subtitel arial 32 cursief in onderkastOAIS compliantpreservation workflowsIn an AV-production archive17-5-2013
Sound and Vision800.000 hours of Dutch television, film, radio and music17-5-2013
AV-production archive17-5-2013
National heritage archive17-5-2013Photo collectionDocumentariesAmateur film
Digital collection factsThousands of hours added per year6 petabytes of broadcast materialHundreds of users served every d...
Digital risks17-5-2013- How to ensure digital material stays accessible?- IT-technology changes rapidly- Impact of failure...
Digital preservation17-5-2013- Solution: long-term digital preservation- Strategic goal: become a TDR- Project for preserv...
Digital Object management17-5-2013- Digital Object Management requirements:- Preservation metadata dictionary- Preservatio...
OAISISO 14721: functional modelISO 16363: guidelines for certification17-5-2013An OAIS is an Archive […] that has accepted...
Key concepts for preservation- Usability: Keeping the data readable for the designatedcommunity- Integrity: Keeping data f...
Events and provenance- Provenance metadata is a collection of Events- Events: defined actions with Agent and Outcome saved...
Preservation metadata dictionary- PREMIS as basis for provenance metadata and rights- Technical metadata for audio, video ...
Preservation metadata17-5-2013Preservation metadataTechnical metadataProvenance metadata:Events and AgentsEvent AgentRight...
OAIS processes: the IP-lifecycleA Producer provides aSubmission Information Packagein accordance with SubmissionAgreements...
What is in a SIP?17-5-2013
The Ingest-workflow: SIP17-5-2013ingestViruscheckFixitycheckFilecharacterisationSAvalidationQualityanalysisEvery action ad...
The archival object: AIP17-5-2013To storage location
The access workflow: DIP17-5-2013RequestAuthenticationcheckRequestsame asAIP?Copy file Fixity checkCreatenew fileDeliver D...
Object management within OAIS17-5-2013
Important findings17-5-2013Synchronizing theory with practice- The OAIS model needs to be tailored- Acquiring a Media Asse...
Important findings17-5-2013Learning, communication andcollaboration- Everyone should know their role and responsibility- A...
Important findings17-5-2013Preservation from an organizationalviewpoint- No single IT-application can meet all functionalr...
Questions that remain17-5-2013- What are the cost implications?- Which collections need to be preserved?- What to do with ...
Project achievements17-5-2013- A foundation for digital lifecycle management- Information model (preservation workflows)- ...
Project achievements17-5-2013- Technical requirements for Digital Object Management- Greater awareness that digital lifecy...
Any questions?17-5-2013?
Presentation 16 may casestudy daniel steinmeier
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Presentation 16 may casestudy daniel steinmeier

  1. 1. subtitel arial 32 cursief in onderkastOAIS compliantpreservation workflowsIn an AV-production archive17-5-2013
  2. 2. Sound and Vision800.000 hours of Dutch television, film, radio and music17-5-2013
  3. 3. AV-production archive17-5-2013
  4. 4. National heritage archive17-5-2013Photo collectionDocumentariesAmateur film
  5. 5. Digital collection factsThousands of hours added per year6 petabytes of broadcast materialHundreds of users served every day17-5-2013Automated digital workflow since 20076 petabytes of digitised analog material
  6. 6. Digital risks17-5-2013- How to ensure digital material stays accessible?- IT-technology changes rapidly- Impact of failure is huge
  7. 7. Digital preservation17-5-2013- Solution: long-term digital preservation- Strategic goal: become a TDR- Project for preservation workflow policies
  8. 8. Digital Object management17-5-2013- Digital Object Management requirements:- Preservation metadata dictionary- Preservation workflow model
  9. 9. OAISISO 14721: functional modelISO 16363: guidelines for certification17-5-2013An OAIS is an Archive […] that has accepted theresponsibility to preserve information and make itavailable for a Designated Community.
  10. 10. Key concepts for preservation- Usability: Keeping the data readable for the designatedcommunity- Integrity: Keeping data from corruption:technical properties, fixity checking- Authenticity: audit-trail of actions within the digital lifecyclein preservation metadata17-5-2013
  11. 11. Events and provenance- Provenance metadata is a collection of Events- Events: defined actions with Agent and Outcome savedas metadata- Provenance metadata shows the history of the object17-5-2013
  12. 12. Preservation metadata dictionary- PREMIS as basis for provenance metadata and rights- Technical metadata for audio, video and still images17-5-2013Pixel widthPixel heightAspect ratioVideo codecColor space
  13. 13. Preservation metadata17-5-2013Preservation metadataTechnical metadataProvenance metadata:Events and AgentsEvent AgentRights metadata
  14. 14. OAIS processes: the IP-lifecycleA Producer provides aSubmission Information Packagein accordance with SubmissionAgreementsThe Archive stores theArchival Information PackageThe Designated Community requests aDissemination Information Packagein accordance with Order Agreements17-5-2013Digital Object + metadata = Information Package
  15. 15. What is in a SIP?17-5-2013
  16. 16. The Ingest-workflow: SIP17-5-2013ingestViruscheckFixitycheckFilecharacterisationSAvalidationQualityanalysisEvery action adds provenance metadata to the IPmetadata metadata metadata metadata
  17. 17. The archival object: AIP17-5-2013To storage location
  18. 18. The access workflow: DIP17-5-2013RequestAuthenticationcheckRequestsame asAIP?Copy file Fixity checkCreatenew fileDeliver DIPmetadata added to AIPmetadata added to AIP
  19. 19. Object management within OAIS17-5-2013
  20. 20. Important findings17-5-2013Synchronizing theory with practice- The OAIS model needs to be tailored- Acquiring a Media Asset Management-system (MAM)- Workflow policies or technical requirements?
  21. 21. Important findings17-5-2013Learning, communication andcollaboration- Everyone should know their role and responsibility- A common reference framework is important
  22. 22. Important findings17-5-2013Preservation from an organizationalviewpoint- No single IT-application can meet all functionalrequirements- Overview of all actions and processes within the archive- Preservation is more than just digital technology
  23. 23. Questions that remain17-5-2013- What are the cost implications?- Which collections need to be preserved?- What to do with digitized legacy material?
  24. 24. Project achievements17-5-2013- A foundation for digital lifecycle management- Information model (preservation workflows)- Preservation metadata dictionary- Submission/Order Agreement guidelines- Description Designated communities
  25. 25. Project achievements17-5-2013- Technical requirements for Digital Object Management- Greater awareness that digital lifecycle managementinvolves all archive departments- A basis for certification for Data Seal of Approval
  26. 26. Any questions?17-5-2013?
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