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these are the incomplete ones

these are the incomplete ones

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  • 1.  
  • 2. Shot List Shot number 1 Shot number 2 Shot number 3 Shot number 4 Shot number 5 Shot number 6 Shot number 7 Shot number 8 Shot number 9 Shot number 10 Shot number 11 Shot number 12 Shot number 13 Shot number 14 Shot number 15 Shot number 16 Shot number 17 Shot number 18 Shot number 19 Shot number 20 Shot number 21 Shot number 22 Shot number 23 Shot number 24 Shot number 25 Shot number 26 Shot number 27 Shot number 28 Shot number 29 Shot number 30
  • 3. Shot Type: - Camera Angle: Shot Duration: 2 seconds Group: Kyle Bird Assignment: A2 Short film Shot Information: The shot is just black – all that can be heard is the diagetic sound of a the sea Sound: The sound of the sea Shot Number: 1 Speech/Dialect: None Back to shot list 
  • 4. Shot Type: MLS Camera Angle: Shot Duration: 4 seconds Group: Kyle Bird Assignment: A2 Short film Shot Information: A fade from black introduces an the half naked main character (Sam) with his eyes closed in a sitting position. He has a L plate necklace, beer cans and bottles around him and other stag night accessories. We see the sea close to his feet. Sound: The sound of the sea getting louder. Speech/Dialect: None Shot Number: 2 Back to shot list 
  • 5. Shot Type: MLS Camera Angle: Shot Duration: 2 seconds Group: Kyle Bird Assignment: A2 Short film Shot Information: On the same shot the sea catches the man’s feet and he awakes with a surprise. Sound: The sound of the sea Shot Number: 3 Speech/Dialect: Man: arh! Back to shot list 
  • 6. Shot Type: POV Camera Angle: - Shot Duration: 3 seconds Group: Kyle Bird Assignment: A2 Short film Shot Information: A POV shot. The camera quickly looks from left to right. We see a beach, the sea and the pier he is under. He looks down and sees the remains of a stag night around him. Sound: The sea and seagulls Shot Number: 4 Speech/Dialect: - Back to shot list 
  • 7. Shot Type: MCU Camera Angle: Shot Duration: 1 or 2 seconds Group: Kyle Bird Assignment: A2 Short film Shot Information: (flashback) a black and white shot of a can being drunk. Sound: Laughing and music Shot Number: 5 Speech/Dialect: Back to shot list 
  • 8. Shot Type: CUS Camera Angle: Shot Duration: 1 or 2 seconds Group: Kyle Bird Assignment: A2 Short film Shot Information: (flashback) a black and white shot of smoking. Sound: laughing and music Shot Number: Speech/Dialect: Groom: “Jesus Christ” Back to shot list  6
  • 9. Shot Type: Camera Angle: Shot Duration: 1 or 2 seconds Group: Kyle Bird Assignment: A2 Short film Shot Information: (flashback) a black and white shot of a change of a CD Sound: silence then music starts Shot Number: Speech/Dialect: 7 Back to shot list 
  • 10. Shot Type: Camera Angle: Shot Duration: 1 second Group: Kyle Bird Assignment: A2 Short film Shot Information: (flashback) a black and white shot cards being dropped. Sound: music Shot Number: 8 Speech/Dialect: Back to shot list 
  • 11. Shot Type: Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: (flashback) a black and white shot of a cigarette being stabbed into an ashtray Sound: music Shot Number: 9 Speech/Dialect: Back to shot list 
  • 12. Shot Type: XLS Camera Angle: Shot Duration: 8 seconds Group: Kyle Bird Assignment: A2 Short film Shot Information: a long shot of the main character – the camera pans up and we see the golden mile of Blackpool, with the Blackpool tower and the big weel. a quiet “shit” from the main character is slightly heard. Sound: Sea and seagulls Shot Number: 10 Speech/Dialect: Sam : “shit” Back to shot list 
  • 13. Shot Type: MLS Camera Angle: Shot Duration: 2 seconds Group: Kyle Bird Assignment: A2 Short film Shot Information: A shot of the main character (with his feat in the sea) trying to brake free of the ropes – he uses one hand to rip the rope tied to his ova. Sound: Sea and seagulls Shot Number: 11 Speech/Dialect: Back to shot list 
  • 14. Shot Type: MCUS Camera Angle: Shot Duration: 3 seconds Group: Kyle Bird Assignment: A2 Short film Shot Information: A shot of the ropes unwilling to let loose – the camera pans down and we see the main character stopping and thinking Sound: Shot Number: 12 Speech/Dialect: Back to shot list 
