Stop Copying Me - Appropriation in Art

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Is originality possible in a work of art? This presentation explores artists who use appropriation in their work. Visit the ISB Art History channel (http://vimeo.com/channels/isbarthistorychannel) and my website (http://mountains.brianreverman.com/) for additional resources.

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Stop Copying Me - Appropriation in Art

  1. 1. Stop Copying Me Appropriation in Art
  2. 2. • Changing the technique/media • Changing the context • Parody
  3. 3. CHANGING THE TECHNIQUE/MEDIA
  4. 4. Malcolm Morley
  5. 5. Malcolm Morley
  6. 6. Malcolm Morley
  7. 7. Malcolm Morley
  8. 8. Robert Longo
  9. 9. Robert Longo
  10. 10. Robert Longo
  11. 11. Philip Taaffe
  12. 12. Philip Taaffe
  13. 13. Philip Taaffe
  14. 14. Philip Taaffe
  15. 15. Philip Taaffe
  16. 16. Glenn Brown
  17. 17. Glenn Brown
  18. 18. Glenn Brown
  19. 19. Glenn Brown
  20. 20. Glenn Brown
  21. 21. CHANGING THE CONTEXT
  22. 22. Jeff Koons
  23. 23. Jeff Koons
  24. 24. Jeff Koons
  25. 25. Jeff Koons
  26. 26. Jeff Koons
  27. 27. Jeff Koons
  28. 28. Jeff Koons
  29. 29. Jeff Koons
  30. 30. Pierre Bismuth
  31. 31. Pierre Bismuth
  32. 32. Pierre Bismuth
  33. 33. Pierre Bismuth
  34. 34. Pierre Bismuth
  35. 35. Tom Phillips
  36. 36. Tom Phillips
  37. 37. Tom Phillips
  38. 38. Tom Phillips
  39. 39. David Salle
  40. 40. David Salle
  41. 41. David Salle
  42. 42. David Salle
  43. 43. Kelley Walker
  44. 44. Kelley Walker
  45. 45. Kelley Walker
  46. 46. Kelley Walker
  47. 47. PARODY
  48. 48. Marcel Duchamp
  49. 49. Picasso???
  50. 50. Botero
  51. 51. Roy Lichtenstein???
  52. 52. Andy Warhol
  53. 53. Banksy
  54. 54. Deborah Kass
  55. 55. Deborah Kass
  56. 56. Deborah Kass
  57. 57. Deborah Kass
  58. 58. Banksy
  59. 59. Banksy
  60. 60. Banksy
  61. 61. Banksy
  62. 62. Banksy
  63. 63. Robert Colescott
  64. 64. Robert Colescott
  65. 65. Edoaurd Manet
  66. 66. Pablo Picasso
  67. 67. Dominique Ingres
  68. 68. Mel Ramos
  69. 69. Titian
  70. 70. Eduoard Manet
  71. 71. Mel Ramos
  72. 72. Yasumasu Morimura
  73. 73. Yasumasu Morimura
  74. 74. Yasumasu Morimura
  75. 75. Yasumasu Morimura
  76. 76. Yasumasu Morimura
  77. 77. Yasumasu Morimura
  78. 78. Takeaways • Is originality possible or desirable? • Changing the context of an image impacts the meaning. • Appropriation can have as it raison d’ erte both pictorial and conceptual motivations.

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