Media Cultures NEWM1001 week 1 09 - Presentation Transcript
Cultural Practice & New Media Media Cultures 1 Week 1 – 21 July 2009
Introduction: New Media and Cultural Practice
Live – Analog – Digital
What is ‘culture’?
What Is New Media Culture?
Theories of Representation
Reading ‘culture’ from Images
(New) Media: Analog vs Digital
Analog technology responds to a live signal (voice, visual image) and translates it into electronic impulses or chemical reactions: eg phonograph records, film, non-digital cameras.
Digital technology breaks the live signal down into a binary code and then via a receiving device (monitor, phone) it reassembles them into the original pattern.
Analog may not get replication completely ‘right’, as digital does, but analog does still allow a warmer, richer range of replication
A coming together of numerical calculating technology, cinema and broadcast.
New and Emerging Ways of Thinking:
Postmodern, Poststructural
Eg. Intertextuality – ‘all texts only make sense to us in relation to other texts, that we understand them as a part of a web of textuality’ (Lister 28)
:Not so much the death of the author as the rise of the reader
What Is Culture?
The way in which people communicate and live together, including the tools they use to communicate and live together : language, film, fashion, houses, cities, music, visual art, computers, transportation, and all the various discourses which people use to organise the world (and other people).
Definitions of Culture (also in Readings)
Defining Concepts in New Media (Lister et al.)
Digitality
Interactivity
Hypertextuality
Dispersal
Virtuality
Manovich’s Principles of New Media Manovich, Lev (2001). Language of New Media , Cambridge, Massachusetts, London, England:The MIT Press, pp 27-48
Numerical representation
Modularity
Automation
Variability
Transcoding
Other Key terms
VR – Virtual Reality
Convergence
Cyberspace
New Media Culture
Diversified, mass distribution but relies on individuals passing information on -a viral process. Individual to individual to individual to individual ….
Communications via new media have the potential to continue ad infinitum
Mass audience for the sublime and the dreadful, the amateur and the professional
(how to distinguish between the 2?)
Portable, mobile and personalised points of access
Increasingly becoming less expensive: a lot can be done on old machines
Theories of Representation (a)
Reflective/Mimetic
‘ the truth is out there’ and language or some other system of communication can accurately imitate it.
Intentional
The person who does the communicating (speaking, drawing, web-design, filmmaking, sculpting etc) is in total control of the ‘message’. Meaning is fixed.
Theories of Representation (b)
Constructionist
Language, art, the web are all ‘signifying practices’:
The symbols that are used in these signifying practices can all be used in many ways to mean many things.
The way we make the message is not the message itself and no message is ever ‘fixed’ forever.
People construct ‘meanings’, and often very different ones, from the same symbol.
New Media and Representation
A new signifying practice based on digital technology
New Media offers various ways of representing the world, whether by immersing our senses in fictionalised ‘real life’ or fantasy or by allowing us access to ‘live’, ‘happening now’ information and dialogue
Reading Culture from Images
Denotation:
what is denoted by an image, what it ‘literally’ refers to
Connotation:
the many meanings that are available from the image, depending on our own personal experience, the viewing context, cultural assumptions.
Today’s screenings
Come to Daddy (Aphex Twin), Chris Cunningham
Elektrobank (The Chemical Brothers), Spike Johns
The Yes Men
Bush Mechanics
Come to Daddy (Aphex Twin)
Elektrobank - (The Chemical Brothers)
Adapted by Tracey Meziane from the original presentation by Dr. Catherine Summerhayes Credits:
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