  • 15. Shot Type: MLS Camera Angle: Shot Duration: 2 seconds Group: Kyle Bird Assignment: A2 Short film Shot Information: (flashback) a black and white establishing shot of a poker hand being won. There are four guys (one being the man tied under the pier) around a table all of them throwing cards in the middle of the table. Sound: Small groans and music Shot Number: 13 Speech/Dialect: Back to shot list 
  • 16. Shot Type: MS Camera Angle: Shot Duration: 2 seconds Group: Kyle Bird Assignment: A2 Short film Shot Information: (flashback) a black and white of one of the guys looking at cards and grinning Sound: Music and laughing Shot Number: 14 Speech/Dialect: Back to shot list 
  • 17. Shot Type: CU Camera Angle: Shot Duration: 2 seconds Group: Kyle Bird Assignment: A2 Short film Shot Information: A black and white shot of a can with a lit cigarette on top – we see movement in the out of focused background. Sound: music Shot Number: 15 Speech/Dialect: Back to shot list 
  • 18. Shot Type: MS Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: The quick fast pace shots are interrupted by someone (the best man) shouting and complaining (see dialect). The black and white shots are in real time. And the camera is just on the guy that spoke. Sound: Music and speech Shot Number: 16 Speech/Dialect: Best man: “god, this is boring” Back to shot list 
  • 19. Shot Type: LS Camera Angle: Shot Duration: 5 seconds Group: Kyle Bird Assignment: A2 Short film Shot Information: A long shot of the poker table of four guys. All staring at the best man. All is silent other than the music. Sound: Quite music still in the background Shot Number: 17 Speech/Dialect: Back to shot list 
  • 20. Shot Type: MCUS Camera Angle: Shot Duration: 5 seconds Group: Kyle Bird Assignment: A2 Short film Shot Information: A shot of Sam holding his cards. He looks down at them and back up at the man who shouted (best man). He speaks (see dialect) Sound: Still light music Shot Number: 18 Speech/Dialect: Sam: What's up with you? Back to shot list 
  • 21. Shot Type: MCUS Camera Angle: Shot Duration: 10 seconds Group: Kyle Bird Assignment: A2 Short film Shot Information: a close up shot of the best man picking up his card and putting them down with out looking. He speaks (see dialect) Sound: Light music Shot Number: 19 Speech/Dialect: Best man: “ THIS! Cards, quiet music, mild curry and even milder drinks.” Back to shot list 
  • 22. Shot Type: MS Camera Angle: Shot Duration: 3 seconds Group: Kyle Bird Assignment: A2 Short film Shot Information: A shot of Sam, he puts down his cards and leans a little forward. He speaks (see dialect) Sound: Light music Shot Number: 20 Speech/Dialect: Sam: “and?” Back to shot list 
  • 23. Shot Type: MLS Camera Angle: Shot Duration: 10 seconds Group: Kyle Bird Assignment: A2 Short film Shot Information: A medium long shot of the older guy, we see him and the other guys looking at him. The guy just looks from guy to guy, as they stay silent he continues and speaks (see dailect). Sound: Shot Number: 21 Speech/Dialect: Best Man: “and? This is your stag night and I’m your best man. I wanted something (pause) a bit more exciting!” Back to shot list 
  • 24. Shot Type: MCUS Camera Angle: Shot Duration: 6 seconds Group: Kyle Bird Assignment: A2 Short film Shot Information: A shot of Sam taking a deep sigh and looking down to the table of at his cards, he then looks back up at the best man. He speaks (see dialect) Sound: Shot Number: 22 Speech/Dialect: Sam: “so what do you suggest? If you have all the blooming answers.” Back to shot list 
  • 25. Shot Type: MS Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: A shot of the best man throws his card in the pot. He then speaks (see dialect) Sound: Shot Number: 23 Speech/Dialect: Best man: where in Blackpool! Black-pool. A city full of clubs, bars and other un-holy joints. Let’s goes out and actually do something instead of being in the garden of some hotel –” Back to shot list 
  • 26. Shot Type: Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: A shot of Sam tuts and just points at the clock And shouts (see dialect). Sound: Shot Number: 24 Speech/Dialect: Sam: “look at the time” Back to shot list 
  • 27. Shot Type: MLS Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: The best man turns his head and a clock comes into focus “ticking at 21:30” Sound: Ticking and music Shot Number: 25 Speech/Dialect: Back to shot list 
  • 28. Shot Type: Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: Same shot as before he puts his hand down and looks at the best man. He then speaks (see dialect) Sound: Shot Number: 26 Speech/Dialect: Sam: “the wedding is in twelve hours, we’ve got to be present and correct or her family will crucify me. And you want us to go out now?” Back to shot list 
