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Art AppreciationSpring 2011<br />Ch 4-5 Test Review<br />
The Biglin Brothers Racing, Thomas Eakins, 1873-74, oil on canvas<br />
1 - Horizontal Line<br />
The Perfect Ride, Jennifer Pastor, Pencil on Paper<br />
2 - Contour Line<br />
The Embarkation for Cytheria,Jean-Antoine Watteau, 1718-19<br />
3 - Implied lines<br />
The Madonna of the Meadows, Raphael, 1505, oil on panel<br />
4 - Implied shape<br />
The Raven and the First Men, Bill Reid, 1983, Laminated yellow cedar<br />
5 - Mass<br />
Bird in Space,Constantin Brancusi, 1925<br />
6 - Actual texture<br />
Regatta at Cowes,Raoul Dufy, 1934, oil on linen<br />
7 – Implied texture<br />
Untitled, Photograph, SeydouKeïta, 1950s<br />
8- Pattern<br />
The Nose,Alberto Giacometti, 1947<br />
9 - Space<br />
Ideal City,Piero della Francesca, c. 1470<br />
10 – One-point Linear Perspective<br />
Two-point Linear Perspective<br />
The Groom and The Witch, Hans BaldungGrien, 1540, woodcut<br />
11 - Foreshortening<br />
Valley of the Yosemite, Albert Bierstadt, 1864, oil on canvas<br />
12 – Atmospheric perspective<br />
The Night Revels of Han Xizai, GuHongzhong, ink and colors on silk<br />
13 – Isometric Perspective<br />
Dynamism of a Dog on a Leash, GiacomoBalla, 1912, oil on canvas<br />
14 - Time and Motion<br />
Black Face and Arm Unit, Ben Jones, 1971, Painted Plaster<br />
15 – Unity and Variety<br />
Shimmering Substance,Jackson Pollock, 1946<br />
16 - Unity and Variety<br />
Deer’s Skull with Pedernal, Georgia O’Keeffe,  1936, Oil on canvas<br />
17 – Symmetrical Balance<br />
The Two Fridas,Frida Kahlo, 1939, oil on canvas<br />
18 – Symmetrical Balance<br />
Death and Life, Gustav Klimt, before 1911<br />
19 – Asymmetrical Balance<br />
The Banjo Lesson, Henry Ossawa Tanner, 1893, oil on canvas<br />
20 – Emphasis & Subordination<br />
Executions of the Third of May, 1808, Francisco de Goya,  1814-15, oil on canvas<br />
21 – Focal Point, Emphasis & Subordination<br />
Plantoir, Oldenburg and van Bruggen, 2001<br />
22 - Scale<br />
Vitruvian Man, Leonardo da Vinci, 1485-90, Pen and ink<br />
23 - Proportion<br />
Broadway Boogie-Woogie, Piet Mondrian, 1942-43, oil on canvas<br />
24 - Rhythm<br />
25 - <br />
A Sunday on La Grande Jatte, Georges Seurat, 1884-86, oil on canvas<br />
26 - Painting technique = Pointillism<br />
Grading Criteria - Presentations<br />Proper length = 5 minutes<br />Full bio/history<br />Pic of artist<br />Where did th...
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Ch 4-5 test review - visual

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Which element or principle of design is most dominant in each artwork?

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Transcript of "Ch 4-5 test review - visual"

  1. 1. Art AppreciationSpring 2011<br />Ch 4-5 Test Review<br />
  2. 2. The Biglin Brothers Racing, Thomas Eakins, 1873-74, oil on canvas<br />
  3. 3. 1 - Horizontal Line<br />
  4. 4. The Perfect Ride, Jennifer Pastor, Pencil on Paper<br />
  5. 5. 2 - Contour Line<br />
  6. 6. The Embarkation for Cytheria,Jean-Antoine Watteau, 1718-19<br />
  7. 7. 3 - Implied lines<br />
  8. 8. The Madonna of the Meadows, Raphael, 1505, oil on panel<br />
  9. 9. 4 - Implied shape<br />
  10. 10. The Raven and the First Men, Bill Reid, 1983, Laminated yellow cedar<br />
  11. 11. 5 - Mass<br />
  12. 12. Bird in Space,Constantin Brancusi, 1925<br />
  13. 13. 6 - Actual texture<br />
  14. 14. Regatta at Cowes,Raoul Dufy, 1934, oil on linen<br />
  15. 15. 7 – Implied texture<br />
  16. 16. Untitled, Photograph, SeydouKeïta, 1950s<br />
  17. 17. 8- Pattern<br />
  18. 18. The Nose,Alberto Giacometti, 1947<br />
  19. 19. 9 - Space<br />
  20. 20. Ideal City,Piero della Francesca, c. 1470<br />
  21. 21. 10 – One-point Linear Perspective<br />
  22. 22. Two-point Linear Perspective<br />
  23. 23. The Groom and The Witch, Hans BaldungGrien, 1540, woodcut<br />
  24. 24. 11 - Foreshortening<br />
  25. 25. Valley of the Yosemite, Albert Bierstadt, 1864, oil on canvas<br />
  26. 26. 12 – Atmospheric perspective<br />
  27. 27. The Night Revels of Han Xizai, GuHongzhong, ink and colors on silk<br />
  28. 28. 13 – Isometric Perspective<br />
  29. 29. Dynamism of a Dog on a Leash, GiacomoBalla, 1912, oil on canvas<br />
  30. 30. 14 - Time and Motion<br />
  31. 31. Black Face and Arm Unit, Ben Jones, 1971, Painted Plaster<br />
  32. 32. 15 – Unity and Variety<br />
  33. 33. Shimmering Substance,Jackson Pollock, 1946<br />
  34. 34. 16 - Unity and Variety<br />
  35. 35. Deer’s Skull with Pedernal, Georgia O’Keeffe, 1936, Oil on canvas<br />
  36. 36. 17 – Symmetrical Balance<br />
  37. 37. The Two Fridas,Frida Kahlo, 1939, oil on canvas<br />
  38. 38. 18 – Symmetrical Balance<br />
  39. 39. Death and Life, Gustav Klimt, before 1911<br />
  40. 40. 19 – Asymmetrical Balance<br />
  41. 41. The Banjo Lesson, Henry Ossawa Tanner, 1893, oil on canvas<br />
  42. 42. 20 – Emphasis & Subordination<br />
  43. 43. Executions of the Third of May, 1808, Francisco de Goya, 1814-15, oil on canvas<br />
  44. 44. 21 – Focal Point, Emphasis & Subordination<br />
  45. 45. Plantoir, Oldenburg and van Bruggen, 2001<br />
  46. 46. 22 - Scale<br />
  47. 47. Vitruvian Man, Leonardo da Vinci, 1485-90, Pen and ink<br />
  48. 48. 23 - Proportion<br />
  49. 49. Broadway Boogie-Woogie, Piet Mondrian, 1942-43, oil on canvas<br />
  50. 50. 24 - Rhythm<br />
  51. 51. 25 - <br />
  52. 52. A Sunday on La Grande Jatte, Georges Seurat, 1884-86, oil on canvas<br />
  53. 53. 26 - Painting technique = Pointillism<br />
  54. 54. Grading Criteria - Presentations<br />Proper length = 5 minutes<br />Full bio/history<br />Pic of artist<br />Where did they go to school<br />Influences/legacy<br />Anecdotal info<br />Plenty of images<br />Presenters interest in the subject<br />Seems informed/able to answer questions<br />Proper sources cited<br />
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