dr. Tulp, 1632. Oil on canvas, 5’ 3 3/4” x 7’ 1 1/4”. Mauritshuis, The Hague.
  • 30. Figure 25-13 REMBRANDT VAN RIJN, The Company of Captain Frans Banning Cocq (Night Watch), 1642. Oil on canvas (cropped from original size), 11’ 11” x 14’ 4”. Rijksmuseum, Amsterdam.
  • 31. Figure 25-14 REMBRANDT VAN RIJN, Return of the Prodigal Son, ca. 1665. Oil on canvas, approx. 8’ 8” x 6’ 9”. Hermitage Museum, Saint Petersburg.
  • 32.  
  • 33. Figure 25-16 REMBRANDT VAN RIJN, Christ with the Sick around Him, Receiving the Children (Hundred Guilder Print), ca. 1649. Etching, approx. 11” x 1’ 3 1/4”. Pierpont Morgan Library, New York.
  • 34. Figure 25-17 AELBERT CUYP, A Distant View of Dordrecht, with a Milkmaid and Four Cows, and Other Figures (The “Large Dort”), late 1640s. Oil on canvas, approx. 5’ 1” ´ 6’ 4 7/8”. National Gallery, London.
  • 35. Figure 25-18 JACOB VAN RUISDAEL, View of Haarlem from the Dunes at Overveen, ca. 1670. Oil on canvas, approx. 1’ 10” x 2’ 1”. Mauritshuis, The Hague.
  • 36. Figure 24-51 Detail Central detail of the city © 2005 Saskia Cultural Documentation, Ltd.
  • 37. Figure 25-19 JAN VERMEER, The Letter, 1666. Oil on canvas, 1’ 5 1/4” x 1’ 3 1/4”. Rijksmuseum, Amsterdam.
  • 38.  
  • 39.  
  • 40. JAN VERMEER, Allegory of the Art of Painting, 1670–1675. Oil on canvas, 4’ 4” x 3’ 8”. Kunsthistorisches Museum, Vienna.
  • 41.  
  • 42.  
  • 43.  
  • 44.  
  • 45. Woman Holding a Balance 1662-63 Oil on canvas, 42,5 x 38 cm National Gallery of Art, Washington
  • 46. Girl with a Pearl Earring c. 1665 Oil on canvas, 46,5 x 40 cm Mauritshuis, The Hague
  • 47.  
  • 48. Vermeer, The Little Street 1657-58 Oil on canvas, 54,3 x 44 cm Rijksmuseum, Amsterdam
  • 49. Figure 25-20 JAN STEEN, The Feast of Saint Nicholas, ca. 1660–1665. Oil on canvas, 2’ 8 1/4” x 2’ 3 3/4”. Rijksmuseum, Amsterdam.
  • 50. Figure 24-55 PIETER CLAESZ, Vanitas Still Life, 1630s. Oil on panel, 1’ 2” x 1’ 11 1/2”. Germanisches Nationalmuseum, Nuremberg.
  • 51. Figure 25-22 WILLEM KALF, Still Life with a Late Ming Ginger Jar, 1669. Oil on canvas, 2’ 6” x 2’ 1 3/4”. Indianapolis Museum of Art, Indianapolis.
  • 52. Figure 25-23 RACHEL RUYSCH, Flower Still Life, after 1700. Oil on canvas, 2’ 6” x 2’. The Toledo Museum of Art, Toledo (purchased with funds from the Libbey Endowment, gift of Edward Drummond Libbey).
  • 53.
    • Baroque in Flanders : Rubens—pageantry, opulent fabrics, large scale, vibrant colors with dynamic brushwork
    • Baroque in the Dutch Republic :
    • Focus on genre, portraiture, landscape and other non-religious subjects
    • Captures a moment in time, engages the viewer, alludes to narrative, interior spaces complex (Vermeer) dramatic but softened light
    • Rembrandt – religious and non-religious subjects, infused with dramatic mood, psychological insight (compare to Caravaggio, Durer, Holbein)
    • Hals and Leyster- portraiture: capture a moment in time, genre subjects, “all Prima” brushwork

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