  • 29. Shot Type: CUS Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: Now to the present and the flashbacks end a colour shot of the ropes coming loose. Sound: Sea and seagulls Shot Number: 27 Speech/Dialect: Back to shot list 
  • 30. Shot Type: MLS Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: A shot of Sam quickly raps himself undone, stands up and scavenges for his clothes. He looks down – Sound: Sea and seagulls Shot Number: 28 Speech/Dialect: Back to shot list 
  • 31. Shot Type: XCUS Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: A shot of watch ticking away in the sand the time is 09:20 Sound: Shot Number: 29 Speech/Dialect: Back to shot list 
  • 32. Shot Type: MLS Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: He scrambles for the watch and very clumsily stand up and looks at the time. Sound: Shot Number: 30 Speech/Dialect: Back to shot list 
  • 33. Shot Type: XLS Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: An shot of the south pier, all silent other than the sea a few seconds of silence and we hear a bellow. Sound: seagulls Shot Number: 31 Speech/Dialect: Sam (shouting): “shit!” Back to shot list 
  • 34. Shot Type: MLS Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: The same medium long shot of Sam – he now quickly throws on his sandy clothes and buttons up the rest of his shirt. Sound: Shot Number: 32 Speech/Dialect: Back to shot list 
  • 35. Shot Type: MLS Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: He looks around for the rest of his stuff – pointlessly pats down his clothes to get rid of the sand. He is all dressed and ready except for his shoes .He puts on one and scans for the others. Sound: Shot Number: 33 Speech/Dialect: Back to shot list 
  • 36. Shot Type: MLS Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: He quickly rummages around and quickly gives up and runs out of the pier and out of the shot. Sound: Shot Number: 34 Speech/Dialect: Back to shot list 
  • 37. Shot Type: XLS Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: A long shot of the groom running along the pier front looking around for a form of transportation. He runs closer to the camera and stops. Sound: Shot Number: 35 Speech/Dialect: Back to shot list 
  • 38. Shot Type: POV Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: A POV shot shows a tram at a station with people getting on. Sound: Shot Number: 36 Speech/Dialect: Back to shot list 
  • 39. Shot Type: MS Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: A shot of Sam he runs past the camera and out of the shot. Sound: Shot Number: 37 Speech/Dialect: Back to shot list 
  • 40. Shot Type: MS / MLS Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: An inside shot of the tram – we see several passengers and it is relatively quiet and peaceful there is no Sam and the tram is stationary – a few seconds of silence is interrupted by the loud burst in of Sam. He goes past the camera (the camera follows) and he sits down next to an old woman, the woman gives one side glance quietly tuts. Sound: Shot Number: 38 Speech/Dialect: Back to shot list 
  • 41. Shot Type: XLS Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: An outside shot of the tram setting off. Sound: Shot Number: 39 Speech/Dialect: Back to shot list 
  • 42. Shot Type: XLS Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: An outside long shot of a tram stopping at a station, after a couple of seconds Sam appears running (limping slightly) the camera follows by panning and we see him go down to the streets of Blackpool. Sound: Shot Number: 40 Speech/Dialect: Back to shot list 
  • 43. Shot Type: MLS Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: A shot of Sam continuing to run down one of Blackpool’s front streets. Sound: Shot Number: 41 Speech/Dialect: Back to shot list 
  • 44. Shot Type: MS Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: A shot of him running as he runs past the camera as the camera follows by panning as he runs he gets close to a street advertiser. Sound: Shot Number: 42 Speech/Dialect: Back to shot list 
  • 45. Shot Type: MS Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: a shot of the street advertiser jumps in his way and speaks. Sound: Shot Number: 43 Speech/Dialect: Salesman: “excuse me sir-” Back to shot list 
