Pp Chap37 Info Age


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  • http://www.beatmuseum.org/kienholz/edkienholz.html
  • http://www.beatmuseum.org/kienholz/edkienholz.html
  • Source: http://en.wikipedia.org/wiki/The_Dinner_Party
  • Pp Chap37 Info Age

    1. 1. Chapters 37-38 Information Age Pop Art as Image
    2. 2. What is Pop Art? Elite Culture Popular Culture Postwar Consumerism Pop Art
    3. 3. Andy Warhol <ul><li>Cult figure </li></ul><ul><li>Celebrated the “everyday” </li></ul><ul><li>Materialism </li></ul><ul><li>Psychological intensity </li></ul><ul><li>Cow wallpaper, 1966 </li></ul><ul><li>Campbell Soup Can, 1964 </li></ul>
    4. 4. Andy Warhol, Elvis, 1962-1966
    5. 5. Andy Warhol <ul><li>Mint Marilyn Monroe, 1962 </li></ul>
    6. 6. Andy Warhol <ul><li>Self-portrait 1985 </li></ul>
    7. 7. Louise Nevelsen <ul><li>White Vertical Water, 1972 </li></ul><ul><li>Used discards from industry to “construct” assemblages, influenced by cubism </li></ul>
    8. 8. Roy Lichtenstein “Blam” (1954)
    9. 9. Roy Lichtenstein, In the Car (1955)
    10. 10. Claes Oldenburg, Pastry Case, 1961-1962 Source: MOMA
    11. 11. Louise Nevelsen, Sculpture <ul><li>“ I think most artists create out of despair. The very nature of creation is not a performing glory on the outside, it’s a painful, difficult search within.” </li></ul>
    12. 12. Frank Stella, Empress of India (1965) <ul><li>An example of minimalist painting – also called “contentless” painting Source: MOMA </li></ul>
    13. 13. <ul><li>Critics say that Nevelson’s art is authentic because it uses objects, while Warhol’s art is less authentic because it uses images. Do you agree? </li></ul>
    14. 14. <ul><li>“ True subject of a photorealist work is the way we unconsciously interpret photographs and paintings in order to create a mental image of the object represented” </li></ul><ul><li>--Artcyclopedia </li></ul>New Realism New Realism Photorealism
    15. 15. Chuck Close <ul><li>Lucas, 1987 </li></ul>
    16. 16. Chuck Close <ul><li>Phil, 1969 </li></ul><ul><li>9 x 7 feet </li></ul>
    17. 17. Richard Estes, Hotel Empire, 1987 <ul><li>“ When you look at a space or an object, you tend to scan it. Your eye travels around and over things. As your eyes move, the vanishing point moves, to have one vanishing point or perfect camera perspective is not realistic.” Estes </li></ul>
    18. 18. <ul><li>“ Seeks to transform society by awakening its visionary potential” --Fiero (150) </li></ul>Social Conscience Art Global context Social Conscience Art Social Conscience Film
    19. 19. Jasper Johns <ul><li>Flag </li></ul><ul><li>1954-1955 </li></ul>
    20. 20. Robert Rauschenberg <ul><li>Bed, 1955 </li></ul><ul><li>6’3: x 31’3” </li></ul><ul><li>Paint splashed over ‘dream fabric’ </li></ul><ul><li>Considered ACTION painting </li></ul>
    21. 21. Robert Rauschberg <ul><li>Buffalo II, 1964 </li></ul><ul><li>8 x 6 feet </li></ul>
    22. 23. Edward Kienholz <ul><li>The State Hospital </li></ul><ul><li>1964-1966 </li></ul>
    23. 24. Edward Kienholz <ul><li>Backseat Dodge, 1938 </li></ul><ul><li>Next: The Portable War Memorial, 1968 </li></ul>
    24. 25. Kienholz: The Portable War Memorial Source: http://www.beatmuseum.org/kienholz/edkienholz.html
    25. 26. Judy Chicago <ul><li>The Dinner Party (1974-1979) </li></ul><ul><ul><li>Setting for 39 women with 999 names of women as supporting tiles </li></ul></ul><ul><ul><li>Chicago: “Meant to end the ongoing cycle of omission in which women were written out of the historical record” </li></ul></ul><ul><ul><li>Represents each woman with place setting featuring plates in butterfly or flower shape, representing the woman’s vulva </li></ul></ul>Source: http://en.wikipedia.org/wiki/The_Dinner_Party
    26. 27. Judy Chicago, The Dinner Party, 1979
    27. 28. Judy Chicago, The Dinner Party, 1979
    28. 29. Judy Chicago, The Dinner Party, 1979 <ul><li>Because we are denied knowledge of our history, we are deprived of standing upon each other’s shoulders and building upon each other’s hard earned accomplishments. Instead we are condemned to repeat what others have done before us and thus we continually reinvent the wheel. The goal of The Dinner Party is to break this cycle. </li></ul>
    29. 30. Basquiat <ul><li>Native Carrying Some Guns, Bibles, Amorites on Safari, 1960s </li></ul>
    30. 31. Robert Rauschberg <ul><li>Riding Bikes, 1999 </li></ul>
    31. 32. Sources <ul><li>Mark Hardin’s ARTCHIVE </li></ul><ul><li>Nevelson at Guggenheim online </li></ul><ul><li>Judy Chicago at Women’s History </li></ul>