Powerpoint slides paul carr iaspm conference

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Here are the powerpoint slides of a paper I read at a Cardiff University IASPM conference this year regarding the creative activities that took place in The James Taylor Quartet when I was a member. It is only in draft format - but is a development of an earlier paper I posted a while back. I will also post the associated Powerpoint slides too.

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Powerpoint slides paul carr iaspm conference

  1. 1. A Phenomenological Analysis Of Musical Engagement When Recording, Performing and Rehearsing With The James Taylor Quartet<br />Dr Paul Carr<br /> <br />University of Glamorgan<br />
  2. 2. JTQ Recordings 1989 - 90<br />
  3. 3. Research Questions<br />What are the means through which musicians employ listening to recreate ‘pastiche’ sounds of the past?<br />How and why do musicians incorporate listening skills to integrate authenticity into their work by ensuring specific sounds, styles, production techniques and performance conventions comply with the canon?<br />How does creative listening impact composition and arrangement activities?<br />How do environmental factors impact creative listening?<br />
  4. 4.
  5. 5. The Intentional/Extensional Listening Process <br />
  6. 6. Band Personnel<br />Forcing Original <br />Interpretation of <br />Music<br />Provides Stylistic Framework<br />NEGOTIATION PROCESS<br />
  7. 7. Comparison of tracks from Wait A Minute album and ITV broadcast<br />Extensional<br />Basic Grooves (in both)<br />Harmonic progression<br />Melody<br />Intentional<br />Form<br />Tempo<br />Improvisation<br />Instrumental Timbre <br />Melodic and Rhythmic variance<br />Collective Texture<br />
  8. 8. The Potential Impacts Of Social Parameters on Music Making<br />
  9. 9.
  10. 10. Conclusions<br />
  11. 11.
  12. 12. Bibliography<br />Ken N. Kamoche, Miguel Pina e Cunha, and João Vieira da Cunha, Organizational improvisation (Routledge, 2002).<br />Robert Keith Sawyer, Group genius (Westview Press, 2007).<br />Lucy Green, Music, informal learning and the school (Ashgate Publishing, Ltd., 2008).<br />Paul Berliner, Thinking in jazz (University of Chicago Press, 1994).<br />John Stevens et al., Search and reflect (Community Music, 1985).<br />Simon Frith and Andrew Goodwin, On record (Routledge, 1990).<br />Allan F. Moore, Rock, the primary text (Open University Press, 1993), p23.<br />Simon Frith, Performing rites (Harvard University Press, 1998).<br />Eric F. Clarke, Ways of listening (Oxford University Press US, 2005).<br />William L. Cahn, Creative music making (Routledge, 2005).<br />

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