  • 46. Shot Type: MS Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: a shot of Sam moves out of the salesman’s ways and tries to get past him. He makes an impersonal apology and carries on. Sound: Shot Number: 44 Speech/Dialect: Sam: “sorry I –” Back to shot list 
  • 47. Shot Type: MS Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: A closer shot of the salesman moves back into his way and makes a little speech about why he is there. Sound: Shot Number: 45 Speech/Dialect: Salesman: “You see sir there is a large homeless problem in Blackpool and it is growing if you-” Back to shot list 
  • 48. Shot Type: MS Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: Sam looks up and shouts at him (see dialect). He then nudges past the salesman and runs out of the shot. Leaving the salesman by himself he looks around looking embarrassed after a few seconds he quietly speaks to himself (see dialect) Sound: Shot Number: 46 Speech/Dialect: Sam: “LOOK! This is not a good time!” ( a few seconds later) Salesman: “twat” Back to shot list 
  • 49. Shot Type: LS Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: A shot of a different street, Sam quickly appears around the corner and runs to the camera and stops – he looks up. Sound: Shot Number: 47 Speech/Dialect: Back to shot list 
  • 50. Shot Type: POV Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: A POV shot shows that he is looking up at a big church. Sound: Shot Number: 48 Speech/Dialect: Back to shot list 
  • 51. Shot Type: MS Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: He looks back down and runs out of the shot. Sound: Shot Number: 49 Speech/Dialect: Back to shot list 
  • 52. Shot Type: LS Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: An establishing shot of a very high-class and quiet wedding – it is practically deserted, it seems a large amount of people left. There are around 20 people and the guys from the stag night, there are all huddled up and whispering. Sound: Light music and small wispering Shot Number: 50 Speech/Dialect: Back to shot list 
  • 53. Shot Type: XLS Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: The silence and light music is disturbed by Sam bursting in the door he stumbles, slips, and swears (which is echoed) and stand up straight. He sees the best man and his friends. Sound: Shot Number: 51 Speech/Dialect: Back to shot list 
  • 54. Shot Type: MLS Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: A change of angle and shot, Sam looks up and starts running to the best man he shouts (see dialect) Sound: Shot Number: 52 Speech/Dialect: Sam: “YOU LITTLE SHIT! GET HERE!” Back to shot list 
  • 55. Shot Type: MS Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: An over the shoulder shot. The friends move out of the way so the best man is by himself, he looks scared. Sound: Shot Number: 53 Speech/Dialect: Back to shot list 
  • 56. Shot Type: MS Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: An over the shoulder shot, we see the best man with his hands out – he pleas to Sam and tries to calm him down Sound: Shot Number: 54 Speech/Dialect: Best man: “woah! Sammy calm down (pause) think were you are – (in a lighter tone) weres your shoe?” Back to shot list 
  • 57. Shot Type: MCUS Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: A shot of Sam moving closer to the best man. He interrupts him and has a go at him. (see dialect) He then looks around and asks where his bride to be is. Sound: Shot Number: 55 Speech/Dialect: Sam: “ SHUT IT! You tied me to the GOD DAM south pier! When I get hold of you im gonna - (LOOKS AROUND) –weres Sarah??” Back to shot list 
  • 58. Shot Type: MCUS Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: A shot of the best man looking from left to right – he tries to tell Sam something. (see dialect) Sound: Shot Number: 56 Speech/Dialect: Back to shot list 
  • 59. Shot Type: Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: Sound: Shot Number: 57 Speech/Dialect: Back to shot list 
  • 60. Shot Type: Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: Sound: Shot Number: 58 Speech/Dialect: Back to shot list 
  • 61. Shot Type: Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: Sound: Shot Number: 59 Speech/Dialect: Back to shot list 
  • 62. Shot Type: Camera Angle: Shot Duration: Group: Kyle Bird Assignment: A2 Short film Shot Information: Sound: Shot Number: 60 Speech/Dialect: Back to shot list 

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