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Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
Music data is scary, beautiful and exciting
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Music data is scary, beautiful and exciting

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Brian Whitman, co-Founder/CTO of the Echo Nest, shows off some scary things, some beautiful things and some exciting things about the integration of data into music.

Brian Whitman, co-Founder/CTO of the Echo Nest, shows off some scary things, some beautiful things and some exciting things about the integration of data into music.

Published in: Entertainment & Humor
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  • 1. Music data is scary & beautiful & exciting Brian Whitman @bwhitman co-Founder & CTO, The Echo Nest @echonestTuesday, March 29, 2011
  • 2. Tuesday, March 29, 2011
  • 3. Tuesday, March 29, 2011
  • 4. Tuesday, March 29, 2011
  • 5. Tuesday, March 29, 2011
  • 6. 1995 2006 2011? 1999 2004 2009Tuesday, March 29, 2011
  • 7. care niceTuesday, March 29, 2011
  • 8. Tuesday, March 29, 2011
  • 9. 25 4 auditory spectrogram x 10 20 2 15 auditory spectrogram 10 1 0 5 1 ! -1 beat markers 0 0.5 1 1.5 2 sec. 1 ! -2 0.8 0 5 10 15 20 25 segmentation 0.6 240 segments 0.4 190 0.2 143 0 114 B 0 0.5 1 1.5 2 sec. 96 tempogram A# A 72 pitch features G# G 60 pitch features 0 5 10 15 20 25 F# F E 1 D# D C# 0.8 C 0 0.5 1 1.5 2 sec. 0.6 25 20 0.4 tempo spectrum timbre features 15 0.2 timbre features 10 0 60 72 96 114 143 190 240 5 1 2 4 6 8 10 12 14 16 segmentsTuesday, March 29, 2011
  • 10. Tuesday, March 29, 2011
  • 11. Tuesday, March 29, 2011
  • 12. Tuesday, March 29, 2011
  • 13. Tuesday, March 29, 2011
  • 14. The industry is always watching. They make invisible decisions from invented data.Tuesday, March 29, 2011
  • 15. A 5MB song unpacks 100MB of information about itselfTuesday, March 29, 2011
  • 16. Tuesday, March 29, 2011
  • 17. Tuesday, March 29, 2011
  • 18. Tuesday, March 29, 2011
  • 19. Tuesday, March 29, 2011
  • 20. Tuesday, March 29, 2011
  • 21. Tuesday, March 29, 2011
  • 22. Tuesday, March 29, 2011 Music Acquisition (2001-)
  • 23. Tuesday, March 29, 2011
  • 24. The unintended power of APIsTuesday, March 29, 2011
  • 25. Music Hack DaysTuesday, March 29, 2011
  • 26. Tuesday, March 29, 2011
  • 27. Tuesday, March 29, 2011
  • 28. Tuesday, March 29, 2011
  • 29. Tuesday, March 29, 2011
  • 30. Tuesday, March 29, 2011
  • 31. Tuesday, March 29, 2011
  • 32. Tuesday, March 29, 2011
  • 33. Developers are the future of musicTuesday, March 29, 2011
  • 34. 006 2011 2009 201X...Tuesday, March 29, 2011
  • 35. Tuesday, March 29, 2011

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