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Design In Photography
Design In Photography
Design In Photography
Design In Photography
Design In Photography
Design In Photography
Design In Photography
Design In Photography
Design In Photography
Design In Photography
Design In Photography
Design In Photography
Design In Photography
Design In Photography
Design In Photography
Design In Photography
Design In Photography
Design In Photography
Design In Photography
Design In Photography
Design In Photography
Design In Photography
Design In Photography
Design In Photography
Design In Photography
Design In Photography
Design In Photography
Design In Photography
Design In Photography
Design In Photography
Design In Photography
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Design In Photography

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Transcript

  • 1.  
  • 2. ART DIRECTION OF THE SCENE FRAME IS THE CREATIVE HANDLING OF THE OVER-ALL LOOK
  • 3. DESIGN ELEMENTS SPACE LINE COLOR SHAPE TEXTURE FORM VALUE
  • 4. SPACE FOREGROUND MIDGROUND BACKROUND + _
  • 5. LINE HORIZONTAL VERTICAL DIAGONAL CURVE
  • 6. SHAPE GEOMETRIC ORGANIC FORM
  • 7. VALUE LIGHT DARK TEXTURE TACTILE IMPLIED
  • 8. COLOR
  • 9. COLOR WHEEL
  • 10. MONOCHROMATIC SCHEMES COLOR
  • 11. ANALOGOUS SCHEMES COLOR
  • 12. COMPLEMENTARY SCHEMES COLOR
  • 13. NEUTRAL SCHEMES COLOR
  • 14. WARM COLORS SCHEMES COLOR
  • 15. COOL COLORS SCHEMES COLOR
  • 16. OTHER COLOR SCHEMES TRIAD COLORS SPLIT COMPLEMENTS DOUBLE COMPLEMENTARY
  • 17.  
  • 18. DESIGN PRINCIPLES UNITY EMPHASIS VARIETY CONTRAST BALANCE
  • 19. DESIGN IN PRODUCTION INVOLVES THE FF ELEMENTS SET PROPS COSTUME MAKE-UP
  • 20. DESIGN IN PRODUCTION SET
  • 21. DESIGN IN PRODUCTION PROPS
  • 22. DESIGN IN PRODUCTION COSTUME
  • 23. DESIGN IN PRODUCTION MAKE-UP
  • 24. PRODUCTION VALUE IS GETTING MUCH OF THE MONEY BEING SPENT ON A FRAME WHERE THE AUDIENCE CAN SEE IT.
  • 25. PRODUCTION VALUE IS GETTING MUCH OF THE MONEY BEING SPENT ON A FRAME WHERE THE AUDIENCE CAN SEE IT.
  • 26. THE SCENE: PAY ATTENTION TO DETAILS
  • 27. THE LOCATION: MAKES AND BREAKS THE DESIGN
  • 28. LAY-OUTS: GUIDE FOR DESIGN
  • 29.  
  • 30. SUPPLIERS: BUILDING A RELATIONSHIP
  • 31. THINK OUTSIDE THE BOX

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